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DTSTART;TZID=Europe/London:20210915T180000
DTEND;TZID=Europe/London:20210915T200000
DTSTAMP:20260405T114745
CREATED:20210819T092747Z
LAST-MODIFIED:20210914T130642Z
UID:10000882-1631728800-1631736000@musichackspace.org
SUMMARY:Getting started with Max - September Series
DESCRIPTION:Dates & Times:  \nSession 1: Wednesday 15th September at 6pm UK / 7pm Berlin / 10am LA / 1pm NYC \nSession 2: Wednesday 22nd September at 6pm UK / 7pm Berlin / 10am LA / 1pm NYC \nSession 3: Wednesday 29th September at 6pm UK / 7pm Berlin / 10am LA / 1pm NYC \nSession 4: Wednesday 6th October at 6pm UK / 7pm Berlin / 10am LA / 1pm NYC \nLevel: Beginners curious about programming \nGet started with interactive audio and MIDI\, and discover the possibilities of the Max environment. In this series of workshops\, you will learn how to manipulate audio\, MIDI\, virtual instruments and program your own interactive canvas. \nConnect together Max’s building blocks to create unexpected results\, and use them in your music productions. Through a series of guided exercises you will engage in the pragmatic creation of a basic MIDI sequencer device that features a wealth of musical manipulation options. \nLearn from guided examples and live interactions with teachers and other participants. \nThis series of online workshops aims to enable you to work with Max confidently on your own. \nSessions overview  \nSession 1 – Understand the Max environment \nSession 2 – Connect building blocks together and work with data \nSession 3 – Master the user interface \nSession 4 – Work with your MIDI instruments \n\n \nRequirements \n\n\n\nA computer and internet connection\nA good working knowledge of computer systems\nAccess to a copy of Max 8\n\n\n\nAbout the workshop leader  \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHe specialises in sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/getting-started-with-max-september-series/
LOCATION:Online
CATEGORIES:Max,Music software,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/08/GSWM-Sept-Phelan.001-e1631624621449.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210907T180000
DTEND;TZID=Europe/London:20210907T200000
DTSTAMP:20260405T114745
CREATED:20210831T103033Z
LAST-MODIFIED:20210906T151443Z
UID:10000888-1631037600-1631044800@musichackspace.org
SUMMARY:Jamspace #2 September 2021
DESCRIPTION:Join us for the 2nd live show where members of the Music Hackspace community will perform\, collaborate and be interviewed.  \nWhere to watch –  \n \nPerformance and interviews with:  \n\nTobi Hunke: is a professional drummer and music producer. He is an educator and Max for live programmer who releases his work on the website AbletonDrummer.com . Tobi teaches drumming and music production to classes\, as well as in one on one sessions. He has developed several Max for Live devices which are enabling drummers to play melodies and chords via acoustic/electronic drums which he is using for his own musical performances. https://blog.abletondrummer.com/about/ \nMelody Loveless – will be sharing music that she made featuring live vocal sampling\, Sonic Pi and Max/MSP. Melody is an artist\, creative technologist\, and educator based in Brooklyn\, NYC. Her work ranges from live coding performance\, generative sound installations\, multisensory performance\, and more. \nObscenity State: – Nilly Brook a musician\, producer and audio-visual performer\, will be performing 2 tracks from her yet to be released EP alongside a live audio-visual TouchDesigner performance. Nilly lectures various visual technologies across a number of institutions including: The National Film and Television School\, Central Saint Martins\, Wimbledon School of Art\, London South Bank University.\n\nJoin the second in an occasional series that showcases musical and visual performances and collaborations from members of the Music Hackspace community. After each performance\, the practitioners are interviewed about their methodology. Watch the event live from our social media channels.  \nShowcase your work to the Music Hackspace community. \nWhat is Jamspace? \nJamspace is an occasional / monthly series that showcases audio and visual performances and collaborations from members of the Music Hackspace community. We aim to create an online space in which community members can showcase their creative practice – be it musical\, visual\, audio\, generative\, traditional or experimental pieces. \nHow does it work? \nJamspace is hosted live by Music Hackspace Workshop Leader Ned Rush. Pre-composed performance videos are streamed and after each performance\, the practitioners are interviewed live by Ned about their methodology. Anyone can watch the events live for free from our social media channels. Want to pose a question for the interview? You can ask questions in the chat on social media on the day.  \nCan I play / get involved? \nWant to show off your work for the next Jamspace?  \nJamspace is hosted by Music Hackspace Workshop Leaders Phelan Kane and Ned Rush.  \nYour piece could be anything that demonstrates creative use of technology in the arts. Performance to a camera is not a prerequisite – screen capture\, generative visuals\, green screen\, Max\, Jitter\, video filters\, VJ\, sonificiations\, Ableton Live and /or TouchDesigner created content is perfect. Anyone from the community can submit\, be it student\, workshop leader or alumni!  \nTell us more info on this link and a member of the team will be in touch.  \nWe look forward to seeing your work. \nBerlin Code of Conduct \nWe ask all participants to read and follow the Berlin Code of Conduct and contribute to creating a welcoming environment for everyone.
