
Subscription id: 22499
Course id: 1863074
Course product id: 1952321
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Not logged in, cannot sync.We Move Session: Leslie Gaston - Immersive Audio 101 / 7th July
Taught by: Leslie Gaston
When: The event will take place Thursday 7th of July at 6pm UK, with the livestream starting at 6:30pm UK.
Where: L-Acoustics Creations, Islington, London, with limited places available in-person.
Register to join in-person or Add to Calendar to be reminded when it starts.
We join audio engineering don Leslie Gaston-Bird for an overview of immersive audio, from its fascinating beginnings to trendy topics like Dolby Atmos, and learn how you can start creating in immersive audio. During the seminar, Leslie will touch on:
Immersive audio history / Early formats / Recording immersive sound / How to deliver immersive audio recordings to streaming services
The event will also be livestreamed on the Music hackspace YouTube channel for those who can’t make it IRL
Level
Speakers & presentations
Leslie (CAS, AMPS, MPSE) is an Avid Certified Dolby Atmos Professional and Dante Level-3 Certified audio engineer specializing in re-recording mixing (dubbing) and sound editing. She is a former Governor-at-Large for the Audio Engineering Society, and author of the book Women in Audio. She is a member of the Recording Academy (The Grammys®), Cinema Audio Society, Association of Motion Picture Sound (AMPS), and Motion Picture Sound Editors (MPSE). She has worked for National Public Radio (Washington, D.C.), Colorado Public Radio, the Colorado Symphony Orchestra, Post Modern Company, and was a tenured Associate Professor at the University of Colorado Denver.
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About the workshop leader
Leslie (CAS, AMPS, MPSE) is an Avid Certified Dolby Atmos Professional and Dante Level-3 Certified audio engineer specializing in re-recording mixing (dubbing) and sound editing. She is a former Governor-at-Large for the Audio Engineering Society, and author of the book Women in Audio. She is a member of the Recording Academy (The Grammys®), Cinema Audio Society, Association of Motion Picture Sound (AMPS), and Motion Picture Sound Editors (MPSE). She has worked for National Public Radio (Washington, D.C.), Colorado Public Radio, the Colorado Symphony Orchestra, Post Modern Company, and was a tenured Associate Professor at the University of Colorado Denver.