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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201216T180000
DTEND;TZID=Europe/London:20201216T200000
DTSTAMP:20260403T232300
CREATED:20201123T144842Z
LAST-MODIFIED:20210720T101127Z
UID:10000880-1608141600-1608148800@musichackspace.org
SUMMARY:Synthesis with Max: Granular
DESCRIPTION:Level: Intermediate \nWhat you will learn in this course \nCycling 74’s Max / MSP offers a vast playground of programming opportunities to create your own synthesis devices. In this workshop you will build your own synthesis device that utilizes a  Granular architecture. This workshop aims to provide you with suitable skills to begin exploring  Granular synthesis devices in the Max MSP environment. \nSession Learning Outcomes \nBy the end of this session you will be able to: \n\nBuild Granular oscillators via MSP oscillator objects\n\nExplore Granular’s spectral sonic properties \n\n\nConstruct modulation sources for  Granular synthesis devices \n\nDefine the sonic timbre and strengths and weakness of  Granular synthesis\n\nSession Study Topics \n\nMSP oscillator objects for  Granular\n\nSonograms\, scopes and the frequency domain \n\n\nLFO\, line & envelope properties \n\n\n Granular’s timbre. Strengths and weaknesses \n\n\n\n \nRequirements \n\nA computer and internet connection\nA good working knowledge of computer systems\nAn basic awareness of audio processing\nGood familiarity with MSP\nAccess to a copy of Max 8 (i.e. trial or full license)\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. His specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. \nHis credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. \nHe holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. He is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/synthesis-with-max-granular-live-session/
LOCATION:Online
CATEGORIES:Live-stream,Max,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/11/Dec-Workshops-Recordings-Thumbnails.007.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201221T180000
DTEND;TZID=Europe/London:20201221T200000
DTSTAMP:20260403T232300
CREATED:20201123T150332Z
LAST-MODIFIED:20210720T101052Z
UID:10000889-1608573600-1608580800@musichackspace.org
SUMMARY:Synthesis with Max: Physical Modelling
DESCRIPTION:Level: Intermediate \nWhat you will learn in this course \nCycling 74’s Max / MSP offers a vast playground of programming opportunities to create your own synthesis devices. In this workshop you will build your own synthesis device that utilizes a Physical Modelling architecture. This workshop aims to provide you with suitable skills to begin exploring Physical Modelling synthesis devices in the Max MSP environment. \nSession Learning Outcomes \nBy the end of this session you will be able to: \n\nBuild Physical Modelling devices via MSP oscillator objects\n\nExplore Physical Modelling spectral sonic properties \n\n\nConstruct modulation sources for Physical Modelling synthesis devices \n\nDefine the sonic timbre and strengths and weakness of Physical Modelling synthesis\n\nSession Study Topics \n\nMSP oscillator objects for Physical Modelling\n\nSonograms\, scopes and the frequency domain \n\n\nLFO\, line & envelope properties \n\n\nPhysical Modelling’s timbre. Strengths and weaknesses \n\n\n\n \nRequirements \n\nA computer and internet connection\nA good working knowledge of computer systems\nAn basic awareness of audio processing\nGood familiarity with MSP\nAccess to a copy of Max 8 (i.e. trial or full license)\n\nAbout the workshop leader \nNed Rush aka Duncan Wilson is a musician\, producer and performer. He’s known best for his YouTube channel\, which features a rich and vast quantity of videos including tutorials\, software development\, visual art\, sound design\, internet comedy\, and of course music.
URL:https://musichackspace.org/event/synthesis-with-max-physical-modelling-live-session/
LOCATION:Online
CATEGORIES:Live-stream,Max,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/11/Dec-Workshops-Recordings-Thumbnails.008.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210106T180000
DTEND;TZID=Europe/London:20210106T200000
DTSTAMP:20260403T232300
CREATED:20201202T164337Z
LAST-MODIFIED:20201231T101217Z
UID:10000893-1609956000-1609963200@musichackspace.org
SUMMARY:Getting started with Max - LIVE series
DESCRIPTION:-SOLD OUT- Head over to this link for the February sign ups  \nDates:  \nSession 1: Wednesday 6th January 6pm GMT \nSession 2: Wednesday 13th January 6pm GMT \nSession 3:  Wednesday 20th January 6pm GMT \nSession 4: Wednesday 27th January 6pm GMT \nLevel: Beginners curious about programming \nGet started with interactive audio and video\, and discover the possibilities of the Max environment. In this series of workshops\, you will learn how to manipulate audio\, MIDI\, samples\, oscillators and program your own interactive canvas. \nConnect together Max’s building blocks to create unexpected results\, and use them in your music productions. \nLearn from guided examples and live interactions with teachers and other participants. \nThis series of online workshops aims to enable you to work with Max confidently on your own. \nSession overview  \n\nSession 1 – Understand the Max environment\nSession 2 – Connect building blocks together\nSession 3 – Master the user interface\nSession 4 – Work with your MIDI devices\n\n\n \nRequirements  \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAccess to a copy of Max 8 \n\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHe specialises in sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/getting-started-with-max-live-session/
LOCATION:Online
CATEGORIES:Live-stream,Max,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Jan-GSWM-Thumbnail-Sold-Out.001.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210107T180000
DTEND;TZID=Europe/London:20210107T200000
DTSTAMP:20260403T232300
CREATED:20201216T115858Z
LAST-MODIFIED:20201216T115858Z
UID:10000790-1610042400-1610049600@musichackspace.org
SUMMARY:Additive Synthesis with Max - LIVE Session
DESCRIPTION:Date: Thursday 7th January 6pm GMT \nLevel: Intermediate \nCycling 74’s Max / MSP offers a vast playground of programming opportunities to create your own synthesis devices. \nIn this workshop you will build your own synthesis device that utilizes an Additive architecture. This workshop aims to provide you with suitable skills to begin exploring  Additive synthesis devices in the Max MSP environment. \nSession Learning Outcomes \nBy the end of this session you will be able to: \n\nBuild  Additive oscillators via MSP oscillator objects\n\n\n\nExplore Additive’s spectral sonic properties \n\n\nConstruct modulation sources for  Additive synthesis devices \n\nDefine the sonic timbre and strengths and weakness of Additive synthesis\n\nSession Study Topics \n\nMSP oscillator objects for Additive\n\n\nSonograms\, scopes and the frequency domain\n\n\nLFO\, line & envelope properties\n\n\n\n\nAdditive’s timbre. Strengths and weaknesses\n\n\n\n\n \nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAn basic awareness of audio processing \n\n\nGood familiarity with MSP \n\n\nAccess to a copy of Max 8 (i.e. trial or full license) \n\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHe specialises in sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development.  \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/additive-synthesis-with-max-live-session/
LOCATION:Online
CATEGORIES:Live-stream,Max,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Phelan-2021-Jan.001.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210108T180000
DTEND;TZID=Europe/London:20210108T200000
DTSTAMP:20260403T232300
CREATED:20201209T143852Z
LAST-MODIFIED:20210204T125755Z
UID:10000907-1610128800-1610136000@musichackspace.org
SUMMARY:Exploring MC ~ in Max 8 - On demand
DESCRIPTION:Level: Intermediate to Advanced \nCycling 74’s Max/MSP offers a vast playground of programming opportunities to create your own audio effects. In this workshop you will build your own audio effects that utilizes multi-channel (mc~) for complex audio processes. This workshop aims to provide you with suitable skills to begin exploring the mc~ environment. \nSession Learning Outcomes \nBy the end of this session a successful student will be able to: \n\n\nExplore the basic concepts of mc~ and how we can apply them to signal processing via delay lines \n\n\nBuild multi-tap delay/resonator/reverb FX using various mc~ objects \n\n\nDeploy feedback processing using filters such as mc.lores~ and mc.svf~ \n\n\nApply UI elements to gain access to the various mc~ processes \n\n\nApplying modulation sources such as mc.cycle~ to create a polyphonic/multi-voice chorus effect. \n\n\nSession Study Topics \n\nmc concepts and mc.tapin~ and mc.tapout~\n\n\nBuilding FX via mc~ objects\n\n\nUI objects and the mc~ messaging system.\n\n\n\n\nmc~ modulation sources\n\n\n\n\n \nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAn basic awareness of audio processing \n\n\nGood familiarity with MSP \n\n\nAccess to a copy of Max 8 (i.e. trial or full license) or Live Suite (M4L) \n\n\nAbout the workshop leader \nNed Rush aka Duncan Wilson is a musician\, producer and performer. He’s most likely known best for his YouTube channel\, which features a rich and vast quantity of videos including tutorials\, software development\, visual art\, sound design\, internet comedy\, and of course music.