URL:https://musichackspace.org/event/jamspace-2-september-2021/
LOCATION:Online
CATEGORIES:Free event,Live-stream
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/08/Rectangular-JAMSPACE-thumbnail-.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210712T180000
DTEND;TZID=Europe/London:20210712T200000
DTSTAMP:20260405T114745
CREATED:20210624T113817Z
LAST-MODIFIED:20210711T230851Z
UID:10000866-1626112800-1626120000@musichackspace.org
SUMMARY:Getting Confident With Gen~ / LIVE Session - Workshop series
DESCRIPTION:Workshop series  \nDates & Times: Mondays: 12th / 19th / 26th July and 2nd August 2021 6pm UK / 7pm Berlin / 10am LA / 1pm NYC \nLevel: Previous experience with Gen~ is required i.e. completion of Getting Started With Gen~ workshop series \nExample of topic that students are expected to be knowledgeable with before workshop: \n\n\nThe Gen~ environment \n\n\nBasic audio processing in Gen~ \n\n\nGen~ operators and data management \n\n\nExample of topic that students are expected to be knowledgeable with after workshop: \n\n\nMulti Tap Delay operator with cubic interpolation \n\n\nBiquad and filter coefficients \n\n\nBasic reverb structures \n\n\nBasic CodeBox \n\n\nDevelop a myriad of highly efficient signal processing operations in Max using Gen~. In this series of 4 workshops\, you will apply signal processing techniques to build and code a variety of patches with Gen~ in Max. The course contains 20 plus custom-made example patches along with audio samples that you will build as exercises during the course and be able to use in your own projects. \nSeries Learning Outcomes \nBy the end of this series a successful student will be able to: \n\n\nBecome confident with the Gen~ environment \n\n\nBuild various audio processing tools via Gen~ (i.e. flanger\, chorus\, ping pong delays\, multi tap delays\, distortion) \n\n\nConstruct Gen~ filter\, equalization and reverb tools \n\n\nBecome familiar with the Gen~ CodeBox environment \n\n\nSeries Study Topics \n\n\nThe Gen~ environment \n\n\nAudio processing in Gen~ \n\n\nGen~ filter\, equalization and reverb tools \n\n\nGen~ CodeBox \n\n\n\n \nRequirements \n\n\nA computer and internet connection \n\n\nA web cam and mic \n\n\nA Zoom account \n\n\nAccess to a copy of Max 8 (i.e. trial or full license) \n\n\nAbout the workshop leader  \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function. He has released the Max for Live device synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/getting-confident-with-gen-live-session-workshop-series/
LOCATION:Online
CATEGORIES:Live-stream,Software Classes,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/06/GSW-Gen-July-thumbnail-.001-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210705T180000
DTEND;TZID=Europe/London:20210705T200000
DTSTAMP:20260405T114745
CREATED:20210623T152004Z
LAST-MODIFIED:20210914T094438Z
UID:10000984-1625508000-1625515200@musichackspace.org
SUMMARY:Jamspace - Livestream July 5th 2021
DESCRIPTION:Monday 5th July 2021 6pm UK / 7pm Berlin / 10am LA / 1pm NYC \nWhere to watch – Live on Music Hackspace’s YouTube and Facebook channels \n \nJoin the first in an occasional series that showcases musical and visual performances and collaborations from members of the Music Hackspace community. After each performance\, the practitioners are interviewed about their methodology. Watch the event live from our social media channels.  \nWanna show off your work for the next Jamspace? Visit this link for more details: \nPerformance and interviews with:  \n\nHalina Rice\n\nHalina Rice is a London-based electronic music producer and AV artist renowned for her vivid and eclectic style\, using multiple effects and sampling to create original and experimental sounds. Uniting elements of ambient\, electronic\, percussive and bass music\, her sound ranges from evocative and melancholic soundscapes to beat-driven\, punchy tracks. \n\nRoss flight – granular synth with connect\, fused with contemporary dance.\n\nArtist Name: Boss Kite \nRoss Flight works as a sound and interactive system designer for theatre\, live art and contemporary performance.  He’s been releasing music sporadically as Boss Kite for 10 years\, alongside working on an interactive performance system using skeleton tracking with an infrared camera\, to perform live electronic music with the human body. \nLinks: \n\nhttp://www.rossflight.com/\nhttps://bosskite.bandcamp.com/\n\n  \n\nPhelan Kane / Bileam Tschepe – AV collaboration and interview \n\nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator.  \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function. He has released the Max for Live device synth Wave Junction in partnership with Sonicstate. \n\nhttp://metafunction.co.uk/\nhttp://phelankane.com/bio/\n\nBileam Tschepe aka elekktronaut is a Berlin based artist and educator who creates audio-reactive\, interactive and organic digital artworks\, systems and installations in TouchDesigner\, collaborating with and teaching people worldwide \n  \nhttps://www.instagram.com/elekktronaut/ \nhttps://www.youtube.com/c/bileamtschepe/ \nhttps://elekktronaut.com/ \nWhat is Jamspace? \nJamspace \nShowcase your work to the Music Hackspace community. \nWhat is Jamspace? \nJamspace is an occasional / monthly series that showcases audio and visual performances and collaborations from members of the Music Hackspace community. We aim to create an online space in which community members can showcase their creative practice – be it musical\, visual\, audio\, generative\, traditional or experimental pieces. \nHow does it work? \nJamspace is hosted live by Music Hackspace Workshop Leader Ned Rush. Pre-composed performance videos are streamed and after each performance\, the practitioners are interviewed live by Ned about their methodology. Anyone can watch the events live for free from our social media channels. Want to pose a question for the interview? You can ask questions in the chat on social media on the day.  \nCan I play / get involved? \nWant to show off your work for the next Jamspace?  \nJamspace is hosted by Music Hackspace Workshop Leaders Phelan Kane and Ned Rush.  \nYour piece could be anything that demonstrates creative use of technology in the arts. Performance to a camera is not a prerequisite – screen capture\, generative visuals\, green screen\, Max\, Jitter\, video filters\, VJ\, sonificiations\, Ableton Live and /or TouchDesigner created content is perfect. Anyone from the community can submit\, be it student\, workshop leader or alumni!  \nTell us more info on this link and a member of the team will be in touch.  \nWe look forward to seeing your work. \nBerlin Code of Conduct \nWe ask all participants to read and follow the Berlin Code of Conduct and contribute to creating a welcoming environment for everyone.
