Synthesis with Max: Physical Modelling

Level: Intermediate

What you will learn in this course

Cycling 74’s Max / MSP offers a vast playground of programming opportunities to create your own synthesis devices. In this workshop you will build your own synthesis device that utilizes a Physical Modelling architecture. This workshop aims to provide you with suitable skills to begin exploring Physical Modelling synthesis devices in the Max MSP environment.

Session Learning Outcomes

By the end of this session you will be able to:

  • Build Physical Modelling devices via MSP oscillator objects
  • Explore Physical Modelling spectral sonic properties

  • Construct modulation sources for Physical Modelling synthesis devices

  • Define the sonic timbre and strengths and weakness of Physical Modelling synthesis

Session Study Topics

  • MSP oscillator objects for Physical Modelling
  • Sonograms, scopes and the frequency domain

  • LFO, line & envelope properties

  • Physical Modelling’s timbre. Strengths and weaknesses

Requirements

  • A computer and internet connection
  • A good working knowledge of computer systems
  • An basic awareness of audio processing
  • Good familiarity with MSP
  • Access to a copy of Max 8 (i.e. trial or full license)

About the workshop leader

Ned Rush aka Duncan Wilson is a musician, producer and performer. He’s known best for his YouTube channel, which features a rich and vast quantity of videos including tutorials, software development, visual art, sound design, internet comedy, and of course music.

Synthesis with Max: FM

Level: Intermediate

What you will learn in this course

Cycling 74’s Max / MSP offers a vast playground of programming opportunities to create your own synthesis devices. In this workshop you will build your own synthesis device that utilizes a FM architecture. This workshop aims to provide you with suitable skills to begin exploring FM synthesis devices in the Max MSP environment.

Session Learning Outcomes

By the end of this session you will be able to:

  • Build FM carrier and modulators via MSP oscillator objects
  • Explore FM’s spectral sonic properties

  • Construct modulation sources for FM synthesis devices

  • Define the sonic timbre and strengths and weakness of FM synthesis

Session Study Topics

  • MSP oscillator objects for FM
  • Sonograms, scopes and the frequency domain

  • LFO, line & envelope properties

  • FM’s timbre. Strengths and weaknesses

Requirements

  • A computer and internet connection
  • A good working knowledge of computer systems
  • An basic awareness of audio processing
  • Good familiarity with MSP
  • Access to a copy of Max 8 (i.e. trial or full license)

About the workshop leader

Ned Rush aka Duncan Wilson is a musician, producer and performer. He’s known best for his YouTube channel, which features a rich and vast quantity of videos including tutorials, software development, visual art, sound design, internet comedy, and of course music.

Synthesis with Max: Subtractive

Level: Intermediate

What you will learn in this course

Cycling 74’s Max / MSP offers a vast playground of programming opportunities to create your own synthesis devices. In this workshop you will build your own synthesis device that utilizes a subtractive architecture. This workshop aims to provide you with suitable skills to begin exploring subtractive synthesis devices in the Max MSP environment.

Session Learning Outcomes

By the end of this session you will be able to:

  • Deploy MSP oscillator objects
  • Build various filter responses via MSP filter objects

  • Construct modulation sources for subtractive synthesis devices

  • Define the sonic timbre and strengths and weakness of subtractive synthesis

Session Study Topics

  • MSP oscillator objects

  • Filter networks & responses

  • LFO & envelope properties

  • Subtractive’s timbre. Strengths and weaknesses

Requirements

  • A computer and internet connection
  • A good working knowledge of computer systems
  • An basic awareness of audio processing
  • Good familiarity with MSP
  • Access to a copy of Max 8 (i.e. trial or full license)

About the workshop leader

Ned Rush aka Duncan Wilson is a musician, producer and performer. He’s known best for his YouTube channel, which features a rich and vast quantity of videos including tutorials, software development, visual art, sound design, internet comedy, and of course music

Synthesis with Max: Granular

Level: Intermediate

What you will learn in this course

Cycling 74’s Max / MSP offers a vast playground of programming opportunities to create your own synthesis devices. In this workshop you will build your own synthesis device that utilizes a  Granular architecture. This workshop aims to provide you with suitable skills to begin exploring  Granular synthesis devices in the Max MSP environment.

Session Learning Outcomes

By the end of this session you will be able to:

  • Build Granular oscillators via MSP oscillator objects
  • Explore Granular’s spectral sonic properties

  • Construct modulation sources for  Granular synthesis devices

  • Define the sonic timbre and strengths and weakness of  Granular synthesis

Session Study Topics

  • MSP oscillator objects for  Granular
  • Sonograms, scopes and the frequency domain

  • LFO, line & envelope properties

  •  Granular’s timbre. Strengths and weaknesses

Requirements

  • A computer and internet connection
  • A good working knowledge of computer systems
  • An basic awareness of audio processing
  • Good familiarity with MSP
  • Access to a copy of Max 8 (i.e. trial or full license)

About the workshop leader

Phelan Kane is a Berlin & London based music producer, engineer, artist, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector, with a focus on electronic music and alternative bands. His specialism is sound design and production techniques such as synthesis and sampling, alongside audio processing and plug-in development.