URL:https://musichackspace.org/event/exploring-mc-in-max-8-live-session/
LOCATION:Online
CATEGORIES:Max,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Ned-Rush-Jan-Recording-thumbnails.001-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210111T180000
DTEND;TZID=Europe/London:20210111T200000
DTSTAMP:20260403T232300
CREATED:20201209T112447Z
LAST-MODIFIED:20201209T112447Z
UID:10000906-1610388000-1610395200@musichackspace.org
SUMMARY:Interactive video with Jitter - LIVE Session
DESCRIPTION:Dates:  \nSession 1 – Monday 11th January 6pm – 8pm GMT \nSession 2 – Monday 18th January 6pm – 8pm GMT \nSession 3 – Monday 25th January 6pm – 8pm GMT \nSession 4 – Monday 1st February 6pm – 8pm GMT \nLevel: Beginner with a basic knowledge of Max \nWhat you will learn \nThe workshop is aimed at anyone who would like to learn how to create interactive visuals with the software Max/MSP/Jitter from Cycling74. \nYou definitely don’t need to be a Max guru to take part in the workshop\, although a basic knowledge of the program is required. \nWe will start from the very basics of working with videos and images in Max\, learning how to import footage and live camera stream and how those can be processed in the software. We will then see how to unlock the full control over visuals manipulation and analysis using the GEN environment\, which allows us to work on video and images at the pixel level. \nWe will finally proceed to introduce the OpenGL implementation inside Max\, with which we can create 3D graphics and visually satisfying post-processing effects. \nA major focus of the workshop will be to include interaction in our patches. \nWe will use audio streams to control and modify the parameter of our visuals\, as well as others interactive inputs like camera video stream. \nAt the end of the workshop we will have a showreel of the works created by the participants during the four weeks. \n\n \nRequirements \n\nA computer and internet connection\n\nTopics \nSession 1 \n\nWorkshop holder and participants introduction.\nShowreel on what can be achieved using Max/Jitter for the Visuals.\nStarting with video in Max: read and play a movie.\nOpen the webcam video-stream inside Max.\nIntroduction to the Jitter Matrix.\nCreate images by filling pixels algorithmically.\nCreate images using random and noise generators.\nExplanation on Perlin Noise.\nDrive video-effects using an audio stream.\n\nSession 2: \n\nIntroduction to OpenGL in Max.\nApply materials to 3D shapes.\nExplanation on light and color in GL in Max.\nControl 3D shapes parameters using an audio stream.\nIntroducing Textures.\nIntroduction to [jit.gen].\nReviewing simple trigonometry concepts.\nExplanation on Vectors.\nCreate large numbers of 3D shapes using [jit.gen] and [jit.gl.multiple].\n\nSession 3:   \n\nAnimate arrays of 3D shapes using [jit.gen] and input streams.\nCreate a simple particle system with [jit.gen].\nProcedurally create 2D/3D shapes using [jit.gen] and [jit.gl.mesh].  – Animate procedural shapes using an audio stream.\n Create procedural texture using [jit.gl.pix].\n\nSession 4:   \n\nDevelop audio-reactive visuals using the concepts seen in the previous sessions.\nCapture the 3D scene using [jit.gl.node].\nApply post-processing effects to the scene.\n Introduction to [jit.gl.pass].\n Performance consideration on visuals in Max/Jitter.\nConclusion.\n\nAbout the workshop leader \nFederico Foderaro is an audiovisual composer\, teacher and designer for interactive multimedia installations\, author of the YouTube channel Amazing Max Stuff.
URL:https://musichackspace.org/event/interactive-video-with-jitter-live-session/
LOCATION:Online
CATEGORIES:Max,Video,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Federico-Jitter-Jan-Series.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210114T180000
DTEND;TZID=Europe/London:20210114T200000
DTSTAMP:20260403T232300
CREATED:20201216T120303Z
LAST-MODIFIED:20201216T120303Z
UID:10000796-1610647200-1610654400@musichackspace.org
SUMMARY:Advanced Wavetable Synthesis with Max - LIVE Session
DESCRIPTION:Date: Thursday 14th January 6pm GMT \nLevel: Intermediate \nCycling 74’s Max / MSP offers a vast playground of programming opportunities to create your own synthesis devices. In this workshop you will build your own synthesis device that utilizes an advanced  Wavetable architecture. This workshop aims to provide you with suitable skills to begin exploring advanced Wavetable synthesis devices in the Max MSP environment. \nSession Learning Outcomes \nBy the end of this session a successful student will be able to: \n\nBuild advanced Wavetable oscillators via MSP oscillator objects\n\n\n\nExplore advanced Wavetable’s spectral sonic properties \n\n\nConstruct modulation sources for Wavetable synthesis devices \n\nDefine the sonic timbre and strengths and weakness of Wavetable synthesis\n\nSession Study Topics \n\nAdvanced MSP oscillator objects for Wavetable\n\n\nSonograms\, scopes and the frequency domain\n\n\nLFO\, line & envelope properties\n\n\n\n\nWavetable’s timbre. Strengths and weaknesses\n\n\n\n\n \nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAn basic awareness of audio processing \n\n\nGood familiarity with MSP \n\n\nAccess to a copy of Max 8 (i.e. trial or full license) \n\n\nAbout the workshop leader  \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHe specialises in sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development.  \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/advanced-wavetable-synthesis-with-max-live-session/
LOCATION:Online
CATEGORIES:Live-stream,Max,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Phelan-2021-Jan.002.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210115T180000
DTEND;TZID=Europe/London:20210115T200000
DTSTAMP:20260403T232300
CREATED:20201209T145603Z
LAST-MODIFIED:20210204T130137Z
UID:10000910-1610733600-1610740800@musichackspace.org
SUMMARY:Jitter in Ableton - On demand
DESCRIPTION:Level: Intermediate \nCycling 74’s Jitter offers a vast playground of programming opportunities to create your own visual devices. In this workshop you will build your own visual device that utilizes a audio signals to manipulate imaginary. This workshop aims to provide you with suitable skills to begin exploring the jitter environment. \nSession Learning Outcomes \nBy the end of this session a successful student will be able to: \n\n\nDiscover the basics of the Jitter framework. \n\n\nExplore options for analysing audio signals to gather data to control visuals \n\n\nDeploy objects suitable for making visuals \n\n\nApply processes from data acquired from audio signals to control visuals. \n\n\nApply UI elements and save into a Max For Live device. \n\n\nSession Study Topics \n\nThe jitter landscape\nAudio analysis\nUsing visual objects\nControl visual objects\nUI & M4L devices\n\n\n\n\n\n \nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAn basic awareness of audio processing \n\n\nGood familiarity with MSP \n\n\nAccess to a copy of Max 8 (i.e. trial or full license) or Live Suite (M4L) \n\n\nAbout the workshop leader \nNed Rush aka Duncan Wilson is a musician\, producer and performer. He’s most likely known best for his YouTube channel\, which features a rich and vast quantity of videos including tutorials\, software development\, visual art\, sound design\, internet comedy\, and of course music.