URL:https://musichackspace.org/event/jamspace-july-2021/
LOCATION:Online
CATEGORIES:Blog,Free event,Live-stream,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/06/Jamspace-July-updatedv2.001-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210510T180000
DTEND;TZID=Europe/London:20210510T200000
DTSTAMP:20260405T114745
CREATED:20210413T112156Z
LAST-MODIFIED:20210714T223312Z
UID:10000959-1620669600-1620676800@musichackspace.org
SUMMARY:Getting Started with Gen - On-demand
DESCRIPTION:Level: Intermediate / Previous experience with MSP is required. \nBuild highly efficient signal processing operations in Max using Gen~. In this series of 4 workshops\, you will learn the fundamentals of signal processing and develop skills to confidently code with Gen~ in Max. The course contains 24 custom-made example patches along with audio samples that you will build as exercises during the course and be able to use in your own projects. \n \nSeries Learning Outcomes \nBy the end of this series a successful student will be able to: \n\n\nBecome familiar with the Gen~ environment \n\n\nBuild various audio processing tools via Gen~ (i.e. delay FX\, AM and FM tools) \n\n\nConstruct basic Gen~ sampling and synthesis  tools \n\n\nApply a myriad of Gen~ operators \n\n\nSeries Study Topics \n\n\nThe Gen~ environment \n\n\nAudio processing in Gen~ \n\n\nGen~ sampling and synthesis tools \n\n\nGen~ operators and data management \n\n\n\n \nRequirements \n\n\nA computer and internet connection \n\n\nAccess to a copy of Max 8 (i.e. trial or full license) \n\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator.  \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function. He has released the Max for Live device synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/getting-started-with-gen-may-series/
LOCATION:Online
CATEGORIES:Music software,Software Classes,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/04/GSWGen-on-demand.001-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210505T143000
DTEND;TZID=Europe/London:20210505T163000
DTSTAMP:20260405T114745
CREATED:20210326T142642Z
LAST-MODIFIED:20210714T224455Z
UID:10000945-1620225000-1620232200@musichackspace.org
SUMMARY:Getting started with Max: May Series
DESCRIPTION:Date & Time:  \nSession 1: Wednesday 5th May 7pm Indian Standard Time / 2.30pm UK / 3.30pm Berlin \nSession 2: Wednesday 12th May 7pm Indian Standard Time / 2.30pm UK / 3.30pm Berlin \nSession 3: Wednesday 19th 7pm Indian Standard Time / 2.30pm UK / 3.30pm Berlin \nSession 4: Wednesday 26th May 7pm Indian Standard Time / 2.30pm UK / 3.30pm Berlin \nLevel: Beginners curious about programming \nGet started with interactive audio and MIDI\, and discover the possibilities of the Max environment. In this series of workshops\, you will learn how to manipulate audio\, MIDI\, virtual instruments and program your own interactive canvas. \nConnect together Max’s building blocks to create unexpected results\, and use them in your music productions. Through a series of guided exercises you will engage in the pragmatic creation of a basic MIDI sequencer device that features a wealth of musical manipulation options. \nLearn from guided examples and live interactions with teachers and other participants. \nThis series of online workshops aims to enable you to work with Max confidently on your own. \nSessions overview  \nSession 1 – Understand the Max environment \nSession 2 – Connect building blocks together and work with data \nSession 3 – Master the user interface \nSession 4 – Work with your MIDI instruments \n\n \nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAccess to a copy of Max 8 \n\n\nAbout the workshop leader  \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHe specialises in sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/getting-started-with-max-may-series/
LOCATION:Online
CATEGORIES:Free event,Live-stream,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/03/GSWM-May-UK-_-Berlin.001-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210407T180000
DTEND;TZID=Europe/London:20210407T200000
DTSTAMP:20260405T114745
CREATED:20210228T144305Z
LAST-MODIFIED:20210715T170832Z
UID:10000917-1617818400-1617825600@musichackspace.org
SUMMARY:Getting started with Max - April Series
DESCRIPTION:Dates & Times:  \nSession 1: Wednesday 7th April 10am LA / 1pm NYC / 6pm UK / 7pm Berlin \nSession 2: Wednesday 14th April 10am LA / 1pm NYC / 6pm UK / 7pm Berlin \nSession 3: Wednesday 21st April 10am LA / 1pm NYC / 6pm UK / 7pm Berlin \nSession 4: Wednesday 28th April 10am LA / 1pm NYC / 6pm UK / 7pm Berlin \nLevel: Beginners curious about programming \nGet started with interactive audio and MIDI\, and discover the possibilities of the Max environment. In this series of workshops\, you will learn how to manipulate audio\, MIDI\, virtual instruments and program your own interactive canvas. \nConnect together Max’s building blocks to create unexpected results\, and use them in your music productions. Through a series of guided exercises you will engage in the pragmatic creation of a basic MIDI sequencer device that features a wealth of musical manipulation options. \nLearn from guided examples and live interactions with teachers and other participants. \nThis series of online workshops aims to enable you to work with Max confidently on your own. \nSessions overview \nSession 1 – Understand the Max environment \nSession 2 – Connect building blocks together and work with data \nSession 3 – Master the user interface \nSession 4 – Work with your MIDI instruments \n\n \nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAccess to a copy of Max 8 \n\n\nAbout the workshop leader  \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHe specialises in sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/getting-started-with-max-april-series/
LOCATION:Online
CATEGORIES:Live-stream,Max,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/02/April-thumbnails-time-zone-changes.002-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210317T080000
DTEND;TZID=Europe/London:20210317T170000
DTSTAMP:20260405T114745
CREATED:20210317T175536Z
LAST-MODIFIED:20230215T132422Z
UID:10000827-1615968000-1616000400@musichackspace.org
SUMMARY:Getting started with Max - for beginners
DESCRIPTION:Level: Beginners curious about programming \nGet started with interactive audio and MIDI\, and discover the possibilities of the Max environment. In this series of recorded videos\, you will learn how to manipulate audio\, MIDI\, virtual instruments and program your own interactive canvas. \nConnect together Max’s building blocks to create unexpected results\, and use them in your music productions. Through a series of exercises you will engage in the pragmatic creation of a basic MIDI sequencer device that features a wealth of musical manipulation options. \nLearn from guided examples. \nThis on demand content aims to enable you to work with Max confidently on your own. \nLearning outcomes:  \n\n\nUnderstand the Max environment \n\n\nConnect building blocks together and work with data \n\n\nMaster the user interface \n\n\nWork with your MIDI instruments \n\n\nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAccess to a copy of Max 8 \n\n\nAbout the workshop leader  \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHe specialises in sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/getting-started-with-max-on-demand/
