Blog
Book Review: Supercollider for the Creative Musician
A review of the book Supercollider for the Creative Musician written by composer and professor Eli Fieldsteel.
Move slow and create things
Could LLMs help make computers less rigid and fixed, opening up the world of programming to anyone?
Live coding – an interview with Lizzie Wilson (Digital Selves)
We interview live code Lizzie Wilson (Digital Selves) about how her approach to music was formed by the Algorave scene in Leeds, Yorkshire.
Strategies experts use to learn programming languages
Is learning by doing the right way for you, or do you prefer to read about the theory first? There’s no right or wrong, you just have to try different approaches and find one that works for you. Learning a programming language is not inherently hard: if you’ve learned to play an instrument, that’s likely harder!
A guide to seven powerful programs for music and visuals
Discover 7 software environments used by creatives for live music and visuals. Which should you learn and why?
Kaija Saariaho's lasting legacy on electronic music
Discover the innovative legacy of Finnish composer Kaija Saariaho as we explore her groundbreaking contributions to electronic and computer-assisted music in this deep dive into three of her 1980s compositions.
Learn monome norns
Join a community of open-source creative coders with monome norns Customise your live performance rig and engage in a powerful open-source toolkit made for musicians, with monome norns. Check out …
SuperCollider workshops at Machines Room – full series offer
Register to all of our four upcoming SuperCollider workshops taking place from April to July one Wednesday per month at Machines Rooms, with a 15% discount. BOOK HERE (£100) You can …
Introduction to SuperCollider
SuperCollider is an interpreted music environment developed by James McCartney in 1996. It was open-sourced in 2002 when McCartney joined Apple. Since then, SuperCollider has been adopted by a growing …