His credits include collaborations with Placebo, Radiohead, Fad Gadget, Depeche Mode, Moby, Snow Patrol, Mute, Sony BMG, Universal, EMI and Warner Bros.

He holds an MA in Audio Technology from the London College of Music, University of West London, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. He is a member of the UK’s Music Producers Guild, holds a PG Cert in Learning & Teaching, is an Affiliate of the Institute for Learning, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society.

He is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.

Synthesis with Max: Wavetable

Level: Intermediate

What you will learn in this course

Cycling 74’s Max / MSP offers a vast playground of programming opportunities to create your own synthesis devices. In this workshop you will build your own synthesis device that utilizes a Wavetable architecture. This workshop aims to provide you with suitable skills to begin exploring Wavetable synthesis devices in the Max MSP environment.

Session Learning Outcomes

By the end of this session you will be able to:

  • Build Wavetable oscillators via MSP oscillator objects
  • Explore Wavetable’s spectral sonic properties

  • Construct modulation sources for Wavetable synthesis devices

  • Define the sonic timbre and strengths and weakness of Wavetable synthesis

Session Study Topics

  • MSP oscillator objects for Wavetable

  • Sonograms, scopes and the frequency domain

  • LFO, line & envelope properties

  • Wavetable’s timbre. Strengths and weaknesses

Requirements

  • A computer and internet connection
  • A good working knowledge of computer systems
  • An basic awareness of audio processing
  • Good familiarity with MSP
  • Access to a copy of Max 8 (i.e. trial or full license)

About the workshop leader

Phelan Kane is a Berlin & London based music producer, engineer, artist, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector, with a focus on electronic music and alternative bands. His specialism is sound design and production techniques such as synthesis and sampling, alongside audio processing and plug-in development.

His credits include collaborations with Placebo, Radiohead, Fad Gadget, Depeche Mode, Moby, Snow Patrol, Mute, Sony BMG, Universal, EMI and Warner Bros.

He holds an MA in Audio Technology from the London College of Music, University of West London, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. He is a member of the UK’s Music Producers Guild, holds a PG Cert in Learning & Teaching, is an Affiliate of the Institute for Learning, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society.

He is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.

An Introduction to Synthesis with Max

Level: Intermediate

What you will learn in this course

Cycling 74’s Max / MSP offers a vast playground of programming opportunities to create your own synthesis devices. In this workshop you will begin to build your own synthesis devices. This workshop aims to provide you with suitable skills to begin exploring synthesis devices in the Max MSP environment.

Session Learning Outcomes

By the end of this session you will will be able to:

  • Define the basic building blocks of synthesis
  • Build oscillators via MSP oscillator objects

  • Explore various filter responses via MSP filter objects

  • Begin to build modulation sources for synthesis devices

Session Study Topics

  • MSP synthesis objects

  • MSP oscillator objects

  • MSP filter objects

  • LFO & envelope properties

Requirements

  • A computer and internet connection
  • A good working knowledge of computer systems
  • An basic awareness of audio processing
  • Good familiarity with MSP
  • Access to a copy of Max 8 (i.e. trial or full license)

About the workshop leader

Phelan Kane is a Berlin & London based music producer, engineer, artist, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector, with a focus on electronic music and alternative bands. His specialism is sound design and production techniques such as synthesis and sampling, alongside audio processing and plug-in development.

His credits include collaborations with Placebo, Radiohead, Fad Gadget, Depeche Mode, Moby, Snow Patrol, Mute, Sony BMG, Universal, EMI and Warner Bros.

He holds an MA in Audio Technology from the London College of Music, University of West London, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. He is a member of the UK’s Music Producers Guild, holds a PG Cert in Learning & Teaching, is an Affiliate of the Institute for Learning, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society.

He is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.

Building audio effects with Max

Level Intermediate. Knowledge of Max or Pure Data is required, and some rudiments of digital audio.

Max offers a vast playground of programming opportunities to create your own audio FX devices. In this series of workshops you will build delay line, filter, chorus and flanger audio FX devices, empowering you to utilise them in your own patches. This workshop aims to provide you with suitable skills to begin to explore building audio FX devices in the Max MSP environment.

