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DTSTART;TZID=Europe/London:20201112T180000
DTEND;TZID=Europe/London:20201112T200000
DTSTAMP:20260405T233629
CREATED:20201026T161350Z
LAST-MODIFIED:20210720T104508Z
UID:10000769-1605204000-1605211200@musichackspace.org
SUMMARY:Build samplers with Max
DESCRIPTION:Level Intermediate. Knowledge of Max or Pure Data is required\, and some rudiments of digital audio. \nIn this workshop you will build both single cycle and loop based sampler devices\, empowering you to utilise them in your own patches. This workshop aims to provide you with suitable skills to begin to explore building sampler devices in the Max environment. \nSession Learning Outcomes \nBy the end of this session a successful student will be able to: \n\n\nIdentify key MSP objects for sampler devices \n\n\nUtilise buffer and waveform objects \n\n\nBuild single cycle waveform sampler devices \n\n\nBuild loop based sampler devices \n\n\nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAn basic awareness of audio processing \n\n\nGood familiarity with MSP \n\n\nAccess to a copy of Max 8 (i.e. trial or full license) \n\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHis specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. His credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. He holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. \nHe is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. He is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/build-samplers-with-max/
LOCATION:Online
CATEGORIES:Live electronics,Max,sampling,Sound design,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/10/Recorded-Workshop-thumbnails-14.12.2020.011.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201105T180000
DTEND;TZID=Europe/London:20201105T200000
DTSTAMP:20260405T233629
CREATED:20201025T184435Z
LAST-MODIFIED:20210720T105452Z
UID:10000763-1604599200-1604606400@musichackspace.org
SUMMARY:Building audio effects with Max
DESCRIPTION:Level Intermediate. Knowledge of Max or Pure Data is required\, and some rudiments of digital audio. \nMax offers a vast playground of programming opportunities to create your own audio FX devices. In this series of workshops you will build delay line\, filter\, chorus and flanger audio FX devices\, empowering you to utilise them in your own patches. This workshop aims to provide you with suitable skills to begin to explore building audio FX devices in the Max MSP environment. \nSession Learning Outcomes \nBy the end of this session a successful student will be able to: \n\n\nIdentify key MSP objects for audio FX devices \n\n\nBuild delay line audio FX devices with feedback networks \n\n\nBuild filter networks for use in audio FX devices \n\n\nAdd LFO networks for use in Flanger and Chorus audio FX devices \n\n\n\n\nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAn basic awareness of audio processing \n\n\nGood familiarity with MSP \n\n\nAccess to a copy of Max 8 (i.e. trial or full license) \n\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. His specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. His credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. He holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. He is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. He is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/building-audio-effects-with-max/
LOCATION:Online
CATEGORIES:Max,Sound design,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/10/flyer-FX.001-e1603651250622.webp
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200919T160000
DTEND;TZID=Europe/London:20200919T180000
DTSTAMP:20260405T233629
CREATED:20200817T121051Z
LAST-MODIFIED:20210720T114445Z
UID:10000856-1600531200-1600538400@musichackspace.org
SUMMARY:Getting started with Max
DESCRIPTION:Level: beginners with notions of programming \nIn this series of online workshops you will explore the most important programming techniques and concepts when working with Max\, empowering you to begin to build your own patches and devices that you can deploy in your own music and multimedia projects. Through a series of guided exercises you will engage in the pragmatic creation of a basic MIDI sequencer device that features a wealth of musical manipulation options. This series of workshops aims to provide beginner’s with suitable skills to begin exploring the Max environment. \n \n\n\nThis online workshop is interactive and you will have opportunities to work with peers and ask questions to an experienced teacher.  \nTimetable and outcomes \nSession 1\, 19th September 2020\, 4pm UK / 11am EST / 8am PT \n\nIdentify key elements of the Max Interface\nCreate objects and route patch cables\nConfigure Object properties via the Inspector\nLocate and utilise the Max help system\n\nSession 2\, 20th September 2020\, 4pm UK / 11am EST / 8am PT \n\nUtilise Max messages\nBuild lists and work with numerical data\nConstruct data flow and configure message ordering\nBuild logic circuits and apply math transformations\n\nSession 3\, 26th September 2020\, 4pm UK / 11am EST / 8am PT \n\nConfigure and apply user interface objects\nBuild graphical user interfaces via Presentation Mode\nEncapsulate patchers and sub patchers\nSuccessfully apply data management techniques\n\nSession 4\, 27th September 2020\, 4pm UK / 11am EST / 8am PT \n\nConstruct MIDI messages in Max\nUtilise virtual instruments to play musical ideas\nManipulate data to create musical pieces\nExplore further possibilities within Max\n\n\nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. His specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. His credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. He holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. He is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. He is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.\n 