URL:https://musichackspace.org/event/jitter-in-ableton-live-session/
LOCATION:Online
CATEGORIES:Max,Music software,Video
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Ned-Rush-Jan-Recording-thumbnails.002-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210116T150000
DTEND;TZID=Europe/London:20210116T170000
DTSTAMP:20260403T232300
CREATED:20201208T133141Z
LAST-MODIFIED:20201208T134235Z
UID:10000897-1610809200-1610816400@musichackspace.org
SUMMARY:Max meetup - Europe Edition 1
DESCRIPTION:FREE \nDate:  Saturday 16th January – 3pm UK time /  4pm CET \nLevel: Open to all levels \nOverview \nJoin the Max meetup to share ideas and learn with other artists\, coders and performers. Showcase your patches\, pair with others to learn together\, get help for a school assignment\, or discover new things. \nThe meetup runs via Zoom. The main session features short presentations from Max users. Breakout rooms are created on the spot on specific topics\, and you can request a new topic at any time. \n In the breakout rooms\, you can share your screen to show other participants something you’re working on\, ask for help\, or help someone else. \nWhat if I can’t get in? \nThe number of participants is limited to 100. The main session is live streamed on our YouTube channel for those who cannot attend or want to watch it later. \nReady to present your work? \nEveryone is welcome to propose a presentation. Just fill in this short form and you’ll be put on the agenda on a first come first served basis. \nPresentations should take no more than 5 minutes with 5 minutes Q&A and we’ll have up to 5 presentations at each meetup. \n\n \nTopic suggestions but not limited to: \n\nMIDI\nJitter\nSignal processing\nSequencing\nHardware\nOSC\nAlgorithmic composition\nPackage manager modules\n\nBerlin Code of Conduct \nWe ask all participants to read and follow the Berlin Code of Conduct and contribute to creating a welcoming environment for everyone.
URL:https://musichackspace.org/event/max-meetup-europe-edition-1/
LOCATION:Online
CATEGORIES:Max,Meet Ups,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Max-meetup-Jan-EU-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210117T180000
DTEND;TZID=Europe/London:20210117T200000
DTSTAMP:20260403T232300
CREATED:20201222T085957Z
LAST-MODIFIED:20210223T115923Z
UID:10000789-1610906400-1610913600@musichackspace.org
SUMMARY:Digital Windchimes / An Introduction to Generative Music - On demand
DESCRIPTION:Level: Beginner \nBrian Eno once described a set of chimes being blown in the wind as an example of generative music. Adapting this philosophy of music-making to a digital setting\, we can create environments where a series of musical elements can be triggered semi-randomly\, akin to the blowing of wind. \nIn this workshop you will learn to create such a system in Max/MSP\, building a simple synthesised bell-like sound with variable timbre which will then be ‘played’ by a loose algorithm that you will construct. This will involve learning a form of subtractive synthesis using a bank of resonant filters\, applying variable controls to both its generation and post-processing through reverb and delay\, and finally using combinations of random number generators to make digital ‘wind’. \nThis is just one way of approaching generative music\, but by the end of the workshop you will have a better understanding of the underlying axioms and be able to go on to apply them to your own systems. \nTopics \n\n\n\nMax\nGenerative Music\nSubtractive Synthesis\n\n\n\n\n \nRequirements  \n\n\nYou should be comfortable with the general workflow and data formatting in Max. \n\n\nSome basic knowledge of frequencies (hz) in relation to music-making would be a plus. \n\n\nAbout the workshop leader  \nSamuel Pearce-Davies is a composer\, performer\, music programmer and Max hacker living in Cornwall\, UK. \nWith a classical music background\, it was his introduction to Max/MSP during undergraduate studies at Falmouth University that sparked Sam’s passion for music programming and algorithmic composition. \nGoing on to complete a Research Masters in computer music\, Sam is now studying a PhD at Plymouth University in music-focused AI.
URL:https://musichackspace.org/event/digital-windchimes-an-introduction-to-generative-music-live-session/
LOCATION:Online
CATEGORIES:Max,Music software,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Sam-Pearce-Davies-Jan-Recorded-Thumbnail.001-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210122T180000
DTEND;TZID=Europe/London:20210122T180000
DTSTAMP:20260403T232300
CREATED:20201209T144322Z
LAST-MODIFIED:20210720T100513Z
UID:10000781-1611338400-1611338400@musichackspace.org
SUMMARY:Abstract Composition in Ableton and Max For Live - On demand
DESCRIPTION:Level: Intermediate \nAbleton and Cycling 74’s Max For Live offer a vast playground of programming opportunities to create unique compositions and rich sound designs. In this workshop you will create musical and sonic ideas using abstract techniques of composition. This workshop aims to provide you with suitable skills to begin exploring generative composition and complex sound design. \nSession Learning Outcomes \nBy the end of this session a successful student will be able to: \n\n\nDiscuss the relevance of using generative processes in certain musical contexts. \n\n\nExplore how we can use these processes to create musical ideas. \n\n\nLook at ways to capture these ideas to use for future projects. \n\n\nExploring various sound design techniques to add colour and shape. \n\n\nSession Study Topics \n\nDeploy Ableton and Max For Live devices to generate musical content.\n\n\nDevelop this content with various devices such as instruments and effects.\n\n\nCapture\, edit and consolidate the content.\n\n\n\n\nReflect on the content we created and discuss ways to develop the project further.\n\n\n\n\n \nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nA basic awareness of music theory and audio processing \n\n\nGood familiarity with Ableton and Max For Live \n\n\nAccess to a copy of Ableton Live 10 Suite\, or Ableton Live 10 with a Max For Live license. \n\n\nAbout the workshop leader \nNed Rush aka Duncan Wilson is a musician\, producer and performer. He’s most likely known best for his YouTube channel\, which features a rich and vast quantity of videos including tutorials\, software development\, visual art\, sound design\, internet comedy\, and of course music.
URL:https://musichackspace.org/event/abstract-composition-in-ableton-and-max-for-live-live-session/
LOCATION:Online
CATEGORIES:Max,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Ned-Rush-Jan-Workshops-to-recordings.001-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20210123T150000
DTEND;TZID=America/Los_Angeles:20210123T170000
DTSTAMP:20260403T232300
CREATED:20201208T133752Z
LAST-MODIFIED:20210720T100234Z
UID:10000902-1611414000-1611421200@musichackspace.org
SUMMARY:Max meetup  - US Edition 1
DESCRIPTION:FREE \nDate:  Saturday 23rd January – 3pm PST / 6pm EST \nLevel: Open to all levels  \nPresenters \nThe meetup will be hosted by Chloe Alexandra Thompson and feature the following presentation \nFrancisco Botello  –  Wireless IMU Panning Controller\nTommy Martinez  –  Spatial Composition in the Frequency Domain\nmutant forest  –  Controlling lights and sound in a performance with max4live\nsydney christensen  –   Idea workshopping: analog synth controlled by MAX information\nChloe Thompson  –  Intro to ICST Ambisonics Package\nOverview \nJoin the Max meetup to share ideas and learn with other artists\, coders and performers. Showcase your patches\, pair with others to learn together\, get help for a school assignment\, or discover new things. \nThe meetup runs via Zoom. The main session features short presentations from Max users. Breakout rooms are created on the spot on specific topics\, and you can request a new topic at any time. \n In the breakout rooms\, you can share your screen to show other participants something you’re working on\, ask for help\, or help someone else. \nReady to present your work? \nEveryone is welcome to propose a presentation. Just fill in this short form and you’ll be put on the agenda on a first come first served basis. \nPresentations should take no more than 5 minutes with 5 minutes Q&A and we’ll have up to 5 presentations at each meetup. \n\n \nTopic suggestions but not limited to: \n\nMIDI\nJitter\nSignal processing\nSequencing\nHardware\nOSC\nAlgorithmic composition\nPackage manager modules\n\nBerlin Code of Conduct \nWe ask all participants to read and follow the Berlin Code of Conduct and contribute to creating a welcoming environment for everyone.