LOCATION:Online
CATEGORIES:Max,Software Classes,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/03/GSWM-on-demand.001-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210316T180000
DTEND;TZID=Europe/London:20210316T200000
DTSTAMP:20260405T114745
CREATED:20210212T124341Z
LAST-MODIFIED:20210718T140222Z
UID:10000806-1615917600-1615924800@musichackspace.org
SUMMARY:Building phaser audio effects in Gen - LIVE Session
DESCRIPTION:Date & Time: Tuesday 16th March 2021 6pm GMT / 7pm CET / 10am PST / 1pm EST \nLevel: Advanced \nIn this workshop\, you will explore tools and techniques to create phaser audio effect devices in Gen via Max. Explore all pass filters\, feedback loops\, signal routing and LFOs via a series of exercises. This workshop aims to enrich your musical output via the application of a self-made audio effects and novel sound design techniques. Gen provides highly optimised audio processes that matches C++ and is the ideal technology for improving complex Max patches and optimising CPU. \nSession Learning Outcomes \nBy the end of this session a successful student will be able to: \n\n\nIdentify key Gen objects for audio phasor effects devices \n\n\nBuild all pass filter devices with feedback networks \n\n\nConfigure Gen parameters and properties \n\n\nAdd LFO networks for filter modulation \n\n\nSession Study Topics \n\n\nGen objects \n\n\nAll pass filters \n\n\nGen variables and parameters \n\n\nLFO modulation sources \n\n\n\n \nRequirements \n\n\nA computer and internet connection \n\n\nA web cam and mic \n\n\nA Zoom account \n\n\nAccess to a copy of Max 8 (i.e. trial or full license) \n\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function. He has released the Max for Live device synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/building-phaser-audio-effects-in-gen-live-session/
LOCATION:Online
CATEGORIES:Live-stream,Max,Software Classes
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/02/Phelan-Thumbnail-16th-March.001-1-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210303T180000
DTEND;TZID=Europe/London:20210303T200000
DTSTAMP:20260405T114745
CREATED:20210211T131500Z
LAST-MODIFIED:20210718T145359Z
UID:10000801-1614794400-1614801600@musichackspace.org
SUMMARY:Getting started with Max: March Series
DESCRIPTION:Dates & times:  \nSession 1: Wednesday 3rd March – 6pm GMT / 7pm CET / 10am PST / 1pm EST \nSession 2: Wednesday 10th March – 6pm GMT / 7pm CET / 10am PST / 1pm EST \nSession 3: Wednesday 17th March – 6pm GMT / 7pm CET / 11am PST* / 2pm EST* \nSession 4: Wednesday 24th March – 6pm GMT / 7pm CET / 11am PST* / 2pm EST* \n*Note PST & EST time-zones ONLY: Wednesdays 17th & 24th March time-zone change. Instead of 10AM PST & 1PM PST\, there is a +1hr change. So the sessions begin at 11AM PST & 2PM EST \nOverview \nGet started with interactive audio and MIDI\, and discover the possibilities of the Max environment. In this series of workshops\, you will learn how to manipulate audio\, MIDI\, virtual instruments and program your own interactive canvas. \nConnect together Max’s building blocks to create unexpected results\, and use them in your music productions. Through a series of guided exercises you will engage in the pragmatic creation of a basic MIDI sequencer device that features a wealth of musical manipulation options. \nLearn from guided examples and live interactions with teachers and other participants. \nThis series of online workshops aims to enable you to work with Max confidently on your own. \nSessions overview  \nSession 1 – Understand the Max environment \nSession 2 – Connect building blocks together and work with data \nSession 3 – Master the user interface \nSession 4 – Work with your MIDI instruments \n\n \nRequirements  \n\nA computer and internet connection\nA good working knowledge of computer systems\nAccess to a copy of Max 8\n\nAbout the workshop leader  \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHe specialises in sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/getting-started-with-max-march-series/
LOCATION:Online
CATEGORIES:Live-stream,Max,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2021/02/GSWM-March-2021v3.001-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210206T160000
DTEND;TZID=Europe/London:20210206T180000
DTSTAMP:20260405T114745
CREATED:20201210T135513Z
LAST-MODIFIED:20210718T151521Z
UID:10000787-1612627200-1612634400@musichackspace.org
SUMMARY:Getting started with Max - LIVE Session 2nd Edition
DESCRIPTION:-SOLD OUT- Head over to to this link for Thursday sign ups Getting started with Max – LIVE Series #3 – Music Hackspace \nSession 1: Saturday 6th February 2021 \nSession 2: Saturday 13th February 2021 \nSession 3: Saturday 20th February 2021 \nSession 4: Saturday 27th February 2021 \nLevel: Beginners curious about programming \nGetting started with Max – LIVE Session \nGet started with interactive audio and video\, and discover the possibilities of the Max environment. In this series of workshops\, you will learn how to manipulate audio\, MIDI\, samples\, oscillators and program your own interactive canvas. \nConnect together Max’s building blocks to create unexpected results\, and use them in your music productions.  \nLearn from guided examples and live interactions with teachers and other participants.  \nThis series of online workshops aims to enable you to work with Max confidently on your own.  \nSession overview  \nSession 1 – Understand the Max environment \nSession 2 – Connect building blocks together \nSession 3 – Master the user interface \nSession 4 – Work with your MIDI devices \n\n \n Requirements:  \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAccess to a copy of Max 8  \n\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHe specialises in sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development.  \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/getting-started-with-max-live-session-2nd-edition/
LOCATION:Online
CATEGORIES:Live-stream,Max,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Cycling74-Workshop-Thumbnail-Feb.001-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210204T180000
DTEND;TZID=Europe/London:20210204T200000
DTSTAMP:20260405T114745
CREATED:20201230T180800Z
LAST-MODIFIED:20210720T094328Z
UID:10000807-1612461600-1612468800@musichackspace.org
SUMMARY:Getting started with Max - LIVE Session 3rd Edition(all Thursdays in February)
