BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Music Hackspace - ECPv6.15.18//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://musichackspace.org
X-WR-CALDESC:Events for Music Hackspace
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/London
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20150329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20151025T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20160327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20161030T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20170326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20171029T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160104T180000
DTEND;TZID=Europe/London:20160104T213000
DTSTAMP:20260403T205607
CREATED:20151218T181834Z
LAST-MODIFIED:20151221T124323Z
UID:10000572-1451930400-1451943000@musichackspace.org
SUMMARY:Speakers Cultures\, Monday night group - 4th Jan
DESCRIPTION:We will resume our Monday evening meet ups on Monday 4th Jan at the new space in LimeWharf (Vyner St\, London E2 9DJ)! Get involved in Music Hackspace’s ‘DIY speakers’ project! Alternatively you can bring along a new project to work on independently or to share with the group. To be included in the Monday evening’s ‘DIY speakers’ mail group\, email curators@stagingmhs.local \n  \n \n  \nOur new address is LimeWharf (Vyner St\, London E2 9DJ). The nearest tube station is Bethnal Green or Cambridge Heath overground.
URL:https://musichackspace.org/event/speakers-cultures-monday-night-group-4th-jan/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2015/12/IMG_26511-e1450461724224.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160128T190000
DTEND;TZID=Europe/London:20160128T220000
DTSTAMP:20260403T205607
CREATED:20160113T155644Z
LAST-MODIFIED:20160113T155644Z
UID:10000578-1454007600-1454018400@musichackspace.org
SUMMARY:An Introduction to DIY Instrument making
DESCRIPTION:In this talk\, Tom Fox from Vulpestruments will discuss and demonstrate the many different ways to use recycled and reclaimed materials for DIY stringed musical instrument making. You will learn the basic theory on how both inductive and piezo pickups work and where to source the components you’d need for them from everyday sources. Also DIY tuning pin methods and where to source cheap but great sounding strings for your instruments. \nFollowing on from the talk there is an opportunity to assemble your own 3-stringed\, amplifiable and tuneable stringed instrument for £25 with all materials provided. \n \nThe talk will be between 7-8pm. The remaining time will be used for the workshop\, discussion and casual hangout until close at 10.00pm.
URL:https://musichackspace.org/event/an-introduction-to-diy-instrument-making/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/01/TurbineFestival-e1452700190273.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160206T110000
DTEND;TZID=Europe/London:20160207T190000
DTSTAMP:20260403T205607
CREATED:20160111T165110Z
LAST-MODIFIED:20160126T145801Z
UID:10000574-1454756400-1454871600@musichackspace.org
SUMMARY:Befaco Modular Synth Workshop\, 6th and 7th Feb 2016
DESCRIPTION:We welcome Befaco for the first of our 2016 Music Hackspace workshops at Limewharf. Join us for a weekend of DIY modular synth making on 6th and 7th February 2016! \nHANDS ON WORKSHOP: build your own synth modules on eurorack format. We provide all the necessary components to build your device from scratch. Each participant builds her/his own machine during the workshop. \nREGISTRATION. Please note a minimum number of participants is required for this workshop to take place\, so please book your place asap! \n\n\nBuy Befaco Workshop registration\, 6th and 7th Feb \nWith this item you will be booking a spot in our workshop.Please send an email to workshops@stagingmhs.local indicating which module/s you want to build. This £20 booking fee will be deducted during the workshop from the price of the kit of your choice. Please note there will be no refunds in case of cancelling / not showing.Thanks for the reservation and see you soon! \nChoose which Befaco module/s to build: \nSpring reverb – 150 GBP \nEven VCO – 130 GBP \nBF22 VCF – 140 GBP \nRampage – 170 GBP \nInstrument Interface – 125 GBP \nOutput module – 70 GBP \nMixer – 55 GBP \nCrush Delay v2 – 130 GBP \nHexa VCA – 150 GBP \nDual Atenuverter – 55 GBP \nSlew Limiter – 65 GBP \nSampling Mod – 130 GBP \nPower supply + Power bus – 90 GBP \nPower Bus – 50 GBP \nRequired skills: interest and patience. No previous experience in electronics is necessary. \nRequired materials: Fine tip soldering iron less than 25w is recommended (we can provide some soldering irons and hand tools for participants who don’t have their own). \nWhen: Sat 6th  and Sun 7th February 2016\, 11am to 7 pm. \nWhere: Music Hackspace @ LimeWharf Yard. LimeWharf\, Vyner Street E2 9DJ London \nIf you have any questions please email us at: workshops@stagingmhs.local \nBefaco is a Synth DIY/open hardware platform focused on designing modules and organizing modular synth workshops regularly in Madrid\, Barcelona\, Berlin and London. Befaco Workshops FAQ’s.
URL:https://musichackspace.org/event/befaco-modular-synth-workshop-6th-and-7th-feb-2016/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/01/Rampage_foto.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160222T190000
DTEND;TZID=Europe/London:20160222T220000
DTSTAMP:20260403T205607
CREATED:20160214T193259Z
LAST-MODIFIED:20160215T105943Z
UID:10000580-1456167600-1456178400@musichackspace.org
SUMMARY:Introduction to LittleBits Korg Synth Kit and CV/Midi/Usb modules
DESCRIPTION:This presentation / hands-on demo will be led by Fabrizio D’Amico –LittleBits London Chapter Leader and Founder of the London VideoHackspace\, and Carlos Isak -founder of MakerCart and a passionate educator. \nIn 2 hours we will introduce the concept of LittleBits and some of the many applications of its huge ecosystem for rapid prototyping without soldering; from multiple sensors to remote cloud use and Wi-fi connectivity\, with a special focus to highlighting all music related applications. \nThe Korg Synth Kit and the Midi/Usb and CV Modules will be demoed with hands on sessions for everyone to try. \nThere is no prior experience required to attend. \nThe introduction and hands on session will be between 7-9pm. The remaining time will be used for casual hangout until close at 10.00pm. \n \n 
URL:https://musichackspace.org/event/introduction-to-littlebits-korg-synth-kit-and-cvmidiusb-modules/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/02/littlebitswide-e1455477599134.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160307T190000
DTEND;TZID=Europe/London:20160307T220000
DTSTAMP:20260403T205607
CREATED:20160301T154441Z
LAST-MODIFIED:20160307T094022Z
UID:10000586-1457377200-1457388000@musichackspace.org
SUMMARY:Soulsby synths talk and demo
DESCRIPTION:Join us next Monday 7th of March with Soulsby Synthesisers‘s founder Paul Soulsby\, who will present and demo The Atmegatron\, a powerful 8-bit synth and The miniAtmegatron\, a synth shield kit for the Arduino Uno. \nPaul has been using synthesizers since he was a kid and is a member of the electronic band Trademark. He got his first keyboard when he was 7 and started programming computers when he was 8. It took 26 years to think of combining the two skills! He studied Music Technology at the University of York and went on to work in various jobs in the media industry involving either sound engineering or computer programming. The Atmegatron is his debut synthesiser. \nThe talk and demo will be between 7-8pm. The remaining time will be used for discussion with Paul\, casual hangout until close at 10.00pm. Attendees will also have the opportunity to try out the synths during the event.
