BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Music Hackspace - ECPv6.15.18//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Music Hackspace
X-ORIGINAL-URL:https://musichackspace.org
X-WR-CALDESC:Events for Music Hackspace
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/London
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20190331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20191027T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20200329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20201025T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20210328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20211031T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200711T160000
DTEND;TZID=Europe/London:20200711T180000
DTSTAMP:20260403T232143
CREATED:20200624T100302Z
LAST-MODIFIED:20200709T154849Z
UID:10000838-1594483200-1594490400@musichackspace.org
SUMMARY:Max and Node.js: Patching the Web
DESCRIPTION:Difficulty level: intermediate.  \nJavascript is the glue of the Internet\, the universal language that runs in billions of web browsers and networked systems across the world. Max’s Node support connects the Max program into the ecosystem of Node.js\, a Javascript engine which can network\, talk to hardware\, connect to databases\, run sophisticated web servers\, and much more. \nIn this workshop we’ll look at connecting Max to web browsers\, and explore techniques for routing information and gestures back and forth between Max patchers and dynamic web pages\, opening the door to networked or hybrid interfaces taking advantage of both the Max and the web world. \nTopics: \n\nMax\nJavascript\nWeb technologies\n\nRequirements:  \n A good working knowledge of Max is expected. Some familiarity with textual programming languages and web technologies (HTML\, CSS) would be useful\, but not required. \nAbout the workshop leader: \nDr Nick Rothwell (aka Cassiel) is a composer\, performer\, software architect\, coder and visual artist. He has built media performance systems for projects with Ballett Frankfurt and Vienna Volksoper\, composed sound scores for Aydın Teker (Istanbul) and Shobana Jeyasingh Dance\, live coded in Mexico and in Berlin with sitar player Shama Rahman\, written software for Studio Wayne McGregor and the Pina Bausch Foundation\, and developed algorithmic visuals for large-scale outdoor installations in Poland\, Estonia\, Cambridge Music Festival and Lumiere (London / Durham). He also teaches at Ravensbourne University London and writes for Sound On Sound magazine.
URL:https://musichackspace.org/event/max-and-node-js-patching-the-web/
LOCATION:Online
CATEGORIES:Max,Software Classes,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/06/flyer-11th-july.001-e1592992549699.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200713T183000
DTEND;TZID=Europe/London:20200713T200000
DTSTAMP:20260403T232143
CREATED:20200706T142013Z
LAST-MODIFIED:20200713T123603Z
UID:10000843-1594665000-1594670400@musichackspace.org
SUMMARY:PA Tremblay: sandbox#n: playing the laptop\, the bass\, the studio
DESCRIPTION:\nIn this talk\, Pierre Alexandre unfolds how his instrumental practice has inspired creative work with live electronics and music production in the studio. He will demonstrate his work through short performances and examples\, in particular with the use of his collection of Max objects built for his live electronics\, sandbox. \nPierre Alexandre Tremblay (Montréal\, 1975) is a composer and an improviser on bass guitar and sound processing devices\, in solo and within various ensembles. He is a member of the London-based collective Loop\, and his music is also released on Empreintes DIGITALes and Ora. \nPierre Alexandre is Professor in Composition and Improvisation at the University of Huddersfield (UK)\, where he anchored the Fluid Corpus Manipulation project. He previously worked in popular music as producer and bassist\, and has a keen interest for creative coding. \nHe formally studied composition with Michel Tétreault\, Marcelle Deschênes\, and Jonty Harrison\, bass guitar with Jean-Guy Larin\, Sylvain Bolduc\, and Michel Donato\, analysis with Michel Longtin and Stéphane Roy\, studio technique with Francis Dhomont\, Robert Normandeau\, and Jean Piché. \nWhen not in the studio\, Pierre Alexandre enjoys spending time with his family\, drinking oolong tea\, gazing at dictionaries\, reading prose\, and taking long walks.
