Membership plan: Going Deeper | Topics: Sound Design, Visual Arts
Course overview
This session has now finished and wasn't recordedÂ
Join us for the first part of our Ask Me Anything session featuring Umut Eldem, our expert in creative audiovisual coding and music with Max/MSP. This hour-long discussion is tailored for creative coders and musicians eager to harness the power of Max/MSP to broaden their artistic horizons.
During this interactive event, Umut will delve into the process of creating compelling audiovisual art with Max/MSP, and answer your questions, covering key design principles, practical techniques, and sharing personal insights gained from years of experience.
Please note, this session is not recorded and is only available to Going Deeper subscribers.
If you have specific requests, please leave a comment below!
Who is this session for?
Audiovisual Artists/Coders: Creators using digital platforms to produce audiovisual work.
Musicians: Traditional and electronic musicians seeking new techniques.
Max/MSP Users: Both beginners and experts seeking to expand their skills.
Session materials and Zoom link
Relevant courses and resources
Requirements
Some experience with Max/MSP and Jitter
Going Deeper subscription
A Zoom account
Webcam and mic
Course schedule
Meet your instructor
Umut Eldem is a composer, pianist, and researcher. His musical works and research focus on the exploration of synaesthesia as an artistic medium. He has given lectures on his research of synaesthesia, and had his audiovisual works and installations combining sound and colours presented in Belgium, Turkey, Romania, Russia, and Luxembourg. Umut Eldem is currently a PhD researcher at the Royal Conservatoire of Antwerp, and musical director of the theatre collective Mixed & United. He gives lessons and workshops on music history, musical analysis, and audiovisual design. He is also the keyboardist of the bands Starblind = Earthbound and Transport Aerian. His current PhD research entitled ‘The Hearing Glass: Synaesthetic Correspondences in The Musical Practice’ intends to take the results of his previous research and develop them into an inter-sensory theory of audiovisual art.
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