URL:https://musichackspace.org/event/soulsby-synths-talk-and-demo/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/03/IMG_3606-e1456850874185.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160313T110000
DTEND;TZID=Europe/London:20160313T190000
DTSTAMP:20260403T205607
CREATED:20160217T101514Z
LAST-MODIFIED:20160308T130130Z
UID:10000584-1457866800-1457895600@musichackspace.org
SUMMARY:Rebel Technology Workshop - DIY Eurorack Modular Synth
DESCRIPTION:Build your own Rebel Technology synthesizer at the Music Hackspace! \nDate: Sunday 13th March\, 11am-7pm \nLocation: Music Hackspace LimeWharf\, Vyner Street\, London\, E2 9DJ \nThe workshop is free of charge\, you only pay for what you build and take home with you. It’s relatively easy\, no previous soldering experience is required. If you are a keen solderer you should be able to build two modules in one day. We will be on hand to help throughout\, should you have any problems. \nPeople of all ages and abilities are welcome\, under 12s should be accompanied by an adult. \nREGISTRATION. Please note a minimum number of participants is required for this workshop to take place\, so please book your place asap! The booking fee will be deducted during the workshop from the price of the kit of your choice. \n\n\nBuy Rebel Technology Workshop – DIY Eurorack Modular Synth\, Sunday 13th March \nModule Details: \n1. Stoicheia : dual Euclidean gate sequencer 90 GBP \nΣτοιχεῖα is our famous Euclidean gate sequencer. It generates rhythmic trigger sequences\, from very simple beats to complex polyrhythms. Never boring\, always musical. \n2. Logoi : voltage controlled clock divider and delay 95 GBP \nΛόγοι is a voltage controlled clock divider\, counter\, and delay. It subdivides and adds time\, creating organic\, evolving signatures. Λόγοι brings movement and life to the trigger signal\, from a subtle swing to bizarrely complex and intricate rhythms. \n3. Klasmata : voltage controlled Euclidean gate sequencer 95 GBP \nΚλάσματα is a single channel\, voltage controlled version of Στοιχεῖα. It offers a range of 1-32 steps\, opening up more possibilities for complex patterns. With voltage controlled sequence length and fills\, Κλάσματα transposes\, shifts and modulates rhythmic patterns. \n4. PowerKit : small PSU 45 GBP (AC adaptor £10 extra) \nCombined busboard and power supply. +12/-12/+5v rails\, 200mA per rail. Compact and suitable for small to medium sized cases. Powered with external AC adaptor (not included\, available for £10 extra). \n5. Phoreo module : brand new (not yet released!) 95 GBP \nφορέω is a multiplier\, repeater and modulator. It packs three different trigger processing functions: \n– modulate pulse width from 0 to 100% \n– multiply rate by 1 to 16 times \n– repeat trigger 1 to 16 times \nAll three functions have CV control and dedicated inputs and outputs. By combining the multiply and repeat functions you get a burst generator: fully CV controlled and perfect for drum rolls\, arpeggios and for injecting life and movement in hats\, beats and synth lines. Go on\, give us a snare rush! \nPhoreo is 10HP wide\, requires +5v\, and is the new addition to our Euclidean series of trigger processors. \n\n		\n		\n			\n				\n			\n				\n				Phoreo (brand new!)\n				\n			\n				\n			\n				\n				Klasmata\n				\n			\n				\n			\n				\n				Logoi\n				\n			\n				\n			\n				\n				Stoicheia\n				\n		\n\nIf you have any questions please email us at workshops@stagingmhs.local \n  \nThis programme is supported using public funding by Arts Council England
URL:https://musichackspace.org/event/rebel-technology-workshop-march2016/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/03/Screen-Shot-2016-03-08-at-12.56.32-e1457442078225.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160319T160000
DTEND;TZID=Europe/London:20160319T220000
DTSTAMP:20260403T205607
CREATED:20160216T103940Z
LAST-MODIFIED:20160316T183012Z
UID:10000582-1458403200-1458424800@musichackspace.org
SUMMARY:CRUX ELECTRONIC AUDIO-VISUAL LIVE PERFORMANCE
DESCRIPTION:Crux Events are coming to the Music Hackspace with an evening of audio and visual performances and workshops. “This is a meeting space to learn\, experiment\, collaborate and be entertained…” \nFREE ENTRY (please give a donation to artist/event costs) \n  \nL I N K J A M \nThe first London Ableton Link Jam will be taking place between 4-6pm. \nThis is open to everyone – just turn up\, sync up and plug in! \nYou can check out what Link is here: \nwww.ableton.com/en/link \n(it’s basically a cool\, easy and reliable way to sync copies of Ableton Live with a bunch of iOS apps!) \nPlease bring your own audio cable to get from your device into the mixer. \nYou will need to join the wi-fi network we will create on the day or bring an ethernet cable to plug directly into the router if you prefer. \nDepending on the number of participants we might have to limit the time each person is playing for. Nick and Marcello will be on hand to get you setup and to conduct the proceedings. \n  \nW O R K S H O P S \nMARCELLO RUGGIU \nMogees is a new way to make music out of any object\, we will have a look at this innovative device that\, when connected to any computer or smartphone\, lets you play any surface as a musical instrument. Marcello Ruggiu will show us how it works and give the chance to try and play this amazing object. \nmogees.co.uk \nADAM JOHN WILLIAMS \nAnother host of this event and Music Hackspace regular Adam will take us through some Max MSP performance techniques and also introduce the macrodactyl performance project that he will be a part of later in the evening. \nadamjohnwilliams.co.uk \nwww.facebook.com/AdamJohnWilliams \nROBIN FENCOTT \nRobin will give a whistle stop tour of his musical projects\, collaborations and research\, which includes academic research\, electronic music\, interactive installations\, heavy metal albums\, custom hardware interfaces\, sound poetry and performance art. \nwww.robinfencott.com \n  \nL I V E S E T S \nMACRODACTYL \nMacrodactyl is a music\, code & art collective which exists as an open platform that anybody can join. Artworks & pieces of music are released via GitHub as open source software and anyone is free to contribute to or utilise these created works. tl;dr – 4 nerds with laptops creating an audiovisual techno performance. \ngithub.com/macrodactyl \nFEDKA THE IRRITANT \nFedka The Irritant is not from Russia but from an equally corrupt place in south-east London called Deptford. In his basement Fedka makes techno and other bass-heavy music at any time of the night or day without bothering his social conscience. The trombone is his weapon of choice\, and for his live sets he hooks it up through multiple effects and and weaves it into the Octatrack to make funky bleepy party techno at full wonk ahead. \nsoundcloud.com/fedkatheirritant \nfacebook.com/pages/Fedka-The-Irritant \nMETALOGUE \nMetalogue is the alias of London based musician / producer / programmer Robin Fencott. His Indefinite Divisibility EP (April 2015) combines cinematic sound design with elements of industrial\, ambient\, and experimental electronic sub-genres. Robin is currently working on a followup EP which is heading in a more IDM and synthesizer driven direction. Robin’s Metalogue performance at Crux will be an opportunity to preview work in progress and perform tracks from the first EP. \nmetalogue.bandcamp.com \nNED RUSH \nNed Rush is a sound\, vision and performance designer and artist. Known largely for his eccentric YouTube channel exploring genre mechanics and sound accidents\, he also develops software for isotonik studios and will perform a fully live meltdown of improvised sound meta events. \nBorrowing ideas from jungle\, hardcore\, avant garde\, drone\, glitch and comedy\, it’s bound to entertain as much as confuse. \nwww.facebook.com/NedRush \nyoutu.be/oMGZMw_DO-0 \n  \nV E E J A Y \nL’AUBAINE \nL’Aubaine (Laurie Bender) is a VJ\, visual artist\, graphic designer from Geneva\, Switerzerland based in London whose VJ sets are improvised compositions made of layers of organic shapes\, figurative elements and an explosion of colours. \nAll elements used are self-produced\, mixing different techniques\, analogue and digital\, such as hand-drawn animations\, pattern design\, drawing\, typography\, photography and videos. \nL’Aubaine will perform at CRUX a VJ set using Modul8\, Madmapper and a video synth. \nlaubaine.net \nfacebook.com/laubainevisuals \ntwitter @vjlaubaine \nvimeo.com/laubaine \nODDSCENE \nwww.oddscene.com \n— \nWWW.CRUX-EVENTS.ORG \nwww.facebook.com/groups/1037659679579014 \nWWW.MUSICHACKSPACE.ORG \nwww.facebook.com/musichackspace \n  \nThe venue: \nMUSIC HACKSPACE\, LimeWharf Yard\, LimeWharf\, Vyner Street\, London E2 9DJ \nThe London Music Hackspace is a place to share thoughts\, knowledge\, technologies\, processes and aesthetics on music and audio. \nDirections: https://citymapper.com/go/zxzkfq \n— \nWe want this event to be open to all and a welcoming space for existing performers and people new to electronic music performance. We will be curating each segment\, so for future events if you want to jam\, perform or provide live visuals please email us: info@crux-events.org \nFor updates\, follow the Facebook event page. \nWWW.CRUX-EVENTS.ORG\nwww.facebook.com/groups/1037659679579014 \n 