URL:https://musichackspace.org/event/pa-tremblay-sandboxn-playing-the-laptop-the-bass-the-studio/
LOCATION:YouTube and Facebook
CATEGORIES:Artist Talks,Live-stream,research
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/07/flyer.001-2-e1594044136784.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200716T183000
DTEND;TZID=Europe/London:20200716T183000
DTSTAMP:20260403T232143
CREATED:20200713T122944Z
LAST-MODIFIED:20200713T124553Z
UID:10000847-1594924200-1594924200@musichackspace.org
SUMMARY:Jérôme Noël: A journey making music software
DESCRIPTION: \nJérôme Noël is Head of Software at Ampify\, a subsidiary of Focusrite making music applications for desktop and iOS. Prior to working for Focusrite\, Jérôme was co-founder and CTO of Ohm Force\, the plug-ins company that also released Ohm Studio\, likely the most advanced collaborative DAW. \nIn this live-stream\, Jérôme will share his experience building music products over two decades\, and in particular his thoughts on Design\, UX\, Collaboration and Mobile.
URL:https://musichackspace.org/event/jerome-noel-a-journey-making-music-software/
LOCATION:YouTube and Facebook
CATEGORIES:Live-stream,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/07/flyer.001-4-e1594641802638.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200720T183000
DTEND;TZID=Europe/London:20200720T200000
DTSTAMP:20260403T232143
CREATED:20200707T144626Z
LAST-MODIFIED:20200707T145651Z
UID:10000845-1595269800-1595275200@musichackspace.org
SUMMARY:Marek Bereza: building hardware synths and iOS apps
DESCRIPTION:Marek Bereza is one of those passionate people who can take on any challenges\, as long as they pique his interest. Marek has been working on his own projects or consulting for most of his career\, to the exception of a 2-year spell at Apple\, where he designed prototypes with the Human Interface Devices group. He was one of the first guest of the Music Hackspace\, back in 2011 (see photos of his talk here).\n\nHis main interests revolve around design\, music and technology. An accomplish coder\, designer and electronic engineer\, he has designed guitar pedals\, a guitar\, and several iOS apps.\n\n\n\n\nIn this talk\, Marek will take us on a creative journey through a few projects he’s interested in at the moment :\n\nThe Koala Sampler (iOS app)\nA workflow to making a simple drum machine/rhythm box on a teensy\nLive-coding with ccpsketch\nMaking a MIDI controller with a teensy\n\n\n\nWatch the live-stream on Youtube and Facebook.
URL:https://musichackspace.org/event/marek-bereza-building-hardware-synths-and-ios-apps/
LOCATION:YouTube and Facebook
CATEGORIES:Electronics,Instrument design,Live-stream,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/07/flyer.001-3-e1594130409889.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200722T180000
DTEND;TZID=Europe/London:20200729T200000
DTSTAMP:20260403T232143
CREATED:20200623T085839Z
LAST-MODIFIED:20200730T144559Z
UID:10000737-1595440800-1596052800@musichackspace.org
SUMMARY:Video synthesis with Vsynth for Max\, with Kevin Kripper
DESCRIPTION: \nLevel: Intermediate \nIn this series of 4 workshops\, we’ll look at how to interconnect the different 80 modules that come with Vsynth\, exploring video techniques and practices that can create aesthetics associated with the history of the electronic image but also complex patterns founded in some basic functions of nature. \nHere’s what you’ll learn in each workshop: \n8th July: video oscillators\, mixers\, colorizers. \n15th July: modulations (pm\, fm\, pwm\, hue\, among others). \n22nd July: filters/convolutions and video feedback techniques. \n29th July: working with presets\, scenes\, audio and midi. \nBook tickets for the series of 4 at a special price or book each individually. \nVsynth is a high level package of modules for Max/Jitter that together make a modular video synthesizer. Its simplicity made it the perfect tool to introduce yourself to video synthesis and image processing. Since It can be connected to other parts of Max\, other softwares and hardwares it can also become a really powerful and adaptable video tool for any kind of job.  \nRequirements \n\nBasic knowledge of Max and Jitter\nHave Max 8 installed\nFamiliarity with audio-synthesis or computer graphics would be useful.\n\nAbout the workshop leader \nKevin Kripper (Buenos Aires\, 1991) is a visual artist and indie software developer. He’s worked on several projects that link art\, technology\, education and toolmaking which has exhibited in festivals such as +CODE\, Innovar\, Wrong Biennale\, MUTEK\, among others. In 2016 he won first place at the Itaú Visual Arts Award with his work Deconstrucento. In addition\, since 2012 he’s been dedicated to create digital tools that extend the creative possibilities of visual artists and musicians from all over the world. During 2017\, he participated in the Toolmaker residency at Signal Culture (Owego\, NY) and in 2018 received a mention in the Technology applied to Art category from the ArCiTec Award for the development of Vsynth. \nhttps://www.instagram.com/vsynth74/ \nhttps://cycling74.com/articles/an-interview-with-kevin-kripper
URL:https://musichackspace.org/event/video-synthesis-with-vsynth-for-max-with-kevin-kripper/
LOCATION:Online
CATEGORIES:Max,Video,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/06/workshop-flyer.001-e1592836867955.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200723T183000
DTEND;TZID=Europe/London:20200723T200000
DTSTAMP:20260403T232143
CREATED:20200713T123432Z
LAST-MODIFIED:20200720T112552Z
UID:10000849-1595529000-1595534400@musichackspace.org
SUMMARY:Oli Larkin: iPlug2\, C++ framework to build plug-ins
DESCRIPTION:iPlug is a free\, open source audio plug-in framework that allows you to make professional quality\, cross platform plug-ins with minimal code.\nIn this talk Oli will introduce the latest version iPlug2\, which is a substantial rewrite that has many new exciting features. \n \nOli Larkin is an audio software developer and music technologist with over 15 years of experience developing plug-ins and plug-in frameworks. He has released his own software products including VirtualCZ and Endless Series and has collaborated with companies such as Arturia\, Focusrite and Ableton. For many years he worked in academia\, supporting audio research and sound art projects with his programming skills. Nowadays Oli is working as a freelancer\, as well as focusing on open source projects such as iPlug2. \nhttps://iplug2.github.io | http://www.olilarkin.co.uk
URL:https://musichackspace.org/event/oli-larkin-iplug2-c-framework-to-build-plug-ins/
LOCATION:YouTube and Facebook
CATEGORIES:Live-stream,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/07/flyer.001-e1594648202624.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200808T160000
DTEND;TZID=Europe/London:20200808T190000
DTSTAMP:20260403T232143
CREATED:20200701T163844Z
LAST-MODIFIED:20200720T134317Z
UID:10000841-1596902400-1596913200@musichackspace.org
SUMMARY:Noisy pompoms! Make an e-textile musical instrument
DESCRIPTION:Difficulty level: Beginner (from age 7+) \nBookings on Eventbrite \n \nImportant note: This workshop includes a kit that will be shipped to your address from the UK\, please note that registrations will close 7 days before the workshop to allow enough time for you to receive your kit. \nWhat’s in the kit? The kit comes with a pre-soldered printed circuit board\, e-textile material\, a speaker\, a mixed bundle of brightly coloured yarn and one crocodile clips. Batteries not included. \n \nWhat you will do in this workshop: \nIn this online workshop\, we will craft with electronic textiles to make a new musical instrument. \nThe workshop will provide an introduction to working with e-textile materials and DIY craft techniques\, to enable us to make a new musical instrument to play and experiment with.  \nIn this hands-on and craft-focused workshop\, we will explore ideas in e-textiles\, DIY electronics and experimental music making\, to learn how e-textiles can be used within an electronic circuit and how we can be creative with crafts to make a fun and playful interface to perform with. \nTopics: \n\nElectronic textiles (e-textiles)\nExperimental music making\nDIY electronics\nTextile handcrafts\n\nRequirements:  \nNo prior knowledge or skills are required. This workshop is a great introduction to electronic instrument building and is suitable for any age (younger children should be supervised). \nThe instrument will be built from a DIY kit\, which will be posted to you in advance of the workshop. The kit includes all of the materials you will need to construct the instrument. \nThe instrument will be made with tools found around the home. You will need:  \n\nscissors \nrecycled cardboard (approximately cereal box sized) \n9v battery\ntabletop workspace\n\nAbout the workshop leader: \nSam Topley is a sound artist from Leicester\, UK. She works with textiles to create handmade electronic musical instruments and interactive sound art work. Her practice explores ideas in music\, technology and textile handcrafts\, to make new instruments such as giant noisy pompoms\, knitted or ‘yarnbombed’ loudspeakers and DIY electronic musical instruments with e-textile interfaces.  \nTopley shares her work internationally through workshops\, exhibitions\, performances and presentations. Recent projects include commissioned work by Dubai Maker Faire\, TEDxLeicester\, Goldsmiths University of London and the University of Manchester. \nSam is a doctoral researcher at the Music\, Technology and Innovation – Institute for Sonic Creativity (MTI2)\, De Montfort University (Leicester\, UK)\, where she also lectures in experimental music\, creative music technology and community arts practice. Her PhD is co-supervised by Nottingham Trent University and funded by the Arts and Humanities Research Council. \nFollow Sam on social media: Facebook\, Instagram\, Twitter. \n 
URL:https://musichackspace.org/event/noisy-pompoms-make-an-e-textile-musical-instrument/
LOCATION:Online
CATEGORIES:Electronics,Instrument design,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/07/flyer.001-e1593621102207.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200907T183000
DTEND;TZID=Europe/London:20200907T200000
DTSTAMP:20260403T232143
CREATED:20200804T135414Z
LAST-MODIFIED:20210720T115700Z
UID:10000853-1599503400-1599508800@musichackspace.org
SUMMARY:Andrew Leggo: Designing Instruments
DESCRIPTION:You can learn the basics of building a musical instrument at a Summer camp. Just Google “straw flute” and you’ll build a flute in 5 minutes. But designing an instrument that others want to play\, now\, this is hard. Most musicians are not looking for a new instrument\, and it’s a difficult task to convince them otherwise. After spending 10\,000 hours practicing\, professional musicians are not necessarily looking to start all over again. \nAndrew Leggo started designing instruments shortly after graduating in the early 1980s. He was one of the designers behind the Roland AX-1 Keytar and has also designed studio equipment\, mixing consoles\, digital pianos and percussion controllers. \n \nIn this talk\, Andrew shares his lifelong learnings as a creative designer\, and the multiple parameters that one has to consider when designing an instrument. \nJoin Andrew live on 7th September\, and ask questions on the chat! \n \n 
URL:https://musichackspace.org/event/andrew-leggo-designing-instruments/
LOCATION:YouTube and Facebook
CATEGORIES:Instrument design,Live-stream
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/07/Thumbnails.001-e1596202456823.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200915T180000
DTEND;TZID=Europe/London:20200915T200000
DTSTAMP:20260403T232143
CREATED:20200831T114822Z
LAST-MODIFIED:20210720T115043Z
UID:10000749-1600192800-1600200000@musichackspace.org
SUMMARY:Video synthesis with Vsynth workshop
DESCRIPTION:Level: Intermediate \nIn this series of 4 2-hours workshop\, Kevin Kripper\, the author of Vsynth\, explains  how to interconnect the different 80 modules that come with Vsynth\, exploring video techniques and practices that can create aesthetics associated with the history of the electronic image but also complex patterns founded in some basic functions of nature. \nHere’s what you’ll learn in each workshop: \nLesson 1: video oscillators\, mixers\, colorizers. \nLesson 2: modulations (pm\, fm\, pwm\, hue\, among others). \nLesson 3: filters/convolutions and video feedback techniques. \nLesson 4: working with presets\, scenes\, audio and midi. \nVsynth is a high level package of modules for Max/Jitter that together make a modular video synthesizer. Its simplicity made it the perfect tool to introduce yourself to video synthesis and image processing. Since It can be connected to other parts of Max\, other softwares and hardwares it can also become a really powerful and adaptable video tool for any kind of job. \n\n \nRequirements \n\nBasic knowledge of Max and Jitter\nHave Max 8 installed\nFamiliarity with audio-synthesis or computer graphics would be useful.