What follows from the collapse of NFTs?
Almost a quarter of a century after Napster fired a torpedo into the record industry one might have ...
What do recent trends in generative art mean for music?
In the last few years a big shift occurred in visual generative arts, somewhat obscured by the huge ...
How to design a music installation – an interview with Tim Murray-Browne (part 2)
How to design a music installation – an interview with Tim Murray-Browne (part 2) In the first...
How to design a music installation – an interview with Tim Murray-Browne (part 1)
Tim’s idea for a project was bold: He had no idea. Or to be more precise, his idea was to have no ...
Exploring the 2023 MIDI Innovation Awards
How the MIDI Innovation Awards are designed to help MIDI evolve...
Creating soundtracks to transform the taste of wine
How Soundpear is using music to transform the way we taste wine. ...
Strategies experts use to learn programming languages
Is learning by doing the right way for you, or do you prefer to read about the theory first? There'...
A guide to seven powerful programs for music and visuals
Discover 7 software environments used by creatives for live music and visuals. Which should you lear...
‘Why I started Music Hackspace’: Jean-Baptiste Thiebaut
How I stumbled across Music Hackspace is a hazy memory. I remember turning up in a nondescript indus...
Kaija Saariaho’s lasting legacy on electronic music
Discover the innovative legacy of Finnish composer Kaija Saariaho as we explore her groundbreaking c...
On the future of music: an interview with composer Robert Thomas (part 2)
This is part 2 of an interview with composer Robert Thomas. The first part you can read here. Q. I a...
On the future of music: an interview with composer Robert Thomas (Part 1)
Dive into a fascinating conversation with composer and audio programmer Robert Thomas, as he discuss...
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