URL:https://musichackspace.org/event/crux-electronic-audio-visual-live-performance/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/02/12419229_546567772176378_8260950532191417347_o-e1458152988314.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160321T190000
DTEND;TZID=Europe/London:20160321T210000
DTSTAMP:20260403T205607
CREATED:20160317T165913Z
LAST-MODIFIED:20160317T165913Z
UID:10000648-1458586800-1458594000@musichackspace.org
SUMMARY:Habits of thought and motion – position and posture techniques for musicians
DESCRIPTION:The human body is the most amazing instrument that we have at our disposal\, yet at times we can tend to get stuck in predictable patterns of thought and movement. This short talk will introduce the main concepts involved in learning\, and applying to music playing\, the ‘alexander’ technique and include practical opportunities to explore our habits of thought and movement and ways in which we may allow for change to occur. \nThe talk will be between 7-8pm. The remaining time will be used for more music\, casual hangout and drinks until close at 9pm. \nPlease RSVP to curators@stagingmhs.local
URL:https://musichackspace.org/event/habits-of-thought-and-motion-position-and-posture-techniques-for-musicians/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160326T120000
DTEND;TZID=Europe/London:20160326T160000
DTSTAMP:20260403T205607
CREATED:20160308T133840Z
LAST-MODIFIED:20160309T172619Z
UID:10000590-1458993600-1459008000@musichackspace.org
SUMMARY:Magnetic Signals and Radiophonic Soundscapes Workshop – Sound Unfolded Workshops 2016
DESCRIPTION:Music Hackspace presents: Magnetic Signals and Radiophonic Soundscapes Workshop\nPart of the new series of workshops “Sound Unfolded” \nLocation: Hub 67 – 67 Rothbury Road. London E9 5HA (Hackney Wick station)\nWhen: Sat 26th March 12 to 4 pm\nBookings: 50 GBP \n  \n\n\nBuy Magnetic Signals and Radiophonic Soundscapes Workshop – Sound Unfolded Workshops 2016 \nJoin sonic adventurer Dan Tapper to discover a world of sound inaudible to our naked ear. The workshop involves creating a large wire loop antenna to tap into the electromagnetic spectrum allowing us to listen to a variety of strange and exciting sounds; from natural radio emanating from lightning and more exotic sources in the VLF band to the electromagnetic saturation of man made technology generated from household appliances\, the London Underground and the electric grid. \n  \nThe workshop will involve creating large loop antenna coils to allow these electromagnetic sounds to be heard as well as looking at the basic theory of how the antennas work\, how best to record and amplify signals and how these sounds can be used in an artistic context. \n  \nThe workshop will be lead by artist Dan Tapper\, who’s been researching Very Low Frequency (VLF) electromagnetic sound for the past three years and utilizing this rich sonic environment to create installations\, radio works and compositions. This interest has led him to publish two editions of “VLF: A Sound Artist’s Guide” which provides information for artists and enthusiasts new to the scene to begin their own sonic journeys with electromagnetic sound. \n  \nWorkshop attendees take home: \n\nYour own loop antenna\, built during the day\nA PDF version of “VLF: A Sound Artist’s Guide”\nSome Call it Noise – an audio-documentary developed as an artistic and informative introduction to the sounds of VLF.\nSeveral maxMSP patches developed for artistically working with and filtering electromagnetic audio.\n\n  \n  \nThis workshop is part of the workshop series ¨Sound Unfolded¨\, curated by Susanna Garcia. \nSound Unfolded brings together action-based ideas about sound. It proposes an exploration of the relationships we can establish with sound through the act of making. To patch\, to code\, to reveal\, to sonify. This is a workshop series about modular synths\, audio synthesis\, the electromagnetic spectrum\, the transmission of sound and the digital. \nFor any enquiries please email workshops@stagingmhs.local \n  \n\n\nBuy Magnetic Signals and Radiophonic Soundscapes Workshop – Sound Unfolded Workshops 2016 \n  \nThis programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/magnetic-signals-and-radiophonic-soundscapes-workshop-sound-unfolded-workshops-2016/
LOCATION:Hub 67\, 67 Rothbury Road\, London\, E9 5HA\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/03/VLF-in-Black-Mountains-2-e1457448722879.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160328T180000
DTEND;TZID=Europe/London:20160328T213000
DTSTAMP:20260403T205607
CREATED:20160308T110729Z
LAST-MODIFIED:20160311T115300Z
UID:10000643-1459188000-1459200600@musichackspace.org
SUMMARY:Hacking Electronic Music Toys / Circuit bending workshop with Tasos Stamou
DESCRIPTION:Introductory circuit bending workshop teaching all the necessary techniques for designing and making experimental electronic music interfaces out of recycled material. Participant will have the chance to learn all the necessary tricks\, experiment with guidance from the workshop leader and design their own electronic instrument. Participants will have the chance to finalise an interface during the workshop and experience the art of circuit bending. \n\n\nBuy Hacking Electronic Music Toys / Circuit bending workshop with Tasos Stamos\, March 28 \nAll materials and devices provided.\n– Learn the necessary techniques to turn hackable sound toys into useful sound devices and electronic instruments\n– Practical\, hands-on workshop\, including all tips to the most easy and effective modifications\, also presenting musicians who utilize handmade and hacked instruments.\n– Everyone is welcome to bring their own electronic toys for bending\, otherwise hackable toys will be provided from a large selection. Please contact us with any questions regarding “hackability” of your own devices. \n \nTasos Stamou\nAs a music technologist and a professional electronic musician himself\, Stamou has developed a personal style in circuit bending which focuses on the details of the final instrument construction as a physical interface. He has equally developed a personal style in teaching electronics\, based on his personal experience about practicing this technology (ten years) rather than based on intense reading and use of technical terms. Simple in their electronic manipulation\, but precise in their controls and hands-on functions\, Stamou’s music gear is made for playing\, performing and recording\, inspired by previous legendary electronic music designs (synthesizers\, sequencers\, drum machines\, samplers\, video synthesizers\, etc.). He is focused on second hand\, dispatched and recycled resources\, as a sort of technological and artistic activism\, and he is encouraging the participants of his workshops and lectures to do the same. \nTasos Stamou is an instrument maker/modifier/designer and tutor. He has been leading hardware hacking workshops in festivals (Watermans Arts Centre in London\, Green Man Festival U.K\, SOTU Festival Lithuania\, Athens Video Art Festival etc.) and music tech labs (Cafe OTO and Music Hackspace in London\, WORM in Rotterdam\, Macumbista Studio in Berlin\, STPLN in Sweden\, etc.). He was recently mentioned in a “Guardian” article as one of the leading figures of this alternative music technology. \nFor any questions please contact workshops@stagingmhs.local \n  \nSupported using public funding by Arts Council England
URL:https://musichackspace.org/event/hacking-electronic-music-toys-circuit-bending-workshop-with-tasos-stamou-1/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/03/phone-e1457442151644.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160404T190000
DTEND;TZID=Europe/London:20160404T213000
DTSTAMP:20260403T205607
CREATED:20160308T124859Z
LAST-MODIFIED:20160311T120942Z
UID:10000588-1459796400-1459805400@musichackspace.org
SUMMARY:Artist Talk & Demo – 'Mechanical Techno' with Graham Dunning
DESCRIPTION:We welcome artist and musician Graham Dunning who will be presenting and demoing his incredible ‘Mechanical Techno‘ installation for live performing of hand crafted physical turntables. Attendees will also have the opportunity to interact with the machine after the talk and demo. \nGraham Dunning is self-taught as an artist and musician having studied neither discipline academically. He has performed solo and in ensembles across the UK\, Switzerland and Norway\, and shown solo sound installations in the UK\, New Zealand and USA. He teaches Experimental Sound Art at the Mary Ward Centre in London and also gives various independent workshops. Dunning has solo releases on Entr’acte and various DIY labels. \nThe talk and demo will be between 7-8pm. The remaining time will be used for more music\, casual hangout and drinks until close at 9.30pm. \n  \n \n  \n \n  \nMORE EXAMPLES OF WORK \nMechanical Techno Demonstration \nGraham Dunning’s Mechanical Techno (excerpt) live at Power Lunches London 19/9/2014 \nDear Serge Presents Graham Dunning \n  \nThis programme is supported using public funding by Arts Council England