DESCRIPTION:This workshop series was added as the other two series planned in January and February were sold out. \nLIVE Sessions on Thursdays 4th\, 11th\, 18th\, 25th February 2021\, 6pm GMT \nGet started with interactive audio and video\, and discover the possibilities of the Max environment. In this series of workshops\, you will learn how to manipulate audio\, MIDI\, samples\, oscillators and program your own interactive canvas.  \nConnect together Max’s building blocks to create unexpected results\, and use them in your music productions.  \nLearn from guided examples and live interactions with teachers and other participants.  \nThis series of online workshops aims to enable you to work with Max confidently on your own.  \nSession overview  \nSession 1 – Understand the Max environment \nSession 2 – Connect building blocks together \nSession 3 – Master the user interface \nSession 4 – Work with your MIDI devices \n\n \n  \nTaught by Phelan Kane \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHe specialises in sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development.  \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate. \n Requirements:  \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAccess to a copy of Max 8 
URL:https://musichackspace.org/event/getting-started-with-max-live-session3/
CATEGORIES:Free event,Max,Music software,Software Classes,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/GSWM-Feb-2.001-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210114T180000
DTEND;TZID=Europe/London:20210114T200000
DTSTAMP:20260405T114745
CREATED:20201216T120303Z
LAST-MODIFIED:20201216T120303Z
UID:10000796-1610647200-1610654400@musichackspace.org
SUMMARY:Advanced Wavetable Synthesis with Max - LIVE Session
DESCRIPTION:Date: Thursday 14th January 6pm GMT \nLevel: Intermediate \nCycling 74’s Max / MSP offers a vast playground of programming opportunities to create your own synthesis devices. In this workshop you will build your own synthesis device that utilizes an advanced  Wavetable architecture. This workshop aims to provide you with suitable skills to begin exploring advanced Wavetable synthesis devices in the Max MSP environment. \nSession Learning Outcomes \nBy the end of this session a successful student will be able to: \n\nBuild advanced Wavetable oscillators via MSP oscillator objects\n\n\n\nExplore advanced Wavetable’s spectral sonic properties \n\n\nConstruct modulation sources for Wavetable synthesis devices \n\nDefine the sonic timbre and strengths and weakness of Wavetable synthesis\n\nSession Study Topics \n\nAdvanced MSP oscillator objects for Wavetable\n\n\nSonograms\, scopes and the frequency domain\n\n\nLFO\, line & envelope properties\n\n\n\n\nWavetable’s timbre. Strengths and weaknesses\n\n\n\n\n \nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAn basic awareness of audio processing \n\n\nGood familiarity with MSP \n\n\nAccess to a copy of Max 8 (i.e. trial or full license) \n\n\nAbout the workshop leader  \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHe specialises in sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development.  \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/advanced-wavetable-synthesis-with-max-live-session/
LOCATION:Online
CATEGORIES:Live-stream,Max,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Phelan-2021-Jan.002.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210107T180000
DTEND;TZID=Europe/London:20210107T200000
DTSTAMP:20260405T114745
CREATED:20201216T115858Z
LAST-MODIFIED:20201216T115858Z
UID:10000790-1610042400-1610049600@musichackspace.org
SUMMARY:Additive Synthesis with Max - LIVE Session
DESCRIPTION:Date: Thursday 7th January 6pm GMT \nLevel: Intermediate \nCycling 74’s Max / MSP offers a vast playground of programming opportunities to create your own synthesis devices. \nIn this workshop you will build your own synthesis device that utilizes an Additive architecture. This workshop aims to provide you with suitable skills to begin exploring  Additive synthesis devices in the Max MSP environment. \nSession Learning Outcomes \nBy the end of this session you will be able to: \n\nBuild  Additive oscillators via MSP oscillator objects\n\n\n\nExplore Additive’s spectral sonic properties \n\n\nConstruct modulation sources for  Additive synthesis devices \n\nDefine the sonic timbre and strengths and weakness of Additive synthesis\n\nSession Study Topics \n\nMSP oscillator objects for Additive\n\n\nSonograms\, scopes and the frequency domain\n\n\nLFO\, line & envelope properties\n\n\n\n\nAdditive’s timbre. Strengths and weaknesses\n\n\n\n\n \nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAn basic awareness of audio processing \n\n\nGood familiarity with MSP \n\n\nAccess to a copy of Max 8 (i.e. trial or full license) \n\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHe specialises in sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development.  \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/additive-synthesis-with-max-live-session/
LOCATION:Online
CATEGORIES:Live-stream,Max,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Phelan-2021-Jan.001.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210106T180000
DTEND;TZID=Europe/London:20210106T200000
DTSTAMP:20260405T114745
CREATED:20201202T164337Z
LAST-MODIFIED:20201231T101217Z
UID:10000893-1609956000-1609963200@musichackspace.org
SUMMARY:Getting started with Max - LIVE series
DESCRIPTION:-SOLD OUT- Head over to this link for the February sign ups  \nDates:  \nSession 1: Wednesday 6th January 6pm GMT \nSession 2: Wednesday 13th January 6pm GMT \nSession 3:  Wednesday 20th January 6pm GMT \nSession 4: Wednesday 27th January 6pm GMT \nLevel: Beginners curious about programming \nGet started with interactive audio and video\, and discover the possibilities of the Max environment. In this series of workshops\, you will learn how to manipulate audio\, MIDI\, samples\, oscillators and program your own interactive canvas. \nConnect together Max’s building blocks to create unexpected results\, and use them in your music productions. \nLearn from guided examples and live interactions with teachers and other participants. \nThis series of online workshops aims to enable you to work with Max confidently on your own. \nSession overview  \n\nSession 1 – Understand the Max environment\nSession 2 – Connect building blocks together\nSession 3 – Master the user interface\nSession 4 – Work with your MIDI devices\n\n\n \nRequirements  \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAccess to a copy of Max 8 \n\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHe specialises in sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/getting-started-with-max-live-session/
LOCATION:Online
CATEGORIES:Live-stream,Max,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/12/Jan-GSWM-Thumbnail-Sold-Out.001.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201216T180000
DTEND;TZID=Europe/London:20201216T200000