URL:https://musichackspace.org/event/max-meetup-us-edition-1/
LOCATION:Online
CATEGORIES:Max,Meet Ups,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Max-meetup-Jan-US-2.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210129T080000
DTEND;TZID=Europe/London:20210129T170000
DTSTAMP:20260403T232300
CREATED:20201209T145135Z
LAST-MODIFIED:20210720T100417Z
UID:10000908-1611907200-1611939600@musichackspace.org
SUMMARY:Abstract Performance in Ableton and Max For Live - On demand
DESCRIPTION:Level: Intermediate \nAbleton and Cycling 74’s Max For Live offer a vast playground of opportunities to create unique and rich electronic music performances. In this workshop you will create a performance instrument. This workshop aims to provide you with suitable skills to begin exploring improvised performance in Ableton Live and Max For Live. \nSession Learning Outcomes \nBy the end of this session a successful student will be able to: \n\n\nDiscuss various forms of performance approaches in Ableton and Max For Live plus their advantages and weaknesses. \n\n\nExplore one approach that gives most flexibility and ease for performing. \n\n\nGather assets in Ableton and Max For Live to use in the performance and how to fit them into our chosen approach. \n\n\nDevelop the approach into a complex performance orientated instrument based in the Ableton and Max For Live Environments \n\n\nSession Study Topics \n\nDeploy Ableton and Max For Live devices to create a musical performance.\nLoad and organize sounds into Ableton’s Drum Rack.\nEnhance the performability of our instrument using midi processes.\nDevelop the approach using Ableton and Max For Live effects.\n\n\n\n\n\n \nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nA basic awareness of music theory and audio processing \n\n\nGood familiarity with Ableton and Max For Live \n\n\nAccess to a copy of Ableton Live 10 Suite\, or Ableton Live 10 with a Max For Live license. \n\n\nA midi controller is desirable. \n\n\nAbout the workshop leader \nNed Rush aka Duncan Wilson is a musician\, producer and performer. He’s most likely known best for his YouTube channel\, which features a rich and vast quantity of videos including tutorials\, software development\, visual art\, sound design\, internet comedy\, and of course music.
URL:https://musichackspace.org/event/abstract-performance-in-ableton-and-max-for-live-live-session/
LOCATION:Online
CATEGORIES:Live-stream,Max,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Ned-Rush-Jan-Workshops-to-recordings.002-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210130T150000
DTEND;TZID=Europe/London:20210130T170000
DTSTAMP:20260403T232300
CREATED:20201208T134127Z
LAST-MODIFIED:20210720T095805Z
UID:10000904-1612018800-1612026000@musichackspace.org
SUMMARY:Max meetup - Europe Edition 2
DESCRIPTION:FREE \nDate:  Saturday 30th January – 3pm UK time / 4pm CET \nLevel: Open to all levels  \nOverview \nJoin the Max meetup to share ideas and learn with other artists\, coders and performers. Showcase your patches\, pair with others to learn together\, get help for a school assignment\, or discover new things. \nThe meetup runs via Zoom. The main session features short presentations from Max users. Breakout rooms are created on the spot on specific topics\, and you can request a new topic at any time. \n In the breakout rooms\, you can share your screen to show other participants something you’re working on\, ask for help\, or help someone else. \nPresenters \nThe session will be hosted by Ned Rush and feature presentations by: \nNick Rothwell\, aka Cassiel\, Live coding a patch librarian in Clojure\nPhilip Meyer\, Image Convolution with jit.gl.pix\nJohan Englund\, CV recorder for Mira \nAnd more to be confirmed soon. \nReady to present your work? \nEveryone is welcome to propose a presentation. Just fill in this short form and you’ll be put on the agenda on a first come first served basis. \nPresentations should take no more than 5 minutes with 5 minutes Q&A and we’ll have up to 5 presentations at each meetup. \n\n \nTopic suggestions but not limited to: \n\nMIDI\nJitter\nSignal processing\nSequencing\nHardware\nOSC\nAlgorithmic composition\nPackage manager modules\n\nBerlin Code of Conduct \nWe ask all participants to read and follow the Berlin Code of Conduct and contribute to creating a welcoming environment for everyone.
URL:https://musichackspace.org/event/max-meetup-europe-edition-2/
LOCATION:Online
CATEGORIES:Max,Meet Ups,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Max-meetup-Jan-EU-2.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210202T180000
DTEND;TZID=Europe/London:20210202T200000
DTSTAMP:20260403T232300
CREATED:20210111T085822Z
LAST-MODIFIED:20210720T095200Z
UID:10000810-1612288800-1612296000@musichackspace.org
SUMMARY:Visual Music Performance with Machine Learning - On demand
DESCRIPTION:Level: Intermediate \nIn this workshop you will use openFrameworks to build a real-time audiovisual instrument. You will generate dynamic abstract visuals within openFrameworks and procedural audio using the ofxMaxim addon. You will then learn how to control the audiovisual material by mapping controller input to audio and visual parameters using the ofxRapid Lib add on. \nSession Learning Outcomes \nBy the end of this session a successful student will be able to: \n\n\nCreate generative visual art in openFrameworks \n\n\nCreate procedural audio in openFrameworks using ofxMaxim \n\n\nDiscuss interactive machine learning techniques \n\n\nUse a neural network to control audiovisual parameters simultaneously in real-time \n\n\nSession Study Topics \n\n\n3D primitives and perlin noise \n\n\nFM synthesis \n\n\nRegression analysis using multilayer perceptron neural networks \n\n\nReal-time controller integration \n\n\n\n \nRequirements \n\n\nA computer and internet connection \n\n\nA web cam and mic \n\n\nA Zoom account \n\n\nInstalled version of openFrameworks \n\n\nDownloaded addons ofxMaxim\, ofxRapidLib \n\n\nAccess to MIDI/OSC controller (optional – mouse/trackpad will also suffice) \n\n\n \nAbout the workshop leader  \nBryan Dunphy is an audiovisual composer\, musician and researcher interested in generative approaches to creating audiovisual art. His work explores the interaction of abstract visual shapes\, textures and synthesised sounds. He is interested in exploring strategies for creating\, mapping and controlling audiovisual material in real time. He has recently completed his PhD in Arts and Computational Technology at Goldsmiths\, University of London.