URL:https://musichackspace.org/event/getting-started-with-max-2/
LOCATION:Online
CATEGORIES:Max,Software Classes,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/08/Flyer-101-2.001-e1597657221301.webp
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200627T110000
DTEND;TZID=Europe/London:20200627T150000
DTSTAMP:20260405T233629
CREATED:20200615T180944Z
LAST-MODIFIED:20200615T180944Z
UID:10000832-1593255600-1593270000@musichackspace.org
SUMMARY:Sound synthesis with Max/MSP BEAP
DESCRIPTION: \nLevel: Beginners with an understanding of the fundamentals of music technology and Max \nNote: the same workshop will happen twice the same day to cover a wider range of time zones. Tickets are not for both workshops \nMax and Max For Live offers virtually unlimited sound synthesis possibilities. Every copy of Max and Max For Live includes BEAP\, a library of modules that emulate the function and signalling of hardware modular synthesizers\, developed as a pedagogical tool for the Electronic Production and Design students at Berklee College of Music in Boston.  \nBEAP provides a set of higher-level building blocks that can be used to develop a myriad of sound synthesis techniques. Think of it like a modular synthesizer in Max and Max For Live. Within the landscape of sound synthesis many architectures exist\, such as Subtractive\, Wavetable\, FM and Physical Modelling. BEAP provides modules for the majority of these architectures in an easy to implement series of high-level building blocks.  \nVia a series of simple signal flow style patching activities\, participants will develop meta cognitive knowledge of each synthesis architecture\, its sonic timbre and the techniques needed to deploy them within the wider landscape of music production.  \nTopics include: \n\nArchitectures\nSignal path routing\nOscillators\nFilters\nModulation Sources\nScopes\nSequencers\n\nRequirements: \n\nA computer and internet connection\nMax 8 (Max 7 is ok but you might not have access to all the features used in this workshop)\nA good knowledge of music technology\nA basic knowledge of Max/MSP\n\nAbout the workshop leader: \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. His specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. His credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. He holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. He is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. He is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate. \nSee Phelan’s Ableton Certified Trainer profile \nNote: the same workshop will happen twice the same day to cover a wider range of time zones. Tickets are not for both workshops
URL:https://musichackspace.org/event/sound-synthesis-with-max-msp-beap/
LOCATION:Online
CATEGORIES:Software Classes,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/06/Thumbnails.001-1-e1592243967334.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200416T183000
DTEND;TZID=Europe/London:20200416T203000
DTSTAMP:20260405T233629
CREATED:20200411T112112Z
LAST-MODIFIED:20200415T160514Z
UID:10000718-1587061800-1587069000@musichackspace.org
SUMMARY:Make Music with the Data Universe
DESCRIPTION:Meet Milton Mermikides and Phelan Kane. Two artists on a journey to make music with data. Milton and Phelan’s approach reveals the musicality of the world’s elements. With the support of programming\, computer vision and sampling\, they identify patterns in images\, videos\, or abstract data to create rich compositions and sound design. Watch Milton’s TEDx talk below for a moving – yet funny – overview of his work. In our live-stream\, Milton and Phelan will explain some of the techniques used to create the compositions you can hear in the talk. \n \nEver since Pythagoras and the theory of the Music of the Spheres\, composers have been inspired to use patterns found in the universe to create music. In the 19th Century\, that approach developed across the arts\, and not only in music. French poet Stéphane Mallarmé explored the position of words and their relationship with meaning\, and his work famously inspired composer Debussy\, whose work in turn inspired painter Kandinsky. Each time\, the structure found in each work was used and translated to another art medium. \nOskar Fischinger’s 1938 Optical Poem\, in turn\, offers a visualisation of music\, an approach which was then popularised in Walt Disney’s Fantasia. \n \nOn Thursday 16th April\, we will hear more about this fascinating approach that inspired so many artists\, in a way that can inspire today’s artists and engineers to create new materials from the world of data that surrounds us. \nMilton is a Reader in Music\, Head of Composition and Director of the MMUS Programme at the University of Surrey. He is also a professor of Jazz Guitar at the Royal College of Music in London. \nPhelan is a music producer\, recording and mix engineer musician\, mastering engineer and music programmer. He is based in London and Berlin\, and is joining the live-stream from Berlin.
URL:https://musichackspace.org/event/make-music-with-the-data-universe/
LOCATION:YouTube
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/04/Milton-and-Phelan.001-e1586966686593.webp
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