DTSTAMP:20260405T114745
CREATED:20201123T144842Z
LAST-MODIFIED:20210720T101127Z
UID:10000880-1608141600-1608148800@musichackspace.org
SUMMARY:Synthesis with Max: Granular
DESCRIPTION:Level: Intermediate \nWhat you will learn in this course \nCycling 74’s Max / MSP offers a vast playground of programming opportunities to create your own synthesis devices. In this workshop you will build your own synthesis device that utilizes a  Granular architecture. This workshop aims to provide you with suitable skills to begin exploring  Granular synthesis devices in the Max MSP environment. \nSession Learning Outcomes \nBy the end of this session you will be able to: \n\nBuild Granular oscillators via MSP oscillator objects\n\nExplore Granular’s spectral sonic properties \n\n\nConstruct modulation sources for  Granular synthesis devices \n\nDefine the sonic timbre and strengths and weakness of  Granular synthesis\n\nSession Study Topics \n\nMSP oscillator objects for  Granular\n\nSonograms\, scopes and the frequency domain \n\n\nLFO\, line & envelope properties \n\n\n Granular’s timbre. Strengths and weaknesses \n\n\n\n \nRequirements \n\nA computer and internet connection\nA good working knowledge of computer systems\nAn basic awareness of audio processing\nGood familiarity with MSP\nAccess to a copy of Max 8 (i.e. trial or full license)\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. His specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. \nHis credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. \nHe holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. He is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/synthesis-with-max-granular-live-session/
LOCATION:Online
CATEGORIES:Live-stream,Max,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/11/Dec-Workshops-Recordings-Thumbnails.007.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201209T180000
DTEND;TZID=Europe/London:20201209T200000
DTSTAMP:20260405T114745
CREATED:20201123T144354Z
LAST-MODIFIED:20210720T101957Z
UID:10000877-1607536800-1607544000@musichackspace.org
SUMMARY:Synthesis with Max: Wavetable
DESCRIPTION:Level: Intermediate \nWhat you will learn in this course \nCycling 74’s Max / MSP offers a vast playground of programming opportunities to create your own synthesis devices. In this workshop you will build your own synthesis device that utilizes a Wavetable architecture. This workshop aims to provide you with suitable skills to begin exploring Wavetable synthesis devices in the Max MSP environment. \nSession Learning Outcomes \nBy the end of this session you will be able to: \n\nBuild Wavetable oscillators via MSP oscillator objects\n\nExplore Wavetable’s spectral sonic properties \n\n\nConstruct modulation sources for Wavetable synthesis devices \n\nDefine the sonic timbre and strengths and weakness of Wavetable synthesis\n\nSession Study Topics \n\n\nMSP oscillator objects for Wavetable \n\n\nSonograms\, scopes and the frequency domain \n\n\nLFO\, line & envelope properties \n\n\nWavetable’s timbre. Strengths and weaknesses \n\n\n\n \nRequirements \n\nA computer and internet connection\nA good working knowledge of computer systems\nAn basic awareness of audio processing\nGood familiarity with MSP\nAccess to a copy of Max 8 (i.e. trial or full license)\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. His specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. \nHis credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. \nHe holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. He is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/synthesis-with-max-wavetable-live-session/
LOCATION:Online
CATEGORIES:Live-stream,Max,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/11/Dec-Workshops-Recordings-Thumbnails.004.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201202T180000
DTEND;TZID=Europe/London:20201202T200000
DTSTAMP:20260405T114745
CREATED:20201123T143719Z
LAST-MODIFIED:20210720T103012Z
UID:10000875-1606932000-1606939200@musichackspace.org
SUMMARY:An Introduction to Synthesis with Max
DESCRIPTION:Level: Intermediate \nWhat you will learn in this course \nCycling 74’s Max / MSP offers a vast playground of programming opportunities to create your own synthesis devices. In this workshop you will begin to build your own synthesis devices. This workshop aims to provide you with suitable skills to begin exploring synthesis devices in the Max MSP environment. \nSession Learning Outcomes \nBy the end of this session you will will be able to: \n\nDefine the basic building blocks of synthesis\n\nBuild oscillators via MSP oscillator objects \n\n\nExplore various filter responses via MSP filter objects \n\n\nBegin to build modulation sources for synthesis devices \n\n\nSession Study Topics \n\n\nMSP synthesis objects \n\n\nMSP oscillator objects \n\n\nMSP filter objects \n\n\nLFO & envelope properties \n\n\n\n \nRequirements \n\nA computer and internet connection\nA good working knowledge of computer systems\nAn basic awareness of audio processing\nGood familiarity with MSP\nAccess to a copy of Max 8 (i.e. trial or full license)\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. His specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. \nHis credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. \nHe holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. He is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/an-introduction-to-synthesis-with-max-live-session/
LOCATION:Online
CATEGORIES:Max,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/11/Phelan-Kane-2.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201121T160000
DTEND;TZID=Europe/London:20201121T180000
DTSTAMP:20260405T114745
CREATED:20201112T093730Z
LAST-MODIFIED:20210720T103948Z
UID:10000871-1605974400-1605981600@musichackspace.org
SUMMARY:Getting Started with Max For Live - On demand
DESCRIPTION:Difficulty level: Beginner \nIn this series of workshops you will explore the Max For Live (M4L) ecosystem\, empowering you to utilise them in your own music. \nFollowing these workshops you’ll be able build your own devices in the Max For Live environment! \nAbleton Live Suite is a powerful and creative DAW. \nMax For Live extends the vast range of creative opportunities that Live offers\, allowing you to add third party devices or to create your own unique devices. \nSession 1 Learning Outcomes \nBy the end of this session you will be able to: \n\n\nBecome familiar with the M4L landscape \n\n\nExplore pre-built M4L devices that come with Live Suite \n\n\nLocate and utilise M4L tutorials that come with Live Suite \n\n\nIdentify third party M4L content \n\n\nSession 2 Learning Outcomes \nBy the end of this session you will be able to: \n\n\nCreate objects and route patch cables \n\n\nConstruct user interfaces in M4L \n\n\nBuild MIDI step sequencers in M4L \n\n\nExplore further possibilities within Max For Live \n\n\n \n\n \n \nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nA basic awareness of Ableton Live \n\n\nAccess to a copy of Ableton Live Suite (i.e. with Max For Live) (i.e. trial or full license) \n\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. \nFor over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. His specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. \nHis credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. \nHe holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. \nHe is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/getting-started-with-max-for-live-live-session/