URL:https://musichackspace.org/event/visual-music-performance-with-machine-learning-live-session/
LOCATION:Online
CATEGORIES:Software Classes,Video,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/01/Bryan-Thumbnail.001-1-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20210203T180000
DTEND;TZID=America/Los_Angeles:20210203T200000
DTSTAMP:20260403T232300
CREATED:20210125T123707Z
LAST-MODIFIED:20210721T065847Z
UID:10000817-1612375200-1612382400@musichackspace.org
SUMMARY:Max Meetup Americas Edition 1 - LIVE Session
DESCRIPTION:Date: Wednesday 3rd of February at 6pm PST / 9pm EST \nLevel: Open to all levels \nOverview \nJoin the Max meetup to share ideas and learn with other artists\, coders and performers. Showcase your patches\, pair with others to learn together\, get help for a school assignment\, or discover new things. \nThe meetup runs via Zoom. The main session features short presentations from Max users. Breakout rooms are created on the spot on specific topics\, and you can request a new topic at any time. \nIn the breakout rooms\, you can share your screen to show other participants something you’re working on\, ask for help\, or help someone else. \n\n \nRequirements \n\nA computer and internet connection\n\nPresenters  \nHosted by Chloe Alexandra Thompson and Francisco Botello \nReady to present your work? \nEveryone is welcome to propose a presentation. Just fill in this short form and you’ll be put on the agenda on a first come first served basis. \nPresentations should take no more than 5 minutes with 5 minutes Q&A and we’ll have up to 5 presentations at each meetup. \nBerlin Code of Conduct \nWe ask all participants to read and follow the Berlin Code of Conduct and contribute to creating a welcoming environment for everyone.
URL:https://musichackspace.org/event/https-musichackspace-org-learnmax/
LOCATION:Online
CATEGORIES:Live-stream,Max,Meet Ups
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/01/Max-meetups-Feb.001-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210204T180000
DTEND;TZID=Europe/London:20210204T200000
DTSTAMP:20260403T232300
CREATED:20201230T132117Z
LAST-MODIFIED:20210720T094729Z
UID:10000795-1612461600-1612468800@musichackspace.org
SUMMARY:Video Synthesis with Vsynth for Max - LIVE Session
DESCRIPTION:Dates: Thursdays 4th / 11th / 18th / 25th February 2021 6pm GMT \nLevel: Intermediate + \nOverview \nIn this series of 4 workshops\, we’ll look at how to interconnect the different 80 modules that come with Vsynth\, exploring video techniques and practices that can create aesthetics associated with the history of the electronic image but also complex patterns founded in some basic functions of nature. \nVsynth is a high level package of modules for Max/Jitter that together make a modular video synthesizer. Its simplicity made it the perfect tool to introduce yourself to video synthesis and image processing. Since It can be connected to other parts of Max\, other softwares and hardwares it can also become a really powerful and adaptable video tool for any kind of job. \nHere’s what you’ll learn in each workshop: \nWorkshop 1: \nLearn the fundamentals of digital video-synthesis by diving into the different video oscillators\, noise generators\, mixers\, colorizers and keyers. By the end of this session students will be able to build simple custom video-synth patches with presets. \n\nVideo oscillators\, mixers\, colorizers.\n\nWorkshop 2:  \n\n\nModulations (phase\, frequency\, pulse\, hue\, among others). \n\n\nIn this workshop we will focus on the concept of modulation so that students can add another level of complexity to their patches. We’ll see the differences between modulating parameters of an image with simple LFOs or with other images. Some of the modulations we’ll cover are Phase\, Frequency\, Pulse Width\, Brightness & HUE. \nWorkshop 3: \n\n\nFilters/convolutions and video feedback techniques. \n\n\nThis 3rd workshop is divided in two. In the first half\, we’ll go in depth in what actually means low or high frequencies in the image world. We’ll then use Low-pass and High-pass filters/convolutions in different scenarios to see how they affect different images. \n\n\nIn the second\, half we’ll go through a lot of different techniques that uses the process of video-feedback. From simple “trails” effects to more complex reaction-diffusion like patterns! \n\n\nWorkshop 4: \n\n\nWorking with scenes and external controllers (audio\, midi\, arduino). \n\n\nIn this final workshop we’ll see how to bundle in just one file several Vsynth patches/scenes with presets for live situations. We’ll also export a patch as a Max for Live device and go in depth into “external control” in order to successfully control Vsynth parameters with audio\, midi or even an Arduino. \n\n\n\n \nRequirements \n\n\nIntermediate knowledge of Max and Jitter \n\n\nHave latest Max 8 installed \n\n\nBasic knowledge of audio-synthesis and/or computer graphics would be useful \n\n\nAbout the workshop leader \nKevin Kripper (Buenos Aires\, 1991) is a visual artist and indie software developer. He’s worked on projects that link art\, technology\, education and toolmaking\, which have been exhibited and awarded in different art and science festivals. Since 2012 he’s been dedicated to creating digital tools that extend the creative possibilities of visual artists and musicians from all over the world.
URL:https://musichackspace.org/event/video-synthesis-with-vsynth-for-max-live-session/
LOCATION:Online
CATEGORIES:Live-stream,Max,Music software,Software Classes,Video,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Kevin-Kripper-Thumbnail.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210204T180000
DTEND;TZID=Europe/London:20210204T200000
DTSTAMP:20260403T232300
CREATED:20201230T180800Z
LAST-MODIFIED:20210720T094328Z
UID:10000807-1612461600-1612468800@musichackspace.org
SUMMARY:Getting started with Max - LIVE Session 3rd Edition(all Thursdays in February)
DESCRIPTION:This workshop series was added as the other two series planned in January and February were sold out. \nLIVE Sessions on Thursdays 4th\, 11th\, 18th\, 25th February 2021\, 6pm GMT \nGet started with interactive audio and video\, and discover the possibilities of the Max environment. In this series of workshops\, you will learn how to manipulate audio\, MIDI\, samples\, oscillators and program your own interactive canvas.  \nConnect together Max’s building blocks to create unexpected results\, and use them in your music productions.  \nLearn from guided examples and live interactions with teachers and other participants.  \nThis series of online workshops aims to enable you to work with Max confidently on your own.  \nSession overview  \nSession 1 – Understand the Max environment \nSession 2 – Connect building blocks together \nSession 3 – Master the user interface \nSession 4 – Work with your MIDI devices \n\n \n  \nTaught by Phelan Kane \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHe specialises in sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development.  \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate. \n Requirements:  \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAccess to a copy of Max 8 
URL:https://musichackspace.org/event/getting-started-with-max-live-session3/
CATEGORIES:Free event,Max,Music software,Software Classes,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/GSWM-Feb-2.001-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210206T160000
DTEND;TZID=Europe/London:20210206T180000
DTSTAMP:20260403T232300
CREATED:20201210T135513Z
LAST-MODIFIED:20210718T151521Z
UID:10000787-1612627200-1612634400@musichackspace.org
SUMMARY:Getting started with Max - LIVE Session 2nd Edition
DESCRIPTION:-SOLD OUT- Head over to to this link for Thursday sign ups Getting started with Max – LIVE Series #3 – Music Hackspace \nSession 1: Saturday 6th February 2021 \nSession 2: Saturday 13th February 2021 \nSession 3: Saturday 20th February 2021 \nSession 4: Saturday 27th February 2021 \nLevel: Beginners curious about programming \nGetting started with Max – LIVE Session \nGet started with interactive audio and video\, and discover the possibilities of the Max environment. In this series of workshops\, you will learn how to manipulate audio\, MIDI\, samples\, oscillators and program your own interactive canvas. \nConnect together Max’s building blocks to create unexpected results\, and use them in your music productions.  \nLearn from guided examples and live interactions with teachers and other participants.  \nThis series of online workshops aims to enable you to work with Max confidently on your own.  \nSession overview  \nSession 1 – Understand the Max environment \nSession 2 – Connect building blocks together \nSession 3 – Master the user interface \nSession 4 – Work with your MIDI devices \n\n \n Requirements:  \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAccess to a copy of Max 8  \n\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHe specialises in sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development.  \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/getting-started-with-max-live-session-2nd-edition/
LOCATION:Online
CATEGORIES:Live-stream,Max,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Cycling74-Workshop-Thumbnail-Feb.001-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210207T180000
DTEND;TZID=Europe/London:20210207T200000
DTSTAMP:20260403T232300
CREATED:20201222T090522Z
LAST-MODIFIED:20210718T151356Z
UID:10000792-1612720800-1612728000@musichackspace.org
SUMMARY:Melody Generation in Max - On demand
DESCRIPTION:Level: Intermediate \nThe importance of the melody in traditional musical composition is difficult to understate. Often one of the first components the ear latches onto\, being able to write a good melody is something of an artform. Producing basic algorithmically-generated melodies using Max/MSP is quite easy\, but in order to produce something more ‘musical’ we must refine the generation process. \nIn this workshop you will learn some ways of generating more complex melodies in Max. This will involve implementing occasional phrase repeats to balance predictability and surprise\, locking in some of the more important rhythmic elements and incorporating planned octave jumps alongside more restricted pitch-based travel. \nBy the end of the workshop you will have constructed a melody generation patch that can be set to play along with your compositions\, with a greater understanding of some of the ways in which we can sculpt melody in Max. \nTopics \n\n\n\nMax/MSP\nAlgorithmic Composition\nMelody\n\n\n\n\n \nRequirements \n\n\nYou should be comfortable with the general workflow and data formatting in Max. \n\n\nKnowledge of MIDI format and routing to DAWs (Ableton\, Logic etc) would be a plus\, although Max instruments will be provided. \n\n\nYou should have some basic knowledge of music theory: chords\, scales\, modes etc. \n\n\nAbout the workshop leader  \nSamuel Pearce-Davies is a composer\, performer\, music programmer and Max hacker living in Cornwall\, UK. \nWith a classical music background\, it was his introduction to Max/MSP during undergraduate studies at Falmouth University that sparked Sam’s passion for music programming and algorithmic composition. \nGoing on to complete a Research Masters in computer music\, Sam is now studying a PhD at Plymouth University in music-focused AI.