URL:https://musichackspace.org/event/artist-talk-demo-mechanical-techno-with-graham-dunning/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/03/dreammachine1-by-Brian-Wahr-e1457436468521.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160409
DTEND;VALUE=DATE:20160411
DTSTAMP:20260403T205607
CREATED:20160316T110022Z
LAST-MODIFIED:20160329T172001Z
UID:10000596-1460160000-1460332799@musichackspace.org
SUMMARY:Signum device with Victor Mazon – Sound Unfolded Workshops 2016
DESCRIPTION:Two day workshop led by artist Victor Mazon. \nDate: 9 / 10 April\, 11am to 7pm.\nLocation: Cafe OTO Project Space\nCost: £95 (Keep your device! All electronic materials and documentation included) \nADVANCE BOOKING ESSENTIAL \nParticipants in the SIGNUM workshop will build and take home their own device\, which is designed to record and listen to sounds hidden in the electromagnetic spectrum: those invisible frequencies\, electromagnetic fields and signals that constantly surround us but that we are usually unable to hear. \nThe workshop will be lead by Victor Mazon Gardoqui\, who’s the author of the workshop’s concept\, electronics design and documentation. \nThe device includes a transducer\, opticals\, coils\, germanium diodes and a small loop antenna\, which coheres sonically and allows users to listen to surrounding signals that would fall out of the human hearing range. The workshop will also introduce participants to using the electromagnetic spectrum within artistic practices. \n. \nNo previous experience in electronics is necessary\, but interest and patience mandatory. \nMore info and bookings here! \nAdditionally you can register to the free follow up artist talk taking place at Music Hackspace (in LimeWharf) on April 11. \nThe Music Hackspace’ programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/signum-device-with-victor-mazon-sound-unfolded-workshops-2016/
LOCATION:CAFE OTO PROJECT SPACE\,  18-22 Ashwin St \, London\, E8 3DL\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2015/09/SIGNUM_mano_izq-e1458125866637.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160411T190000
DTEND;TZID=Europe/London:20160411T213000
DTSTAMP:20260403T205607
CREATED:20160329T155100Z
LAST-MODIFIED:20160330T092537Z
UID:10000649-1460401200-1460410200@musichackspace.org
SUMMARY:Artist Talk & Demo – Signum device with Víctor Mazón Gardoqui
DESCRIPTION:Listen to electromagnetic waves caused by modern devices and natural forces. Hear the patterns of ultraviolet and infrared light; the vibrations of ferric objects; the friction caused by insects and underwater sounds. Listen to the noise of tectonic movements\, or of lighting phenomena thousands of kilometers distant. These are just a few of the hidden sounds that we will listen during the event on monday 11th April\, after the hands on workshop in Cafe OTO on the 9th and 10th April. \nWe will have the chance to see the signum device in action\, exploring how different artists use the device during a practice based event lead by Víctor Mazón Gardoqui and with composer Neil Kaczor as special guest. \n \nThe talk will follow from a workshop at Cafe OTO on 9th and 10th of April. Register to the workshop! \nSIGNUM device is a translator – it uncovers the encrypted codes of information and the language of man/machine communication- which remain unintelligible without technical aid. Sharpening our awareness about what surrounds us\, we will capture radio waves\, FM/AM\, ultrasounds\, translocal network connections\, personal broadcast spaces\, inaudible electromagnetic fields\, photoelectric effects\, etc\, read with a micro controller like an Arduino\, Pic or a raspberry pi. SIGNUM can be used for various applications and in different environments: for the measurement and analysis of different signals through its 8 sensors and inputs\, for field recordings\, music composition or for aesthetic purposes within the sound or visual art praxis\, as it has the unique ability to provide a wide sound palette and hard-to-identify sounds. The device is intended as an experimental tool for educational purposes and artistic practice. \n \nThe Music Hackspace programme is support through public funding by Arts Council England.
URL:https://musichackspace.org/event/artist-talk-demo-signum-device-with-victor-mazon-gardoqui/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/03/Victor_mazon_Signum_piezo_rojo_02-e1459268719619.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160413T190000
DTEND;TZID=Europe/London:20160413T210000
DTSTAMP:20260403T205607
CREATED:20160311T132326Z
LAST-MODIFIED:20160316T122739Z
UID:10000594-1460574000-1460581200@musichackspace.org
SUMMARY:SuperCollider with Shelly Knotts – Sound Unfolded Workshops 2016
DESCRIPTION:Learn the basics of setting up a live coding session and making soundscapes and beats with sound synthesis and patterns in SuperCollider. \n  \n\n\nBuy Live Coding in SuperCollider – class with Shelley Knots\, 13 April\nSuperCollider is an incredibly powerful\, open-source\, cross-platform\, audio engine and programming language\, used not only to create music\, but also for machine listening\, audio/music reactive installations\, performance\, interactive systems\, research\, live-coding and much more. \nYou will need your own computer (OSX / Windows/ Linux)\, and a pair of headphones. \nThis workshop is part of #SoundUnfolded and will be the first of a series of software sessions taking place in the Machines Room classroom. \nFor any questions please email workshops@stagingmhs.local \n  \n\n\nBuy Live Coding in SuperCollider – class with Shelley Knots\, 13 April\nThis programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/live-coding-in-supercollider-class-with-shelley-knots/
LOCATION:Machines Room\, 45 Vyner St\, London \, London\, E2 9DQ\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/03/supercollider01-e1457702413509.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160416
DTEND;VALUE=DATE:20160418
DTSTAMP:20260403T205607
CREATED:20160316T155008Z
LAST-MODIFIED:20160413T190609Z
UID:10000647-1460764800-1460937599@musichackspace.org
SUMMARY:DIY Modular Synth workshop with '000' – Sound Unfolded Workshops 2016
DESCRIPTION:ab•er•rant (ə ber′ənt\, ab′ər-)\, \nadj.\n departing from the right\, normal\, or usual course.\n deviating from the ordinary\, usual\, or normal type;\n exceptional; abnormal. \nDIY workshop about percussion and distortion lead by øpen-hardware team “000” \n• Aberrant analogue distortion and percussion modules \nModules are both stand-alone and Eurorack.\nThe workshop will cover both theory and practice about analogue circuit design\, percussion and noise. No previous experience in electronics is needed but interest and patience is mandatory. \nPlease book your place using the button below. The booking price will be discounted from the module at the workshop. We will get in touch with you after the booking about the module you will choose. For any questions please contact workshops@stagingmhs.local \n  \n\n\nBuy DIY Modular Synth workshop with ‘000’ – Sound Unfolded Workshops 2016 \nBoth days are independent so participants can choose when to join the workshop. \nModules available are: \nBSDM Bareback Kick (Workshop price: £105) \nSCAT 0-logical distortion (Workshop price: £85) \nSnore Fist Drum (Workshop price: £125) \nWHIP MIDI to trigger interface (Workshop price: £130) \nTOMS of Finland *NEW* (Workshop price: £135) \n  \nThis workshop is part of the series ¨#SoundUnfolded¨\, which brings together action-based ideas about sound. It proposes an exploration of the relationships we can establish with sound through the act of making. To patch\, to code\, to reveal\, to sonify. This is a workshop series about modular synths\, audio synthesis\, the electromagnetic spectrum\, the transmission of sound and the digital.” \n  \n\n\nBuy DIY Modular Synth workshop with ‘000’ – Sound Unfolded Workshops 2016\nThis programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/diy-modular-synth-workshop-with-000-sound-unfolded-workshops-2016/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/03/M2-e1458148297942.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160502T190000
DTEND;TZID=Europe/London:20160502T220000
DTSTAMP:20260403T205607
CREATED:20160414T143809Z
LAST-MODIFIED:20160417T123917Z
UID:10000651-1462215600-1462226400@musichackspace.org
SUMMARY:London Synth DIY meet up
DESCRIPTION:Join us at the LimeWharf yard with the London Synth DIY\, a group that meets to discuss\, collaborate and experiment with electronics that creatively synthesise audio or video. \nAny skill level welcome\, the aim is to create a relaxed atmosphere with no judgment on your knowledge. \nWe want to encourage the exchange of ideas related to the design\, modification and fabrication of electronic synthesizers; bring projects you are working on from schematics\, to PCBs\, to finished objects. \nGet or ask for advice on how to solder\, design\, program\, construct\, troubleshoot or just generally help and encourage others with what they’re working on. \nLet’s make some bleeps\, and also some bloops. \nJoin the group here!