LOCATION:Online
CATEGORIES:Max,Music software,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/11/Updated-Dec-thumbnails.003.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201119T180000
DTEND;TZID=Europe/London:20201119T200000
DTSTAMP:20260405T114745
CREATED:20201101T114402Z
LAST-MODIFIED:20210720T104232Z
UID:10000772-1605808800-1605816000@musichackspace.org
SUMMARY:Building Audio FX in Gen
DESCRIPTION:Level: advanced \nDate: 19th November 2020\, 6pm GMT \nIn this workshop\, you will explore tools and techniques to create bespoke audio FX tools in Gen via Max. Explore delay effects\, circular buffers\, modulation delays\, LFOs\, and multi-tap delays via a series of exercises. This workshop aims to enrich your musical output via the application of self-made audio FX and novel sound design techniques. Gen provides highly optimised audio processes that matches C++ and is the ideal technology for improving complex Max patches and free CPU. \nSession Learning Outcomes \nBy the end of this session a successful student will be able to: \n\n\nIdentify key Gen objects for audio FX devices \n\n\nBuild delay line audio FX devices with feedback networks \n\n\nConfigure Gen parameters and properties \n\n\nAdd LFO networks for use in Flanger and Chorus audio FX devices \n\n\nSession Study Topics \n\n\nGen objects \n\n\nCircular buffers \n\n\nGen variables and parameters \n\n\nLFO modulation sources \n\n\nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAn basic awareness of audio processing \n\n\nGood familiarity with MSP \n\n\nAccess to a copy of Max 8 (i.e. trial or full license) \n\n\n\n \nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHis specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. His credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. He holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. \nHe is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. He is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/building-audio-fx-in-gen/
LOCATION:Online
CATEGORIES:Max,Music software,Sound design
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/11/flyer.001.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201112T180000
DTEND;TZID=Europe/London:20201112T200000
DTSTAMP:20260405T114745
CREATED:20201026T161350Z
LAST-MODIFIED:20210720T104508Z
UID:10000769-1605204000-1605211200@musichackspace.org
SUMMARY:Build samplers with Max
DESCRIPTION:Level Intermediate. Knowledge of Max or Pure Data is required\, and some rudiments of digital audio. \nIn this workshop you will build both single cycle and loop based sampler devices\, empowering you to utilise them in your own patches. This workshop aims to provide you with suitable skills to begin to explore building sampler devices in the Max environment. \nSession Learning Outcomes \nBy the end of this session a successful student will be able to: \n\n\nIdentify key MSP objects for sampler devices \n\n\nUtilise buffer and waveform objects \n\n\nBuild single cycle waveform sampler devices \n\n\nBuild loop based sampler devices \n\n\nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAn basic awareness of audio processing \n\n\nGood familiarity with MSP \n\n\nAccess to a copy of Max 8 (i.e. trial or full license) \n\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHis specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. His credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. He holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. \nHe is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. He is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/build-samplers-with-max/
LOCATION:Online
CATEGORIES:Live electronics,Max,sampling,Sound design,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/10/Recorded-Workshop-thumbnails-14.12.2020.011.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201105T180000
DTEND;TZID=Europe/London:20201105T200000
DTSTAMP:20260405T114745
CREATED:20201025T184435Z
LAST-MODIFIED:20210720T105452Z
UID:10000763-1604599200-1604606400@musichackspace.org
SUMMARY:Building audio effects with Max
DESCRIPTION:Level Intermediate. Knowledge of Max or Pure Data is required\, and some rudiments of digital audio. \nMax offers a vast playground of programming opportunities to create your own audio FX devices. In this series of workshops you will build delay line\, filter\, chorus and flanger audio FX devices\, empowering you to utilise them in your own patches. This workshop aims to provide you with suitable skills to begin to explore building audio FX devices in the Max MSP environment. \nSession Learning Outcomes \nBy the end of this session a successful student will be able to: \n\n\nIdentify key MSP objects for audio FX devices \n\n\nBuild delay line audio FX devices with feedback networks \n\n\nBuild filter networks for use in audio FX devices \n\n\nAdd LFO networks for use in Flanger and Chorus audio FX devices \n\n\n\n\nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAn basic awareness of audio processing \n\n\nGood familiarity with MSP \n\n\nAccess to a copy of Max 8 (i.e. trial or full license) \n\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. His specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. His credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. He holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. He is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. He is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/building-audio-effects-with-max/
LOCATION:Online
CATEGORIES:Max,Sound design,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/10/flyer-FX.001-e1603651250622.webp
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200919T160000
DTEND;TZID=Europe/London:20200919T180000
DTSTAMP:20260405T114745
CREATED:20200817T121051Z
LAST-MODIFIED:20210720T114445Z
UID:10000856-1600531200-1600538400@musichackspace.org
SUMMARY:Getting started with Max