Session Learning Outcomes

By the end of this session a successful student will be able to:

  • Identify key MSP objects for audio FX devices

  • Build delay line audio FX devices with feedback networks

  • Build filter networks for use in audio FX devices

  • Add LFO networks for use in Flanger and Chorus audio FX devices


Requirements

  • A computer and internet connection

  • A good working knowledge of computer systems

  • An basic awareness of audio processing

  • Good familiarity with MSP

  • Access to a copy of Max 8 (i.e. trial or full license)

About the workshop leader

Phelan Kane is a Berlin & London based music producer, engineer, artist, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector, with a focus on electronic music and alternative bands. His specialism is sound design and production techniques such as synthesis and sampling, alongside audio processing and plug-in development. His credits include collaborations with Placebo, Radiohead, Fad Gadget, Depeche Mode, Moby, Snow Patrol, Mute, Sony BMG, Universal, EMI and Warner Bros. He holds an MA in Audio Technology from the London College of Music, University of West London, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. He is a member of the UK’s Music Producers Guild, holds a PG Cert in Learning & Teaching, is an Affiliate of the Institute for Learning, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. He is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.

Build an interactive textile instrument

This practice-led course will show you how to make an electronic textile interface for music performance. We will learn a DIY technique to craft with e-textile materials and then explore how to make music with the handcrafted interface in a number of ways. Each session will follow on from the last, developing your knowledge through a series of hands-on projects, delivered in four online workshops. 

Level: beginner with notions of DIY electronics and programming

  • Some familiarity or experience of working with Arduino and/or Max/MSP (or similar platforms) is desirable
  • A tabletop space to work at
  • Computer, with USB port
  • Arduino IDE (Free – download here: https://www.arduino.cc/en/Main/Software)
  • Max 8 (Free 30 day trial available – you will be instructed to download this for the final session)

This workshop is available internationally. Please order your DIY kit before the dispatch date for your location. Kits will be posted using a Royal Mail tracked service.

UK dispatch date: Friday 17th November

Worldwide dispatch date: Friday 3rd November

We will work with the Lilypad Arduino, a microcontroller board designed for use with e-textiles and wearables projects, and Max/MSP, an object-orientated programming language for music making. The workshop series will cover the fundamentals of working with e-textiles and these technologies, giving a basis for participants to continue to develop their creative ideas when working with sound and interactive textiles.

Tues 24th Nov, 6pm UK –  Workshop 1: Crafting an e-textile interface

In this workshop, we will explore an approach to working with electronic textiles and handcraft. This workshop will introduce needle felting as a DIY method of working with e-textiles. We will make an interactive and touch sensitive textile interface, to then be used in a number of ways, throughout the four sessions of this course. Through crafting the brightly coloured interface, we will explore a creative approach to interface design and learn how traditional crafts can be combined with e-textile materials to result in novel interfaces for music performance.

Tues 1st Dec, 6pm UK – Workshop 2: Bringing your craft work to life: capacitive sensing and visualising sensor data with the Lilypad Arduino

In this session, we will transform the needle felted piece from Workshop 1 into an interactive and touch sensitive interface. We will introduce the Lilypad Arduino and explore capacitive sensing as a method of bringing your textile work to life. You will learn several approaches to visualising interaction data on screen, as well as the fundamentals of working with Arduino IDE.

Tues 8th Dec, 6pm UK – Workshop 3: Composing through code: making an e-textile step sequencer with the Lilypad Arduino

This week, we will develop our coding skills and learn an approach to using your e-textile interface with the Lilypad Arduino, as a standalone music making device. We will write, edit and compose through code, to create a playful step sequencer that makes music as you touch the textile interface. 

Tues 15th Dec, 6pm UK – Workshop 4: Interactive textiles and Max/MSP

Workshop 4 will introduce a method of using your handcrafted interface with Max/MSP. From this workshop, you will know how to program your Lilypad Arduino, to allow your e-textile interface to control parameters in a Max patch. We will make a software-based sampler, where pre-recorded sound files are triggered by touching the interactive textile interface. Some familiarity and a basic working knowledge of Max/MSP is desirable, but not essential. Participants with experience in Max are welcome to bring their own patches to experiment with.

A DIY kit, with all of the craft tools and materials you will need, is included in the workshop price and will be posted to your home in advance of the course.  

There are two kits available, please select the kit that you will require: 

Kit 1 is a full kit and includes a Lilypad Arduino and all of the craft tools and materials you will need for the course. 

Kit 2 includes all of the craft tools and materials you will need to make the e-textile interface, but does not include the Lilypad Arduino and USB cable. 

(Kit 2 is best suited if you already have a Lilypad Arduino or would prefer to use an alternative board. Please note that this course focuses on working with the Lilypad and so support for alternative boards will be limited and only recommended for more experienced participants.)

Kit 1 contents:

  • Lilypad Arduino
  • USB cable
  • 10 x crocodile clips
  • Speaker
  • Wool 
  • Steel wool
  • 3 x Needle felting tools 
  • Embroidery hoop
  • Fabric
  • Copper tape

Kit 2 contents:

  • 10 x crocodile clips
  • Speaker
  • Wool 
  • Steel wool
  • 3 x Needle felting tools 
  • Embroidery hoop
  • Fabric
  • Copper tape

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