\n\nAbout the workshop leader \nKevin Kripper (Buenos Aires\, 1991) is a visual artist and indie software developer. He’s worked on several projects that link art\, technology\, education and toolmaking which has exhibited in festivals such as +CODE\, Innovar\, Wrong Biennale\, MUTEK\, among others. In 2016 he won first place at the Itaú Visual Arts Award with his work Deconstrucento. In addition\, since 2012 he’s been dedicated to create digital tools that extend the creative possibilities of visual artists and musicians from all over the world. During 2017\, he participated in the Toolmaker residency at Signal Culture (Owego\, NY) and in 2018 received a mention in the Technology applied to Art category from the ArCiTec Award for the development of Vsynth. \nhttps://www.instagram.com/vsynth74/ \nhttps://cycling74.com/articles/an-interview-with-kevin-kripper
URL:https://musichackspace.org/event/video-synthesis-with-vsynth-workshop/
LOCATION:Online
CATEGORIES:Max,Software Classes,Video,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/08/Recorded-Workshop-thumbnails-14.12.2020.002.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200919T160000
DTEND;TZID=Europe/London:20200919T180000
DTSTAMP:20260403T232143
CREATED:20200817T121051Z
LAST-MODIFIED:20210720T114445Z
UID:10000856-1600531200-1600538400@musichackspace.org
SUMMARY:Getting started with Max
DESCRIPTION:Level: beginners with notions of programming \nIn this series of online workshops you will explore the most important programming techniques and concepts when working with Max\, empowering you to begin to build your own patches and devices that you can deploy in your own music and multimedia projects. Through a series of guided exercises you will engage in the pragmatic creation of a basic MIDI sequencer device that features a wealth of musical manipulation options. This series of workshops aims to provide beginner’s with suitable skills to begin exploring the Max environment. \n \n\n\nThis online workshop is interactive and you will have opportunities to work with peers and ask questions to an experienced teacher.  \nTimetable and outcomes \nSession 1\, 19th September 2020\, 4pm UK / 11am EST / 8am PT \n\nIdentify key elements of the Max Interface\nCreate objects and route patch cables\nConfigure Object properties via the Inspector\nLocate and utilise the Max help system\n\nSession 2\, 20th September 2020\, 4pm UK / 11am EST / 8am PT \n\nUtilise Max messages\nBuild lists and work with numerical data\nConstruct data flow and configure message ordering\nBuild logic circuits and apply math transformations\n\nSession 3\, 26th September 2020\, 4pm UK / 11am EST / 8am PT \n\nConfigure and apply user interface objects\nBuild graphical user interfaces via Presentation Mode\nEncapsulate patchers and sub patchers\nSuccessfully apply data management techniques\n\nSession 4\, 27th September 2020\, 4pm UK / 11am EST / 8am PT \n\nConstruct MIDI messages in Max\nUtilise virtual instruments to play musical ideas\nManipulate data to create musical pieces\nExplore further possibilities within Max\n\n\nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. His specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. His credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. He holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. He is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. He is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.\n 
URL:https://musichackspace.org/event/getting-started-with-max-2/
LOCATION:Online
CATEGORIES:Max,Software Classes,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/08/Flyer-101-2.001-e1597657221301.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200928T183000