URL:https://musichackspace.org/event/london-synth-diy-meet-up/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/04/600_448811414-e1460896652228.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160509T190000
DTEND;TZID=Europe/London:20160509T220000
DTSTAMP:20260403T205607
CREATED:20160413T163139Z
LAST-MODIFIED:20160426T143022Z
UID:10000650-1462820400-1462831200@musichackspace.org
SUMMARY:Artist Talk – Borders\, surveillance and sounds with Sophie Mallett
DESCRIPTION:Join artist Sophie Mallett for an insight into ongoing research around borders\, surveillance and sounds. The talk will navigate through a topography of competing technologies that all use sound and radio to define and confine territories. Together we’ll explore the politics of control embedded in technologies of sound production and transmission. \nSophie Mallett is an artist exploring sound and the re-territorialisation of networked global economies and people. Incorporating thinking and action around borders\, surveillance and sound\, Mallett focuses on sounds’ intersection with affect\, politics and value. Educated at London College of Communication\, Open School East\, and Conservatorium of Music\, University of Sydney\, Mallett’s practice is both interdisciplinary and collaborative. \nRecent projects include: Horrid Little Hands\, Eastside Projects\, Birmingham 2016; Liminal States\, RCA\, London\, 2016; Project Radio\, &Model\, Leeds\, 2015; Live ASMR\, Resonance FM and Open School East\, London\, 2015; Sonic Blind Dates\, Tate Britain\, London\, 2014; Legendary Jobs\, Flat Time House\, London\, 2014\, Cycle\, Firstsite Gallery\, Colchester\, 2013. \nsophiemallett.com \n \n \n  \nThe talk will be between 7-8pm. The remaining time will be used for more music\, casual hangout and drinks (BYOB) until close at 10.00pm. For any questions please email curators@stagingmhs.local \n  \nThis programme is supported using public funding by Arts Council England. \n \n 
URL:https://musichackspace.org/event/artist-talk-borders-surveillance-and-sounds-with-sophie-mallet/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/04/5-e1461172121299.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160511T190000
DTEND;TZID=Europe/London:20160511T210000
DTSTAMP:20260403T205607
CREATED:20160316T121153Z
LAST-MODIFIED:20160510T160359Z
UID:10000644-1462993200-1463000400@musichackspace.org
SUMMARY:SuperCollider with Alo Allik – Sound Unfolded Workshops 2016
DESCRIPTION:Sound synthesis and interactive algorithmic composition with machine learning in SuperCollider \nWednesday 11th May 19:00 – 21:00\nThis workshop takes place in Machines Room (Classroom). Address: 45 Vyner St\, London E2 9DQ \n[shopify embed_type=”product” shop=”musichackspace.myshopify.com” product_handle=”supercollider-with-alo-allik-sound-unfolded-workshops-2016″ show=”button-only”] \n  \nIn this workshop we will explore the basics of sound synthesis and algorithmic composition with a particular emphasis on creating interactive synthesizers with machine listening techniques and aiding the composition process with machine learning algorithms. The flexible SuperCollider architecture enables exploring real-time composition from a number of different perspectives. We will be exploring the following topics: \n \n– sound synthesis including modulation\, subtractive and granular synthesis\n– strategies for scheduling and timing\n– building reactive synthesisers with triggers and machine listening\n– introduction to composition with machine learning \n \nAlo Allik is a sound artist who has performed his audiovisual works\, electroacoustic compositions\, eclectic DJ sets and live electronic music throughout the world at a number of festivals\, including Transmediale\, Piksel\, ISEA\, TodaysArt\, ShinyToys\, Pluto\, NIME\, etc.. His aesthetically and geographically restless lifestyle has enabled him to traverse a diverse range of musical worlds including DJ-ing electronic dance music\, live electronic jam sessions\, electroacoustic composition\, free improvisation and audiovisual performances. In recent years he has been actively participating in the Algorave movement developing a style he describes as noisefunk which combines traditional rhythm patterns with evolutionary synthesis algorithms. Currently\, Alo works as a researcher at the Centre for Digital Music\, Queen Mary University of London\, while continuing to perform his visuals and music to audiences worldwide. \nwebsite: http://tehis.net\nsoundcloud: https://soundcloud.com/tehis\nhttps://soundcloud.com/user-665948413 \n  \nThe Music Hackspace programme is supported with public funding by Arts Council England.
URL:https://musichackspace.org/event/supercollider-with-alo-allik-sound-unfolded-workshops-2016/
LOCATION:Machines Room\, 45 Vyner St\, London \, London\, E2 9DQ\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/03/supercollider01-e1457702413509.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160514
DTEND;VALUE=DATE:20160516
DTSTAMP:20260403T205607
CREATED:20160414T164559Z
LAST-MODIFIED:20160414T165002Z
UID:10000652-1463184000-1463356799@musichackspace.org
SUMMARY:Befaco Modular Synth Workshop\, 14th and 15th May 2016
DESCRIPTION:Join us for a weekend of DIY modular synth making on 14th and 15th May 2016! \nHANDS ON WORKSHOP: build your own synth modules on eurorack format. We provide all the necessary components to build your device from scratch. Each participant builds her/his own machine during the workshop. \nREGISTRATION. Please note a minimum number of participants is required for this workshop to take place\, so please book your place asap! \n[shopify embed_type=”product” shop=”musichackspace.myshopify.com” product_handle=”befaco-workshop-registration-14th-and-15th-may” show=”all”] \nWith this item you will be booking a spot in our workshop.Please send an email to workshops@stagingmhs.local indicating which module/s you want to build. This £20 booking fee will be deducted during the workshop from the price of the kit of your choice. \nPlease note there will be no refunds in case of cancelling / not showing. Thanks for the reservation and see you soon! \nRequired skills: interest and patience. No previous experience in electronics is necessary. \nRequired materials: Fine tip soldering iron less than 25w is recommended (we can provide some soldering irons and hand tools for participants who don’t have their own). \nWhen: Sat 14th  and Sun 15th May 2016\, 11am to 7 pm. \nWhere: Music Hackspace @ LimeWharf Yard. LimeWharf\, Vyner Street E2 9DJ London \nIf you have any questions please email us at: workshops@stagingmhs.local \nBefaco is a Synth DIY/open hardware platform focused on designing modules and organizing modular synth workshops regularly in Madrid\, Barcelona\, Berlin and London. Befaco Workshops FAQ’s. \nAvailable modules:  \nSpring reverb …………………150 GBP\nEven VCO ……………………130 GBP\nBF22 VCF……………………..140 GBP\nRampage…………………………….170 GBP\nInstrument Interface………..125 GBP\nOutput module……………….. 70 GBP\nMixer………………………………55 GBP\nCrush Delay……………………130 GBP\nHexa VCA………………………150 GBP\npower supply + power bus……90 GBP\nPower Bus………………………..50 GBP\nDual Atenuverter………………55 GBP\nJoysitck controller…………….120 GBP\nSlew Limiter ………………………….60 GBP\nSampling Mod………….130 GBP\nMidi thing……………..125GBP\nA*B+C…………………95GBP \nThe Music Hackspace programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/befaco-modular-synth-workshop-14th-and-15th-may-2016/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2015/08/2015-07-11-13.51.511-e1439846885349.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160516T190000
DTEND;TZID=Europe/London:20160516T220000
DTSTAMP:20260403T205607
CREATED:20160424T181947Z
LAST-MODIFIED:20160425T144150Z
UID:10000653-1463425200-1463436000@musichackspace.org
SUMMARY:Build high-performance interactive audio systems – Bela platform workshop
DESCRIPTION:Building high-performance interactive audio systems with the Bela platform \nThis workshop presents Bela\, an embedded platform capable of ultra-low latency audio and sensor processing. Based on the BeagleBone Black\, Bela features stereo audio I/O\, 8 channels each of 16-bit analog I/O and 16 channels of digital I/O. It includes a built-in browser-based IDE including an in-browser oscilloscope. Bela projects can be written in C/C++ or Pure Data\, with beta support for the Faust DSP language. The platform is a great base for building new musical instruments\, interactive audio installations\, synthesisers\, guitar effects pedals\, sound design tools or even kinetic sculptures. \nBela was created in the Augmented Instruments Laboratory\, part of the Centre for Digital Music at Queen Mary University of London. The platform is open-source hardware and software. In March 2016\, Bela had a highly successful Kickstarter launch\, raising more than 10x its original goal with support from over 500 backers worldwide. \nThis workshop will provide a hands-on introduction to the Bela environment\, working through a series of example projects in C and Pure Data which showcase some of the exciting possibilities Bela makes easy. Each participant will be provided with a kit to use\, including a Bela board\, a breadboard\, sensors and other parts. \nWhat to bring: laptop (any platform); headphones; optional: personal hacking gear (e.g. sensors\, custom circuitry\, sound producing devices). \nPlatform tech specs: Bela features stereo audio in and out (16-bit\, 44.1kHz)\, 8x analog in and out (16-bit\, 22.05kHz; 4 channels can be used at 44.1kHz) and digital in and out (16 channels\, 3.3V). Stereo audio output is capable of driving line\, headphone or 8 ohm speakers (1.1W amplifiers built in). Round-trip latency can be as low as 100 microseconds. Sensors and audio are sampled synchronously to eliminate jitter. The BeagleBone Black on which Bela is based has a 1GHz ARM Cortex-A8 processor with 512MB of RAM. \nParticipation in the workshop is free. At the end of the workshop\, there will be an opportunity to sign up to join the Kickstarter production run which is currently underway\, with estimated shipping in June or July. \nFor any questions\, please email curators@stagingmhs.local \n \nThe workshop is supported by the Centre for Public Engagement at Queen Mary University of London. \n  \nThe Music Hackspace programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/build-high-performance-interactive-audio-systems-bela-platform-workshop/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/04/bela-KS-graphic-2-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160523T190000
