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Join us at the LimeWharf yard with the London Synth DIY, a group that meets to discuss, collaborate and experiment with electronics that creatively synthesise audio or video. Any skill level welcome, the aim is to create a relaxed atmosphere with no judgment on your knowledge. We want to encourage the exchange of ideas related […]
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Join artist Sophie Mallett for an insight into ongoing research around borders, surveillance and sounds. The talk will navigate through a topography of competing technologies that all use sound and radio to define and confine territories. Together we'll explore the politics of control embedded in technologies of sound production and transmission. Sophie Mallett is an […]
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Sound synthesis and interactive algorithmic composition with machine learning in SuperCollider Wednesday 11th May 19:00 – 21:00 This workshop takes place in Machines Room (Classroom). Address: 45 Vyner St, London E2 9DQ In this workshop we will explore the basics of sound synthesis and algorithmic composition with a particular emphasis on creating interactive synthesizers […]
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Join us for a weekend of DIY modular synth making on 14th and 15th May 2016! HANDS ON WORKSHOP: build your own synth modules on eurorack format. We provide all the necessary components to build your device from scratch. Each participant builds her/his own machine during the workshop. REGISTRATION. Please note a minimum number of […]
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Building high-performance interactive audio systems with the Bela platform This workshop presents Bela, an embedded platform capable of ultra-low latency audio and sensor processing. Based on the BeagleBone Black, Bela features stereo audio I/O, 8 channels each of 16-bit analog I/O and 16 channels of digital I/O. It includes a built-in browser-based IDE including an […]
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Artist duo Jones/Bulley create large-scale sound installations that translate patterns and data into ever-changing compositions, often sited in remote and wild environments. In this talk, they will discuss composing music for weather conditions and forest ecosystems, describe some of the technological and compositional challenges encountered through their work, and explain why they are switching towards using their own ground-up open-source audio […]
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