DTEND;TZID=Europe/London:20200928T200000
DTSTAMP:20260403T232143
CREATED:20200818T073148Z
LAST-MODIFIED:20210720T113906Z
UID:10000859-1601317800-1601323200@musichackspace.org
SUMMARY:Bishi: a journey in music & technology
DESCRIPTION:Bishi‘s talk explores her journey in music & technology\, stemming from her cultural roots\, charting the steps between being a musician\, composer & performer to founder and technologist. The talk will feature some live Sitar midi-mapping performance. \n \n\n\n\n\nSinger\, electronic rock- sitarist\, Composer\, producer and performer BISHI was born in London of Bengali heritage. A multi-instrumentalist\, BISHI received musical training in both Hindustani and Western Classical styles\, including the study of the sitar under Gaurav Mazumdar a senior disciple of Ravi Shankar. \nShe has written & recorded two albums\, produced by Matthew Hardern: Nights at The Circus and Albion Voice. Bishi co-produced her third album\, ‘Let My Country Awake\,’ with Jeff Cook. \nBishi is the founder of WITCiH: The Women in Technology Creative Industries Hub\, a platform elevating Women & Non-Binary in tech\, through commissions\, performances & podcasts. She fronted a documentary for BBC Radio 4 exploring the future of technology in music. \nBishi’s collaborations & commissions for the stage have included The London Symphony Orchestra\, The Kronos Quartet\, Yoko Ono’s Meltdown\, The Science Gallery\, Nick Knight’s Showstudio & session work with Sean Ono Lennon\, Luke Vibert\, Richard Norris\, Daphne Guinness & Tony Visconti. Bishi was recently a Tanpura soloist for the City of London Sinfonia\, performing Jonny Greenwood’s ‘Water.’ \nBishi was lead commissioned artist for Delia Derbyshire Day\, who commissioned her to compose a piece of music\, celebrating 50 years of White Noise ‘An Electric Storm.’ This resulted in ‘The Telescope Eye\,’ an EP she co-produced with Richard Norris. Bishi fronted a documentary for Radio 4 centred around the groundbreaking tech company\, ROLI. Her most recent EP ‘Of Rituals & Rites\, with composer\, Neil Kaczor is out on March 20th 2020\, for Spring Equinox. \n\n\n\n\n 
URL:https://musichackspace.org/event/bishi-a-journey-in-music-technology/
LOCATION:YouTube and Facebook
CATEGORIES:Artist Talks,Live-stream,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/08/Thumbnails.001-e1597733907276.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200930T180000
DTEND;TZID=Europe/London:20200930T200000
DTSTAMP:20260403T232143
CREATED:20200824T112442Z
LAST-MODIFIED:20210720T113736Z
UID:10000862-1601488800-1601496000@musichackspace.org
SUMMARY:Build an interactive textile instrument
DESCRIPTION:This practice-led course will show you how to make an electronic textile interface for music performance. We will learn a DIY technique to craft with e-textile materials and then explore how to make music with the handcrafted interface in a number of ways. Each session will follow on from the last\, developing your knowledge through a series of hands-on projects\, delivered in four online workshops.  \nLevel: beginner with notions of DIY electronics and programming \n\nSome familiarity or experience of working with Arduino and/or Max/MSP (or similar platforms) is desirable\nA tabletop space to work at\nComputer\, with USB port\nArduino IDE (Free – download here: https://www.arduino.cc/en/Main/Software)\nMax 8 (Free 30 day trial available – you will be instructed to download this for the final session)\n\nAvailability \nThis workshop is available internationally. Please order your DIY kit before the dispatch date for your location. Kits will be posted using a Royal Mail tracked service. \nUK dispatch date: Friday 25th September \nWorldwide dispatch date: Friday 18th September \nAll sessions are led by a live workshop leader\, and are recorded. If you miss one\, you can watch it later. \n \nWe will work with the Lilypad Arduino\, a microcontroller board designed for use with e-textiles and wearables projects\, and Max/MSP\, an object-orientated programming language for music making. The workshop series will cover the fundamentals of working with e-textiles and these technologies\, giving a basis for participants to continue to develop their