DTEND;TZID=Europe/London:20160523T220000
DTSTAMP:20260403T205607
CREATED:20160510T151155Z
LAST-MODIFIED:20160510T151932Z
UID:10000660-1464030000-1464040800@musichackspace.org
SUMMARY:Artist Talk - composing music for weather conditions and forest ecosystems\, with Jones/Bulley
DESCRIPTION:Artist duo Jones/Bulley create large-scale sound installations that translate patterns and data into ever-changing compositions\, often sited in remote and wild environments. In this talk\, they will discuss composing music for weather conditions and forest ecosystems\, describe some of the technological and compositional challenges encountered through their work\, and explain why they are switching towards using their own ground-up open-source audio software. \nThey will also be giving the first work-in-progress demonstrations of a new work: a sound sculpture that uses a novel notation system to generate tonal music from real-time FM radio broadcasts\, running on a Raspberry Pi. \nJames Bulley (b. 1984) and Daniel Jones (b. 1983) are an artist duo whose collaborative practice explores the boundaries of sound art\, music\, and process-based composition. Their work draws on systems and patterns from the world around us as ways of organising sound\, creating a reciprocal relationship  between the two: using sound as a way to illuminate our understanding of the world\, and using natural processes as a way to deepen our approaches to composition. \nMembers of the New Radiophonic Workshop\, Jones/Bulley’s critically acclaimed work has been shown at venues including the Royal Festival Hall\, the Barbican\, the Museum of Science and Industry\, Aldeburgh Music\, the Old Royal Naval College\, the Queen Elizabeth Hall\, and the Design Museum. Their landscape sound work Living Symphonies toured four UK forests over summer 2014\, supported by Arts Council England\, Sound And Music\, and Forestry Commission England. \nTheir most recent commission\, Vespers\, was installed at the Southbank Centre (London\, UK) from May to September 2015\, co-commissioned by the World Wide Web Foundation. \nhttp://www.jones-bulley.com/ \n \n  \nThe Music Hackspace programme is support with public funding by Arts Council England.
URL:https://musichackspace.org/event/artist-talk-sound-art-music-and-process-based-composition-with-jonesbulley/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/05/jones-bulley-1024px-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160608T190000
DTEND;TZID=Europe/London:20160608T210000
DTSTAMP:20260403T205607
CREATED:20160316T125906Z
LAST-MODIFIED:20160413T190039Z
UID:10000645-1465412400-1465419600@musichackspace.org
SUMMARY:SuperCollider with Holger Ballweg – Sound Unfolded Workshops 2016
DESCRIPTION:8th June 19:00 – 21:00 @MachinesRoom\nSuperCollider with Holger Ballweg \n\n\nBuy SuperCollider with Holger Ballweg – Sound Unfolded Workshops 2016\nCollaborative live coding in SuperCollider. \nCollaboration in live computer music in general results in interesting performances\, as the styles of the performers merge and/or network effects\, e.g.\, delays in the delivery of network packages\, are exploited. SuperCollider comes with very good support for networking using OSC messages (Open Sound Control – a standard that enables exchanging messages between different computer music applications easily) and additional libraries make it even easier to collaborate. \nWe will explore different levels of collaboration\, specifically: \n– collaborative editing of sound-producing code;\n– sharing code between performers;\n– sharing data between performers\, e.g.\, a musical scale or a common tempo;\n– using and abusing the client-server architecture of SuperCollider to\, e.g.\, play sound on other people’s machines. \nWe will learn how to set them up\, play around with them\, and look at examples of them in use – and look at ways to debug them if things go wrong. \nYou will need your own computer (OSX / Windows/ Linux)\, and a pair of headphones. \n  \nHolger Ballweg is a live coder and programmer living in Newcastle upon Tyne (UK). \nAfter studying for an M.A. in Music Informatics at Karlsruhe University of Music (Germany)\, he is now pursuing a PhD at Northumbria University\, Newcastle. \nHe is a member of the live coding laptop band Benoît and the Mandelbrots\, with whom he performed over 70 concerts in Germany and Europe exploring different ways of collaboration using SuperCollider\, which resulted in the development of their own collaborative live coding library\, BenoitLib. In 2012 Benoît and the Mandelbrots received an Honorary Mention at Prix Ars Electronica. He is also part of the Birmingham Laptop Ensemble (BiLE) and occasionally plays the laptop or saxophone in a duo with Shelly Knotts. As project assistant of the Network Music Festival in 2013 and 2014 he helped realise diverse networked and collaborative performances\, as well as being a participant in some of them. \n  \nSuperCollider is an incredibly powerful\, open-source\, cross-platform\, audio engine and programming language\, used not only to create music\, but also for machine listening\, audio/music reactive installations\, performance\, interactive systems\, research\, live-coding and much more. \nThis workshop is part of #SoundUnfolded taking place in the Machines Room classroom. \n  \n\n\nBuy SuperCollider with Holger Ballweg – Sound Unfolded Workshops 2016\nSupported using public funding by Arts Council England
URL:https://musichackspace.org/event/supercollider-with-holger-ballweg-sound-unfolded-workshops-2016/
LOCATION:Machines Room\, 45 Vyner St\, London \, London\, E2 9DQ\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/03/supercollider02-e1458130269178.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160613T190000
DTEND;TZID=Europe/London:20160613T220000
DTSTAMP:20260403T205607
CREATED:20160510T142558Z
LAST-MODIFIED:20160510T171752Z
UID:10000655-1465844400-1465855200@musichackspace.org
SUMMARY:Artist Talk - 'Eight Chapters in Four Movements' and 'Astrology of a Friday' by Teresa Cos
DESCRIPTION:Join Teresa Cos for a screening on two recent works combining image and sound emphasising a “collective hypnosis permeating our society”. The mechanical repetition of everyday rituals presented in the first video “Eight Chapters in Four Movements” will be seen in relation to the mesmeric reiteration of socio-political concepts of the second one “Astrology of a Friday”. The result in both cases is a sort of absurd dynamic stagnation. \n \nEIGHT CHAPTERS IN FOUR MOVEMENTS \nLondon Bridge is crossed every morning at the same time by thousands of commuters forming a river moving unidirectionally South to North. The scene is iconic and has been impressed many times in the news\, films\, documentaries\, lullabies and poetry. I observed for some time this phenomenon and calculated with rough mathematics the average pace of the commuters\, which resulted of 113 BPM. I decided to impersonate this rhythm\, walking robotically in the crowd following the beat of a metronome\, but developing four movements that engage and disrupt the linear conception of time embodied by the flow. The movements are intended as four different stages of a ritual and are repeated constantly from 8am to 9am. The performance was documented in first person with an unnoticeable video device fixed to my chest and the entire filmed footage is shown uncut in a life-size video installation. The work is accompanied by a sound piece consisting of the key words of Henri Lefebvre’s ‘Rythmanalysis’\, spoken continuosly for one hour at 113 BPM and it includes fragments of music mixed with ambience sounds\, as well as references to Steve Reich’s ‘Clapping Music’. The recorded action and soundtrack are phased and only synchronise at the video’s start and end. \n  \n2nd movement. Awareness\, walking backwards with the flow. \n  \nEight Chapters in Four movements score \n  \nASTROLOGY OF A FRIDAY \nThe film was shot in the General Assembly Room of the Province of Limburg’s Government Building\, where on the 7th of February 1992 the signing ceremony of the Treaty on European Union (the Maastricht Treaty) took place. Whilst the lights of the eighteen pointed star ceiling perform a choreography that goes in and out of sync with the soundtrack\, we hear a non- European voice reading the hopeful words of the preamble to the Treaty. \nTeresa Cos investigates the human condition\, understood as the endless negotiation between the self and the other and between the individual and society\, seen as one and the same. Her range of approaches\, which include and combine still and moving image\, sound\, performance and scoring\, are informed by her diverse backgrounds in architecture\, documentary photography\, and live music. Teresa’s work has been recently exhibited at the 14th International Architecture Exhibition at the Venice Biennale\, the MOSTYN Gallery in Wales and the Bevilacqua La Masa Foundation in Venice. She has been attending international residency programs such as the Botin Foundation in Santander with artist Tacita Dean and more recently the Jan Van Eyck Academy in Maastricht. \n  \nFilm still \n  \nThe Music Hackspace programme is supported with public funding by Arts Council England.
