Date & Time: Monday 10th May 6pm UK / 7pm Berlin / 10am LA / 1pm NYC

In this livestreamed interview, we will speak with Sam Tarakajian and Alex Van Gils, who’ve built a fantastic live-coding environment that works within an Ableton Live device called Nestup. 

The programs we use to make music have a lot of implicit decisions baked into them, especially in their graphical interfaces. Nestup began as a thought experiment, trying to see if embedding a text editor inside Live could open up new creative possibilities. We think the answer is that yes, text can work well alongside a piano roll and a traditional musical score, as a concise and expressive way to define complex rhythms.

With Nestup, you define for yourself any size of rhythmic unit, any sort of rhythmic subdivision, and with any scaling factor. These language features open your rhythm programming up to musical ideas such as metric modulation, nested tuplets, complex polyrhythm, and more. Rhythms from musical styles which would have been prohibitively difficult to program in a DAW can therefore be rendered in MIDI, such as rhythms from Armenian folk musics or “new complexity” compositions.

Overview of speakers

Sam is a Brooklyn based developer and creative coder. Sam works for Cycling ‘74 and develops independent projects at Cutelab NYC. Alex is a composer, performer, and generative video artist based in Brooklyn. 

Sam and Alex have been making art with music and code together for over 10 years, beginning with a composition for double bass and Nintendo Wiimote while undergraduates and continuing to include electroacoustic compositions, live AR performance art, installation art, Max4Live devices, and now Nestup, the domain-specific language for musical rhythms.

Where to watch?

YouTube –

 

Level: Intermediate – Advanced

The creative path is not a straight line. In this workshop, you will develop a workflow focused on experimental approaches utilizing randomization, stochastic methods, polymeters, polyrhythms and more using Live and M4L. Experimental audio processing and non-linear mixing activities will be included in the compositional process to create unique sound qualities as well as overcoming creative blocks.

Session Learning Outcomes

By the end of this session a successful student will be able to:

• Examine various forms of (non)linear compositional strategies

• Identify approaches that provide musical contingency

• Select Ableton’s techniques & M4L devices to use in the writing process

• Design generative methods for complex compositional systems based on the Ableton and M4L environments

Session Study Topics

• Randomization & Stochastic methods

• Polymeters & polyrhythms

• Racks, Audio & MIDI FXs chains

• Max4Live LFO, Shaper, Buffer shuffler, Multimap pro

Requirements

• A computer and internet connection

• A web cam and mic

• A Zoom account

• Access to a copy of Ableton Live 10 Suite, or Ableton Live 10 with a Max For Live license

About the workshop leader

Simone Tanda is a musician, producer, multi-media artist, tech consultant, and educator.

Based across London & Berlin he is currently creating music for his own project, as well as multidisciplinary artists, film, and commercials.