creative ideas when working with sound and interactive textiles. \n\n \nWed 30th Sept\, 6pm UK –  Workshop 1: Crafting an e-textile interface \nIn this workshop\, we will explore an approach to working with electronic textiles and handcraft. This workshop will introduce needle felting as a DIY method of working with e-textiles. We will make an interactive and touch sensitive textile interface\, to then be used in a number of ways\, throughout the four sessions of this course. Through crafting the brightly coloured interface\, we will explore a creative approach to interface design and learn how traditional crafts can be combined with e-textile materials to result in novel interfaces for music performance. \nSat 3rd Oct\, 6pm UK – Workshop 2: Bringing your craft work to life: capacitive sensing and visualising sensor data with the Lilypad Arduino \nIn this session\, we will transform the needle felted piece from Workshop 1 into an interactive and touch sensitive interface. We will introduce the Lilypad Arduino and explore capacitive sensing as a method of bringing your textile work to life. You will learn several approaches to visualising interaction data on screen\, as well as the fundamentals of working with Arduino IDE. \nFri 23rd Oct\, 6pm UK – Workshop 3: Composing through code: making an e-textile step sequencer with the Lilypad Arduino \nThis week\, we will develop our coding skills and learn an approach to using your e-textile interface with the Lilypad Arduino\, as a standalone music making device. We will write\, edit and compose through code\, to create a playful step sequencer that makes music as you touch the textile interface.  \nSat 7th Nov\, 6pm UK – Workshop 4: Interactive textiles and Max/MSP \nWorkshop 4 will introduce a method of using your handcrafted interface with Max/MSP. From this workshop\, you will know how to program your Lilypad Arduino\, to allow your e-textile interface to control parameters in a Max patch. We will make a software-based sampler\, where pre-recorded sound files are triggered by touching the interactive textile interface. Some familiarity and a basic working knowledge of Max/MSP is desirable\, but not essential. Participants with experience in Max are welcome to bring their own patches to experiment with. \n— \nA DIY kit\, with all of the craft tools and materials you will need\, is included in the workshop price and will be posted to your home in advance of the course.   \nThere are two kits available\, please select the kit that you will require:  \nKit 1 is a full kit and includes a Lilypad Arduino and all of the craft tools and materials you will need for the course.  \nKit 2 includes all of the craft tools and materials you will need to make the e-textile interface\, but does not include the Lilypad Arduino and USB cable.  \n(Kit 2 is best suited if you already have a Lilypad Arduino or would prefer to use an alternative board. Please note that this course focuses on working with the Lilypad and so support for alternative boards will be limited and only recommended for more experienced participants.) \nKit 1 contents: \n\nLilypad Arduino\nUSB cable\n10 x crocodile clips\nSpeaker\nWool \nSteel wool\n3 x Needle felting tools \nEmbroidery hoop\nFabric\nCopper tape\n\nKit 2 contents: \n\n10 x crocodile clips\nSpeaker\nWool \nSteel wool\n3 x Needle felting tools \nEmbroidery hoop\nFabric\nCopper tape\n\n 
URL:https://musichackspace.org/event/build-an-interactive-textile-instrument/
LOCATION:Online
CATEGORIES:DIY electronics,Electronics,Instrument design,Max,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/08/Sam-Topley-course-banner.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201003T100000
DTEND;TZID=Europe/London:20201003T120000
DTSTAMP:20260403T232143
CREATED:20200906T175840Z
LAST-MODIFIED:20210720T112848Z
UID:10000751-1601719200-1601726400@musichackspace.org
SUMMARY:Noisy pompoms – make an e-textile instruments