URL:https://musichackspace.org/event/artist-talk-eight-chapters-in-four-movements-and-astrology-of-a-friday-by-teresa-cos/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/05/score2-e1462890845494.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160620T190000
DTEND;TZID=Europe/London:20160620T220000
DTSTAMP:20260403T205607
CREATED:20160517T113549Z
LAST-MODIFIED:20160523T150306Z
UID:10000665-1466449200-1466460000@musichackspace.org
SUMMARY:DIY instrument building with Tom Fox and UAL MAKERS NETWORK
DESCRIPTION:For the first of a series of events UAL Makers have teamed up with Music Hackspace\, a place for artists\, innovators\, entrepreneurs and hobbyists passionate about music and technology. \nRegister here! \nThe event will feature a talk and workshop hosted by Tom Fox\, a craftsman\, maker and pioneer in the search for new sounds and the development of truly unique instruments. \nMany of you probably know Tom’s project\, Vulpestruments – a collection of hand-built noise machines fashioned from as much recycled and reclaimed materials as possible. From the strings to the pickups and the tuning pins\, these unexpected sources make genuinely remarkable sounds. \nhttps://vulpestruments.com/\nPlaces are limited so please make sure to book early if you would like to attend. \n* Music Hackspace is currently hosted by LimeWharf\, a Hackney based cultural innovation hub and artistic laboratory on Regent’s Canal.  \nhttp://limewharf.org/ \n  \nThe Music Hackspace programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/ual-makers-and-music-hackspace-meet-featuring-tom-fox/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/05/slider_LCC-Mini-Maker-Faire-2013-Image-by-Ana-Escobar_06.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160627T190000
DTEND;TZID=Europe/London:20160627T220000
DTSTAMP:20260403T205607
CREATED:20160308T151433Z
LAST-MODIFIED:20160308T151433Z
UID:10000592-1467054000-1467064800@musichackspace.org
SUMMARY:Artist Talk – Scanner: Making Music from Ghosts and a few cables
DESCRIPTION:Scanner will present a history of work that has slipped between the borders of performance\, installation\, music and art\, from scanning mobile phone networks\, composing sound for the dead and collaborating with fashion designers\, choreographers\, hospitals and the homeless. And how to do all this without drinking tea\, coffee\, alcohol\, meat or smoking. \nThe talk will be between 7-8pm. The remaining time will be used for more music\, casual hangout and drinks until close at 9.30pm. For any questions please email curators@stagingmhs.local. \n  \n \n  \nRobin Rimbaud\, alias Scanner (1964\, London\, UK) is a composer whose work traverses the experimental terrain between sound\, space and image\, creating absorbing\, multilayered sound pieces that twist technology in unconventional ways\, connecting a bewilderingly diverse array of genres. Since 1991 he has been intensely active in sonic art\, producing concerts\, installations and recordings\, the albums Mass Observation (1994)\, Delivery (1997)\, and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. \nCommitted to working with cutting edge practitioners he has collaborated on projects with Bryan Ferry\, Wayne MacGregor\, Mike Kelley\, Miroslaw Balka\, Torres\, Michael Nyman\, Carsten Nicolai\, Steve McQueen\, Laurie Anderson and Hussein Chalayan\, amongst others. \nHe scored the hit musical comedy Kirikou & Karaba (2007)\, designed the sound for the Philips Wake-Up Light (2009)\, and campaigns for Nike Hyperfuse (2011)\, Chanel’s Fall-Winter collection (2012)\, Sprint Telephones (2012) and FT Weekend (2014). For the UK Olympics Scanner scored The Big Dance in Trafalgar Square for 1000 dancers and the re-opening of the Stedelijk Museum\, Amsterdam\, in the company of Queen Beatrix. He continues to tour his show Live_Transmission: Joy Division Reworked\, a striking audiovisual show with Heritage Orchestra. In 2014 he was Visiting Artist at MIT in Cambridge USA. \nIn 2015 he premiered his score to Dutch National Ballet’s and ISH’s new production Narnia: The Lion\, The Witch and the Wardrobe\, and in 2016 will present his Water Drops installation Rijeka Airport in Croatia\, and Playtime at Cliveden National Trust. His work Salles des Departs is permanently installed in a working morgue in Paris. \nHis work has been presented throughout the United States\, South America\, Asia\, Australia and Europe. \nwww.scannerdot.com \nwww.facebook.com/scannerdot \nhttps://soundcloud.com/scanner/draussen-drinnen \nhttps://vimeo.com/156378550 \nhttp://www.nighthaunts.org.uk \nhttps://scanner.bandcamp.com/album/venus-and-elgar \n  \nThis programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/artist-talk-scanner-making-music-from-ghosts-and-a-few-cables/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/03/Scanner-caves-2-e1457448602939.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160704T190000
DTEND;TZID=Europe/London:20160704T220000
DTSTAMP:20260403T205607
CREATED:20160602T101629Z
LAST-MODIFIED:20160602T101629Z
UID:10000671-1467658800-1467669600@musichackspace.org
SUMMARY:Artist Talk – Dancing with music\, graphics and interactive experience with Jan Lee and Tim Murray-Browne
DESCRIPTION:Jan Lee and Tim Murray-Browne are artists who collaborate together to connect the dancing body with music\, graphics and interactive experience. They look at the performed moments in which we create our sense of self\, in relation to the sensorial worlds that we mould and in turn mould us. This includes interactive dance with body-controlled generative visuals\, immersive sound installations and research into sound architectures: how story and place can emerge through bodily sonic interaction with invisible forms. \nThey will talk about recent performance work\, including This Floating World\, an interactive dance show questioning the expressive power of the physical body evolved and amplified by technology. Also Oorgavé Oorgavé\, a poetry/dance performance in an interactive sound space\, telling the story of two travellers discovering the slip between human and animal\, speech and sound. They will talk about research completed in Rio de Janeiro last year in a residency with ZU-UK immersive theatre company researching what are the most basic structures of interactive sound and the question ‘Can we feel a sound pixel in space?’ \nFinally\, they will present a preview of their upcoming project Movement Alphabet\, combining immersive one-on-one audience interaction with body-driven generative visuals to create portraits of how audience members move and express themselves through their body. \n \n  \nThe Music Hackspace programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/artist-talk-dancing-with-music-graphics-and-interactive-experience-with-jan-lee-and-tim-murray-browne/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/06/this_floating_world_tim_murray-browne_jan_lee_arebyte_2-2000-2.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160705T190000
DTEND;TZID=Europe/London:20160705T220000
DTSTAMP:20260403T205607
CREATED:20160601T154726Z
LAST-MODIFIED:20160606T154449Z
UID:10000669-1467745200-1467756000@musichackspace.org
SUMMARY:'Don’t Press Record\, Press Perform' with Tim Exile
DESCRIPTION:Musician and technologist Tim Exile is kicking off his new live performance project with a tour of intimate UK venues where he’ll showcase his new self-made instrument and announce exciting news about the project. \n \nPerformance is almost always a footnote to composition in the electronic music world and Tim has been working for the last 15 years to turn this on its head by creating his own bespoke instruments for electronic performance. The latest milestone in his quest to combine the fluidity and spontaneity of traditional acoustic instruments with the infinite sound worlds of synthesis and sampling is an instrument deep enough to write and perform an entire album. Join him to experience the first results and hear him share his journey with the project. \nTim’s had an impressive career. As a musician he’s released critically acclaimed albums on seminal electronic record labels Planet Mu and Warp and performed live in every continent. With his technologist hat on he’s released 3 plugin instrument and FX in collaboration with music tech giants Native Instruments. For the last 5 years Tim has been focussed on developing his Flow Machine instrument which forms the centre of his visceral 100% improvised live performances. \nJoin Tim at one of these dates and watch out for a special announcement nearer the time with some exciting news about the instrument\, the project and its future. \nRead more about Tim’s ideas in this Medium article here! \n  \nThe Music Hackspace programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/dont-press-record-press-perform-with-tim-exile/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/06/Tim-Exile-press-image-2016-cropped-2.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160711T190000