DESCRIPTION:Level: beginners with notions of programming \nIn this series of online workshops you will explore the most important programming techniques and concepts when working with Max\, empowering you to begin to build your own patches and devices that you can deploy in your own music and multimedia projects. Through a series of guided exercises you will engage in the pragmatic creation of a basic MIDI sequencer device that features a wealth of musical manipulation options. This series of workshops aims to provide beginner’s with suitable skills to begin exploring the Max environment. \n \n\n\nThis online workshop is interactive and you will have opportunities to work with peers and ask questions to an experienced teacher.  \nTimetable and outcomes \nSession 1\, 19th September 2020\, 4pm UK / 11am EST / 8am PT \n\nIdentify key elements of the Max Interface\nCreate objects and route patch cables\nConfigure Object properties via the Inspector\nLocate and utilise the Max help system\n\nSession 2\, 20th September 2020\, 4pm UK / 11am EST / 8am PT \n\nUtilise Max messages\nBuild lists and work with numerical data\nConstruct data flow and configure message ordering\nBuild logic circuits and apply math transformations\n\nSession 3\, 26th September 2020\, 4pm UK / 11am EST / 8am PT \n\nConfigure and apply user interface objects\nBuild graphical user interfaces via Presentation Mode\nEncapsulate patchers and sub patchers\nSuccessfully apply data management techniques\n\nSession 4\, 27th September 2020\, 4pm UK / 11am EST / 8am PT \n\nConstruct MIDI messages in Max\nUtilise virtual instruments to play musical ideas\nManipulate data to create musical pieces\nExplore further possibilities within Max\n\n\nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. His specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. His credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. He holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. He is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. He is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.\n 
URL:https://musichackspace.org/event/getting-started-with-max-2/
LOCATION:Online
CATEGORIES:Max,Software Classes,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/08/Flyer-101-2.001-e1597657221301.webp
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200627T110000
DTEND;TZID=Europe/London:20200627T150000
DTSTAMP:20260405T114745
CREATED:20200615T180944Z
LAST-MODIFIED:20200615T180944Z
UID:10000832-1593255600-1593270000@musichackspace.org
SUMMARY:Sound synthesis with Max/MSP BEAP
DESCRIPTION: \nLevel: Beginners with an understanding of the fundamentals of music technology and Max \nNote: the same workshop will happen twice the same day to cover a wider range of time zones. Tickets are not for both workshops \nMax and Max For Live offers virtually unlimited sound synthesis possibilities. Every copy of Max and Max For Live includes BEAP\, a library of modules that emulate the function and signalling of hardware modular synthesizers\, developed as a pedagogical tool for the Electronic Production and Design students at Berklee College of Music in Boston.  \nBEAP provides a set of higher-level building blocks that can be used to develop a myriad of sound synthesis techniques. Think of it like a modular synthesizer in Max and Max For Live. Within the landscape of sound synthesis many architectures exist\, such as Subtractive\, Wavetable\, FM and Physical Modelling. BEAP provides modules for the majority of these architectures in an easy to implement series of high-level building blocks.  \nVia a series of simple signal flow style patching activities\, participants will develop meta cognitive knowledge of each synthesis architecture\, its sonic timbre and the techniques needed to deploy them within the wider landscape of music production.  \nTopics include: \n\nArchitectures\nSignal path routing\nOscillators\nFilters\nModulation Sources\nScopes\nSequencers\n\nRequirements: \n\nA computer and internet connection\nMax 8 (Max 7 is ok but you might not have access to all the features used in this workshop)\nA good knowledge of music technology\nA basic knowledge of Max/MSP\n\nAbout the workshop leader: \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. His specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. His credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. He holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. He is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. He is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate. \nSee Phelan’s Ableton Certified Trainer profile \nNote: the same workshop will happen twice the same day to cover a wider range of time zones. Tickets are not for both workshops
URL:https://musichackspace.org/event/sound-synthesis-with-max-msp-beap/
LOCATION:Online
CATEGORIES:Software Classes,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/06/Thumbnails.001-1-e1592243967334.webp
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200416T183000
DTEND;TZID=Europe/London:20200416T203000
DTSTAMP:20260405T114745
CREATED:20200411T112112Z
LAST-MODIFIED:20200415T160514Z
UID:10000718-1587061800-1587069000@musichackspace.org
SUMMARY:Make Music with the Data Universe
DESCRIPTION:Meet Milton Mermikides and Phelan Kane. Two artists on a journey to make music with data. Milton and Phelan’s approach reveals the musicality of the world’s elements. With the support of programming\, computer vision and sampling\, they identify patterns in images\, videos\, or abstract data to create rich compositions and sound design. Watch Milton’s TEDx talk below for a moving – yet funny – overview of his work. In our live-stream\, Milton and Phelan will explain some of the techniques used to create the compositions you can hear in the talk. \n \nEver since Pythagoras and the theory of the Music of the Spheres\, composers have been inspired to use patterns found in the universe to create music. In the 19th Century\, that approach developed across the arts\, and not only in music. French poet Stéphane Mallarmé explored the position of words and their relationship with meaning\, and his work famously inspired composer Debussy\, whose work in turn inspired painter Kandinsky. Each time\, the structure found in each work was used and translated to another art medium. \nOskar Fischinger’s 1938 Optical Poem\, in turn\, offers a visualisation of music\, an approach which was then popularised in Walt Disney’s Fantasia. \n \nOn Thursday 16th April\, we will hear more about this fascinating approach that inspired so many artists\, in a way that can inspire today’s artists and engineers to create new materials from the world of data that surrounds us. \nMilton is a Reader in Music\, Head of Composition and Director of the MMUS Programme at the University of Surrey. He is also a professor of Jazz Guitar at the Royal College of Music in London. \nPhelan is a music producer\, recording and mix engineer musician\, mastering engineer and music programmer. He is based in London and Berlin\, and is joining the live-stream from Berlin.
URL:https://musichackspace.org/event/make-music-with-the-data-universe/
LOCATION:YouTube
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/04/Milton-and-Phelan.001-e1586966686593.webp
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END:VCALENDAR