URL:https://musichackspace.org/event/melody-generation-in-max-live-session/
LOCATION:Online
CATEGORIES:Music software,Software Classes,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Sam-Pearce-Davies-Melody-Generation.001-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210209T180000
DTEND;TZID=Europe/London:20210209T200000
DTSTAMP:20260403T232300
CREATED:20210111T091621Z
LAST-MODIFIED:20210718T151129Z
UID:10000814-1612893600-1612900800@musichackspace.org
SUMMARY:Immersive AV Composition -On demand / 2 Sessions
DESCRIPTION:Level: Advanced \nThese workshops will introduce you to the ImmersAV toolkit. The toolkit brings together Csound and OpenGL shaders to provide a native C++ environment where you can create abstract audiovisual art. You will learn how to generate material and map parameters using ImmersAV’s Studio() class. You will also learn how to render your work on a SteamVR compatible headset using OpenVR. Your fully immersive creations will then become interactive using integrated machine learning through the rapidLib library. \nSession Learning Outcomes \nBy the end of this session a successful student will be able to: \n\n\nSetup and use the ImmersAV toolkit \n\n\nDiscuss techniques for rendering material on VR headsets \n\n\nImplement the Csound API within a C++ application \n\n\nCreate mixed raymarched and raster based graphics \n\n\nCreate an interactive visual scene using a single fragment shader \n\n\nGenerate the mandelbulb fractal \n\n\nGenerate procedural audio using Csound \n\n\nMap controller position and rotation to audiovisual parameters using machine learning \n\n\nSession Study Topics \n\n\nNative C++ development for VR \n\n\nVR rendering techniques \n\n\nCsound API integration \n\n\nReal-time graphics rendering techniques \n\n\nGLSL shaders \n\n\n3D fractals \n\n\nAudio synthesis \n\n\nMachine learning \n\n\n\n \nRequirements \n\n\nA computer and internet connection \n\n\nA web cam and mic \n\n\nA Zoom account \n\n\nCloned copy of the ImmersAV toolkit plus dependencies \n\n\nVR headset capable of connecting to SteamVR \n\n\n \nAbout the workshop leader  \nBryan Dunphy is an audiovisual composer\, musician and researcher interested in generative approaches to creating audiovisual art in performance and immersive contexts. His work explores the interaction of abstract visual shapes\, textures and synthesised sounds. He is interested in exploring strategies for creating\, mapping and controlling audiovisual material in real time. He has recently completed his PhD in Arts and Computational Technology at Goldsmiths\, University of London.
URL:https://musichackspace.org/event/immersive-av-composition-live-session-2-sessions/
LOCATION:Online
CATEGORIES:Software Classes,Video,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/01/Bryan-Recording-Thumnail-Immersive-AV.001.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210210T180000
DTEND;TZID=Europe/London:20210210T200000
DTSTAMP:20260403T232300
CREATED:20210125T123909Z
LAST-MODIFIED:20210718T150636Z
UID:10000820-1612980000-1612987200@musichackspace.org
SUMMARY:Max meetup Europe 10th Feb
DESCRIPTION:Date: Wednesday 10th of February at 6pm GMT \nLevel: Open to all levels \nOverview \nJoin the Max meetup to share ideas and learn with other artists\, coders and performers. Showcase your patches\, pair with others to learn together\, get help for a school assignment\, or discover new things. \nThe meetup runs via Zoom. The main session features short presentations from Max users. Breakout rooms are created on the spot on specific topics\, and you can request a new topic at any time. \nIn the breakout rooms\, you can share your screen to show other participants something you’re working on\, ask for help\, or help someone else. \n\n \nRequirements \n\nA computer and internet connection\n\nReady to present your work? \nEveryone is welcome to propose a presentation. Just fill in this short form and you’ll be put on the agenda on a first come first served basis. \nPresentations should take no more than 5 minutes with 5 minutes Q&A and we’ll have up to 5 presentations at each meetup. \nBerlin Code of Conduct \nWe ask all participants to read and follow the Berlin Code of Conduct and contribute to creating a welcoming environment for everyone.
URL:https://musichackspace.org/event/max-meetup-europe-edition-1-live-session/
LOCATION:Online
CATEGORIES:Live-stream,Max,Meet Ups
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/01/Max-meetups-Feb.002-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20210217T180000
DTEND;TZID=America/Los_Angeles:20210217T200000
DTSTAMP:20260403T232300
CREATED:20210125T124237Z
LAST-MODIFIED:20210718T150557Z
UID:10000798-1613584800-1613592000@musichackspace.org
SUMMARY:Max meetup Americas 17th Feb
DESCRIPTION:Date: Wednesday 17th of February at 6pm PST / 9pm EST \nLevel: Open to all levels \nOverview \nJoin the Max meetup to share ideas and learn with other artists\, coders and performers. Showcase your patches\, pair with others to learn together\, get help for a school assignment\, or discover new things. \nThe meetup runs via Zoom. The main session features short presentations from Max users. Breakout rooms are created on the spot on specific topics\, and you can request a new topic at any time. \nIn the breakout rooms\, you can share your screen to show other participants something you’re working on\, ask for help\, or help someone else. \n\n \nRequirements \n\nA computer and internet connection\n\nReady to present your work? \nEveryone is welcome to propose a presentation. Just fill in this short form and you’ll be put on the agenda on a first come first served basis. \nPresentations should take no more than 5 minutes with 5 minutes Q&A and we’ll have up to 5 presentations at each meetup. \nBerlin Code of Conduct \nWe ask all participants to read and follow the Berlin Code of Conduct and contribute to creating a welcoming environment for everyone.