DTEND;TZID=Europe/London:20160711T220000
DTSTAMP:20260403T205607
CREATED:20160614T095518Z
LAST-MODIFIED:20160623T111335Z
UID:10000673-1468263600-1468274400@musichackspace.org
SUMMARY:Artist Talk – Mira Calix
DESCRIPTION:Mira Calix is an award winning artist\, composer and performer based in the United Kingdom. Music and sound have always been at the centre of her practice\, which she continues to integrate with visual media and technological innovation to create multi-disciplinary installations and performance works. \nMira has recently returned from China where she opened the Moving Museum 35\, a temporary and site specific sound art installation\, where a museum is situated in the architecture of a bus and open to the general public. This project was created in collaboration with students based at Nanjing University Of the Arts\, and was supported by the British Council\, PRS Foundation and JCDecaux and was part of the UK in China cultural exchange program. \nMira Calix is currently working on a new commission for the renowned American ensemble; Alarm Will Sound\, which will premier in New York spring 2016 and directing a new performance by Solomon’s Knot Consort for this year’s Aldeburgh Festival. \nJoin us to discover more about her work and latest project! \n \nThe talk will be between 7-8pm. The remaining time will be used for more music\, casual hangout and drinks until close at 9.30pm. For any questions please email curators@stagingmhs.local\, we are happy to answer any questions you may have. \n  \nMore about Mira Calix: \nMira has been commissioned by many leading international cultural institutions\, festivals and ensembles including the London Sinfonietta\, the Royal Shakespeare Company\, the Aldeburgh Festival\, the Melbourne Recital Centre\, Performa\, National Portrait Gallery\, the Institute of Contemporary Art\, the Manchester International Festival and The Mayor Of London. \nShe has been the recipient of several awards\, in 2009 she won a British Composer Award for her composition; My Secret Heart. The installation\, commissioned by Streetwise Opera\, and featuring the voices of a 100 strong choir\, toured extensively internationally and was also the recipient of a Royal Philharmonic Society Award and finalist for The National Lottery Arts Award 2010. Chorus\, a collaborative work with United Visual Artists received an Award of Distinction in the Interactive Category at Prix Ars Electronica 2010. There relationship has continued over the years\, most recently with Momentum an installation for the Barbican Curve Gallery in London\, which opened in February 2014. In 2011 Mira was once again nominated for a British Composer’s award\, for her film opera – Fables – The Boy Who Cried Wolf. \nShe has collaborated with musicians and other artists from across the spectrum\, including Conrad Shawcross\, Chris Milk and  United Visual Artists to create both permanent and temporary installations in the United Kingdom and internationally. \nIn 2015 Mira Calix premiered Inside There Falls\, a mixed media installation at Carriagworks\, in Australia as part of the Sydney Festival. The artwork is a multi -sensory installation of paper\, sound and movement created by Mira and features durational performances by members of Sydney Dance Company. \n  \nThe Music Hackspace programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/artist-talk-mira-calix/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/06/Mira.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160713T190000
DTEND;TZID=Europe/London:20160713T210000
DTSTAMP:20260403T205607
CREATED:20160316T142046Z
LAST-MODIFIED:20160418T123541Z
UID:10000646-1468436400-1468443600@musichackspace.org
SUMMARY:SuperCollider with Les Hutchins – Sound Unfolded Workshops 2016
DESCRIPTION:13th July 19:00 – 21:00 @MachinesRoom \nSuperCollider with Les Hutchins \n\n\nBuy SuperCollider with Les Hutchins – Sound Unfolded Workshops 2016 \nUsing SuperCollider for installations. Raspberry Pi\, recovering from crashes\, and interacting with physical devices in SuperCollider. \nSuperCollider is an incredibly powerful\, open-source\, cross-platform\, audio engine and programming language\, used not only to create music\, but also for machine listening\, audio/music reactive installations\, performance\, interactive systems\, research\, live-coding and much more. \nYou will need your own computer (OSX / Windows/ Linux)\, and a pair of headphones. \nThis workshop is part of #SoundUnfolded taking place in the Machines Room classroom. \n\n\nBuy SuperCollider with Les Hutchins – Sound Unfolded Workshops 2016 \nThis programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/supercollider-with-les-hutchins-sound-unfolded-workshops-2016/
LOCATION:Machines Room\, 45 Vyner St\, London \, London\, E2 9DQ\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/03/supercollider02-e1458130269178.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160714T190000
DTEND;TZID=Europe/London:20160714T220000
DTSTAMP:20260403T205607
CREATED:20160623T114525Z
LAST-MODIFIED:20160623T114613Z
UID:10000675-1468522800-1468533600@musichackspace.org
SUMMARY:Musica Dispersa at Music Hackspace #03
DESCRIPTION:Musica Dispersa return to Music Hackspace\, this time in Limewharf\, with experimentation and improvisation as the common denominators\, bringing a line up of sound artists and experimental musicians. \n  \nTime and date: Thursday 14th July\, 7pm-10pm  \nLocation: Limewharf\, LimeWharf Yard\, Vyner Street\, London\, E2 9DJ \nPrice: £5 (cash on door). Please RSVP attendance here. The bar will be closed during the event\, you are welcome to byob.  \n  \nLydia Kavina\nBorn in Moscow and currently living in Oxfordshire\, UK\, Lydia Kavina is one of the leading performing musicians on the theremin. Lydia began studying the theremin at the age of 9 under the direction of  Léon Theremin\, who was first cousin of her grandfather.  Five years later she was ready to give her first  theremin concert\, which marked the beginning of her musical career that has so far led to more than a thousand concerts and theatre\, radio and television performances of classic and contemporary music\, throughout the world. \nThe S&M Accidental Orchestra\nExperimentation and Improvisation with this ‘accidental’ band formed by Sean Derrick Cooper Marquardt and joined for this time by London based artists Edmund Davie\, Michael Forrest \, Marina Young and Jude Cowan Montague with the direction of Sean Derrick Cooper Marquardt. \nHeidi Heidelberg\nA gutsy electric guitarist and master of the loop pedal she has written music for award-winning films and theatre\, and collaborated with a number of innovative artists. Her current collaborations include ‘Bitch ‘n’ Monk’ – an experimental/jazz duo project with Colombian flautist Mauricio Velasierra\, with whom she has composed and performed live scores for award-winning cinematographers Yuri Pirondi and Ines Von Bonhorst\, showcasing at the V&A Museum and other notable galleries. \nMatawan\nGareth Chapman and Barclay Brennan work addresses the relationship that melody has within texture and how this intrinsically relates to the listener.\nEach piece is an organically layered composition that is comprised from dozens of micro-melodies. Stratified together\, these ordinarily nebulous melodies create dense textures that allude to harmony and musicality in a seemingly abstract way. \n  \nMusica Dispersa is a London based platform which operates internationally and is dedicated to the dissemination and diffusion of experimental music through a wide range of projects in radio broadcast\, cassette releases\, live events and exhibitions. \nFor any questions please email curators@stagingmhs.local \n  \nThe Music Hackspace programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/musica-dispersa-at-music-hackspace-03/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/06/MUSICHACKSPACE07.2016-2.webp
END:VEVENT
END:VCALENDAR