URL:https://musichackspace.org/event/max-meetup-americas-edition-2-live-session/
LOCATION:Online
CATEGORIES:Live-stream,Max,Meet Ups
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/01/Max-meetups-Feb.003-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210221T170000
DTEND;TZID=Europe/London:20210221T190000
DTSTAMP:20260403T232300
CREATED:20201222T105800Z
LAST-MODIFIED:20210718T150519Z
UID:10000799-1613926800-1613934000@musichackspace.org
SUMMARY:Getting started with cheat codes 2: A sample playground for monome norns - On demand
DESCRIPTION:Level: Beginner \nCheat codes 2 is a sample playground built for monome norns to explore live and pre-recorded audio. It extends traditional slicing and looping workflows to create playful music-making experiences with exciting results. This workshop will introduce you to the script including recording audio and loading clips\, building loops and slices\, making adjustments to timbre and tonality\, and exploring different methods for triggering and playback (with or without any external controllers). \nSession Learning Outcomes \nBy the end of this session a student will be able to successfully: \n\nNavigate the cheat codes interface with ease and purpose\nEmploy and extend looping paradigms\nDeconstruct and manipulate audio recordings\nCreate a compelling playground for further exploration\n\nSession Study Topics \n\n\n\nThe anatomy of cheat codes\nLoading samples and recording live audio into norns\nSlicing audio into pads as recallable loops or one-shots\nMaking timbral and tonal changes to each pad\n\n\n\n\n \nRequirements \n\n\nA computer and internet connection \n\n\nA web cam and mic \n\n\nA Zoom account \n\n\nAccess to a norns or norns shield running software 201202 or later \n\n\nFamiliarity with the basic process of connecting your norns to WiFi \n\n\nAccess to speakers or an audio interface to share sounds \n\n\nExternal controllers will not be required or used for most of the workshop. For the last section\, recommended controllers include: monome grid\, USB MIDI keyboard or sequencer (eg. KeyStep or OP-Z)\, a recent Launchpad (X\, Pro\, or Mini mk3)\, or MIDI Fighter Twister \n\n\nAbout the workshop leader \nDan Derks is a creative technologist and improviser with a passion for community. He is the host of Sound + Process\, a podcast about the artists of lines (https://llllllll.co)\, and he builds digital tools for monome norns and Max for Live.
URL:https://musichackspace.org/event/getting-started-with-cheat-codes-2-a-sample-playground-for-monome-norns-live-session/
LOCATION:Online
CATEGORIES:Music software,Software Classes,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Recording-Dan-Derks-1.001-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210224T180000
DTEND;TZID=Europe/London:20210224T200000
DTSTAMP:20260403T232300
CREATED:20210125T124519Z
LAST-MODIFIED:20210718T150124Z
UID:10000802-1614189600-1614196800@musichackspace.org
SUMMARY:Max meetup Europe 24th Feb
DESCRIPTION:Date: Wednesday 24th of February at 6pm GMT \nLevel: Open to all levels \nOverview \nJoin the Max meetup to share ideas and learn with other artists\, coders and performers. Showcase your patches\, pair with others to learn together\, get help for a school assignment\, or discover new things. \nThe meetup runs via Zoom. The main session features short presentations from Max users. Breakout rooms are created on the spot on specific topics\, and you can request a new topic at any time. \nIn the breakout rooms\, you can share your screen to show other participants something you’re working on\, ask for help\, or help someone else. \n\n \nRequirements \n\nA computer and internet connection\n\nReady to present your work? \nEveryone is welcome to propose a presentation. Just fill in this short form and you’ll be put on the agenda on a first come first served basis. \nPresentations should take no more than 5 minutes with 5 minutes Q&A and we’ll have up to 5 presentations at each meetup. \nBerlin Code of Conduct \nWe ask all participants to read and follow the Berlin Code of Conduct and contribute to creating a welcoming environment for everyone.
URL:https://musichackspace.org/event/max-meetup-europe-edition-2-live-session/
LOCATION:Online
CATEGORIES:Live-stream,Max,Meet Ups
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/01/Max-meetups-Feb.004-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210228T170000
DTEND;TZID=Europe/London:20210228T190000
DTSTAMP:20260403T232300
CREATED:20201222T111628Z
LAST-MODIFIED:20210718T150026Z
UID:10000803-1614531600-1614538800@musichackspace.org
SUMMARY:Going further with cheat codes 2: A sample playground for norns - On demand
DESCRIPTION:Level: Beginner \nCheat codes 2 is a sample playground built for monome norns to explore live and pre-recorded audio. It extends traditional slicing and looping workflows to create playful music-making experiences with exciting results. This workshop will help uncover extended techniques for working with the script\, including external controllers\, creating dynamic soundscapes with the delay\, recording patterns\, remixing with the arpeggiator\, and incorporating randomization to keep your sessions fresh. \nSession Learning Outcomes \nBy the end of this session a student will be able to successfully: \n\nCreate full sample-based compositions with three parts\nEmploy methods for quickly generating exciting clock-synced or asynchronous improvisations\nExplore multiple sampling paradigms to find new musical territories\n\nSession Study Topics \n\n\n\nStructuring compositions with both clock-synced and asynchronous looping/sampling methods\nCreating a base from which to improvise\nIncorporating external controllers to extend your workflow\n\n\n\n\n \nRequirements \n\n\nA computer and internet connection \n\n\nA web cam and mic \n\n\nA Zoom account \n\n\nAccess to a norns or norns shield running software 201202 or later \n\n\nFamiliarity with the basic process of connecting your norns to WiFi \n\n\nFamiliarity with the basic functions of cheat codes 2 \n\n\nAccess to speakers or an audio interface to share sounds \n\n\nAccess to any of the following controllers: monome grid\, monome arc\, USB MIDI keyboard or sequencer (eg. KeyStep or OP-Z)\, a recent Launchpad (X\, Pro\, or Mini mk3)\, USB MIDI slider bank (eg. 16n)\, MIDI Fighter Twister\, or Max for Live \n\n\nAbout the workshop leader \nDan Derks is a creative technologist and improviser with a passion for community. He is the host of Sound + Process\, a podcast about the artists of lines (https://llllllll.co)\, and he builds digital tools for monome norns and Max for Live.
URL:https://musichackspace.org/event/going-further-with-cheat-codes-2-a-sample-playground-for-norns-live-session/
LOCATION:Online
CATEGORIES:Live-stream,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Going-further-with-cheat-codes-2-recording.001.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210303T180000
DTEND;TZID=Europe/London:20210303T200000
DTSTAMP:20260403T232300
CREATED:20210211T131500Z
LAST-MODIFIED:20210718T145359Z
UID:10000801-1614794400-1614801600@musichackspace.org
SUMMARY:Getting started with Max: March Series
DESCRIPTION:Dates & times:  \nSession 1: Wednesday 3rd March – 6pm GMT / 7pm CET / 10am PST / 1pm EST \nSession 2: Wednesday 10th March – 6pm GMT / 7pm CET / 10am PST / 1pm EST \nSession 3: Wednesday 17th March – 6pm GMT / 7pm CET / 11am PST* / 2pm EST* \nSession 4: Wednesday 24th March – 6pm GMT / 7pm CET / 11am PST* / 2pm EST* \n*Note PST & EST time-zones ONLY: Wednesdays 17th & 24th March time-zone change. Instead of 10AM PST & 1PM PST\, there is a +1hr change. So the sessions begin at 11AM PST & 2PM EST \nOverview \nGet started with interactive audio and MIDI\, and discover the possibilities of the Max environment. In this series of workshops\, you will learn how to manipulate audio\, MIDI\, virtual instruments and program your own interactive canvas. \nConnect together Max’s building blocks to create unexpected results\, and use them in your music productions. Through a series of guided exercises you will engage in the pragmatic creation of a basic MIDI sequencer device that features a wealth of musical manipulation options. \nLearn from guided examples and live interactions with teachers and other participants. \nThis series of online workshops aims to enable you to work with Max confidently on your own. \nSessions overview  \nSession 1 – Understand the Max environment \nSession 2 – Connect building blocks together and work with data \nSession 3 – Master the user interface \nSession 4 – Work with your MIDI instruments \n\n \nRequirements  \n\nA computer and internet connection\nA good working knowledge of computer systems\nAccess to a copy of Max 8\n\nAbout the workshop leader  \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHe specialises in sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/getting-started-with-max-march-series/
LOCATION:Online
CATEGORIES:Live-stream,Max,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/02/GSWM-March-2021v3.001-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210306T180000
DTEND;TZID=America/New_York:20210306T200000
DTSTAMP:20260403T232300
CREATED:20210211T140234Z
LAST-MODIFIED:20210718T145225Z
UID:10000823-1615053600-1615060800@musichackspace.org
SUMMARY:Max meetup 6th March - Americas Edition
DESCRIPTION:Date & Time: Saturday 6th March 3pm PST / 6pm EST  \nLevel: Open to all levels \nHosted by Chloe Alexandra Thompson \nWith presentations by: \nCrystal Cortez – Wearable tech: 9dof headband synth: wearable tech and other microcontrollers and the programs made to play them in Max \nChristi Denton -Networked Online Laptop Ensemble: a patch that allows the Portland State University Laptop Ensemble to remotely rehearse and perform pieces. \nNadir B -Trajectory Score Library: A demonstration patch of the Trajectory Score Library : https://cycling74.com/projects/trajectory-score-library \n  \nOverview  \nJoin the Max meetup to share ideas and learn with other artists\, coders and performers. Showcase your patches\, pair with others to learn together\, get help for a school assignment\, or discover new things. \nThe meetup runs via Zoom. The main session features short presentations from Max users. Breakout rooms are created on the spot on specific topics\, and you can request a new topic at any time. \nIn the breakout rooms\, you can share your screen to show other participants something you’re working on\, ask for help\, or help someone else. \nReady to present your work? \nEveryone is welcome to propose a presentation. Just fill in this short form and you’ll be put on the agenda on a first come first served basis. \nPresentations should take no more than 5 minutes with 5 minutes Q&A and we’ll have up to 5 presentations at each meetup. \nList of presenters will be announced before each event. \n\n \nRequirements  \n\nA computer and internet connection\n\nBerlin Code of Conduct \nWe ask all participants to read and follow the Berlin Code of Conduct and contribute to creating a welcoming environment for everyone.
URL:https://musichackspace.org/event/max-meetup-6th-march-americas-edition/
LOCATION:Online
CATEGORIES:Live-stream,Meet Ups,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/02/Chloe-6th-March-Thumbnail-new-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210309T180000
DTEND;TZID=Europe/London:20210309T200000
DTSTAMP:20260403T232300
CREATED:20210212T135417Z
LAST-MODIFIED:20210920T085054Z
UID:10000912-1615312800-1615320000@musichackspace.org
SUMMARY:Exploring gesture control with Gliss & Glover - On demand
DESCRIPTION:Level: Beginner with some music software experience \nComputers these days give us the power to create almost any sound imaginable\, so now we have to question ourselves – how do we interact with our computers physically? In this workshop you will explore what it’s like to control those sounds and effects with your movement by learning about Glover – a mapping application for converting movement to MIDI or OSC. \nSession Study Topics \n\n\nMapping movement to MIDI in Glover \n\n\nTraining postures in Gliss \n\n\nMapping from Glover to a DAW \n\n\nConsidering what “good” movements are to control sound  \n\n\n\n \nRequirements \n\n\nDownload the free Gliss app from the Apple app store: iOs only \n\n\nDownload free trial of Glover via mimugloves.com/glover \n\n\nA DAW or a piece of hardware that can receive MIDI or OSC – Ableton Live recommended as Chagall will be most proficient at supporting you with that but others work too \n\n\nA microphone routed into your computer if you’d like to experiment with manipulating your voice with Gliss \n\n\nMore info: https://mimugloves.com/gliss/ \nAbout the workshop leader \nChagall is an Amsterdam-based singer\, producer and performer known for her use of the MiMU Gloves to control music & reactive visuals. With performances at South by Southwest\, Ableton Loop\, TEDx and many more Chagall is one of the most experienced users of the technology. She is also the UX designer for MiMU’s Glover & Gliss.
URL:https://musichackspace.org/event/exploring-gesture-control-with-gliss-glover/
LOCATION:Online
CATEGORIES:Music software,Software Classes,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/02/Chagall-recording-thumbnail.001-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210310T180000
DTEND;TZID=Europe/London:20210310T200000
DTSTAMP:20260403T232300
CREATED:20210217T085716Z
LAST-MODIFIED:20210718T144533Z
UID:10000830-1615399200-1615406400@musichackspace.org
SUMMARY:Live Coding Sound with TidalCycles - On demand
DESCRIPTION:Level: Beginner \nLive coding is the act of manipulating algorithms in real time to change an ongoing artistic process\, like music or visuals. In this workshop\, we will begin with an introduction to live coding\, highlighting various technologies and artists\, before learning how to live code sound using TidalCycles. This workshop aims to provide an introduction to live coding to encourage others to incorporate live coding technologies and techniques into their practice. \nSession Learning Outcomes \nBy the end of this session\, a successful student will be able to: \n\n\nCreate a variety of patterns \n\n\nUse functions to vary sequences \n\n\nAdd effects to manipulate and process sounds \n\n\nIdentify various technologies and practitioners of live coding \n\n\nSession Study Topics \n\n\nAn introduction to various live coding technologies and artists: \n\n\nSonic Pi \n\n\nTidalCycles \n\n\nFoxDot \n\n\nHydra \n\n\n\n\nHow to create various patterns and sequences \n\n\nFunctions for varying sequences \n\n\nHow to add effects to sound \n\n\n\n \nRequirements \n\n\nA computer and internet connection \n\n\nA web cam and mic \n\n\nA Zoom account \n\n\nTidalCycles\nSoftware to download: \n\n\nAtom \n\n\nSuperCollider \n\n\nAtom-tidalcycles \n\n\nNote: To run TidalCycles on your machine\, you will need to install software in addition to the applications/packages listed above. Follow these instructions to see how to do this on your machine. \nTo use an online version of TidalCycles (*no installation required): \nVisit the Estuary Live Coding Server. Select ‘MiniTidal’ as your language of choice. \nAbout the workshop leader  \nMelody Loveless is an artist\, creative technologist\, and educator based in Brooklyn\, NYC. Her work ranges from live coding performance\, generative sound installations\, multisensory performance\, and more. She currently teaches at Hunter College and Harvestworks and is part of Cycling 74’s Max Certified Trainer Program.
URL:https://musichackspace.org/event/live-coding-sound-with-tidalcycles-live-session/
LOCATION:Online
CATEGORIES:Music software,Software Classes,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/02/Melody-recording-thumbnail.001-scaled.webp
END:VEVENT
END:VCALENDAR