DESCRIPTION:Important note: This workshop includes a kit that will be shipped to your address from the UK\, please note that registrations will close 7 days before the workshop to allow enough time for you to receive your kit. \nWhat’s in the kit? The kit comes with a pre-soldered printed circuit board\, e-textile material\, a speaker\, a mixed bundle of brightly coloured yarn and one crocodile clips. Batteries not included. \n \nWhat you will do in this workshop: \nIn this online workshop\, we will craft with electronic textiles to make a new musical instrument. \nThe workshop will provide an introduction to working with e-textile materials and DIY craft techniques\, to enable us to make a new musical instrument to play and experiment with. \nIn this hands-on and craft-focused workshop\, we will explore ideas in e-textiles\, DIY electronics and experimental music making\, to learn how e-textiles can be used within an electronic circuit and how we can be creative with crafts to make a fun and playful interface to perform with. \nTopics: \n\nElectronic textiles (e-textiles)\nExperimental music making\nDIY electronics\nTextile handcrafts\n\nRequirements: \nNo prior knowledge or skills are required. This workshop is a great introduction to electronic instrument building and is suitable for any age (younger children should be supervised). \nThe instrument will be built from a DIY kit\, which will be posted to you in advance of the workshop. The kit includes all of the materials you will need to construct the instrument. \nThe instrument will be made with tools found around the home. You will need: \n\nscissors\nrecycled cardboard (approximately cereal box sized)\n9v battery\ntabletop workspace\n\nAbout the workshop leader: \nSam Topley is a sound artist from Leicester\, UK. She works with textiles to create handmade electronic musical instruments and interactive sound art work. Her practice explores ideas in music\, technology and textile handcrafts\, to make new instruments such as giant noisy pompoms\, knitted or ‘yarnbombed’ loudspeakers and DIY electronic musical instruments with e-textile interfaces. \nTopley shares her work internationally through workshops\, exhibitions\, performances and presentations. Recent projects include commissioned work by Dubai Maker Faire\, TEDxLeicester\, Goldsmiths University of London and the University of Manchester. \nSam is a doctoral researcher at the Music\, Technology and Innovation – Institute for Sonic Creativity (MTI2)\, De Montfort University (Leicester\, UK)\, where she also lectures in experimental music\, creative music technology and community arts practice. Her PhD is co-supervised by Nottingham Trent University and funded by the Arts and Humanities Research Council. \nFollow Sam on social media: Facebook\, Instagram\, Twitter.
URL:https://musichackspace.org/event/noisy-pompoms-make-an-e-textile-instruments/
LOCATION:Online
CATEGORIES:DIY electronics,Instrument design,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/09/Flyers-oct-nov.001-e1599414745365.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201010T180000
DTEND;TZID=Europe/London:20201010T200000
DTSTAMP:20260403T232143
CREATED:20200916T182306Z
LAST-MODIFIED:20210729T115439Z
UID:10000754-1602352800-1602360000@musichackspace.org
SUMMARY:Arcologies: a workshop for Monome norns & grid / On-demand
DESCRIPTION:For Monome norns and grid\, arcologies is a 21st century instrument for musical composition and discovery. Built by Tyler as a “2020 pandemic sanity project” and released in September it has already attracted passionate following. \nThrough a series of “breakout-room” team challenges you will learn how to build and sculpt evolving sound compositions with Arcologies. \nWe’ll cover signal flow\, melodies\, chords\, and evolving systems with modulation\, euclidean rhythms\, and Turing machines. \n \n\n \nTopics \n\nElectronic music composition techniques.\nGenerative music.\nmonome norns\nmonome grid\n\nRequirements \n\nMonome norns\nMonome grid\nArcologies installed\nCuriosity!\n\nAbout the workshop leader \nTyler Etters is a polymath-artist currently residing in Los Angeles. His uniquely 21st century practice encompasses a range of mediums including music\, film\, analog photography\, and software design. He is Vice President at Highland and received his BFA in Graphic Design from Columbia College Chicago. \nLinks \nhttps://tyleretters.github.io/arcologies-docs/ \nhttps://nor.the-rn.info
URL:https://musichackspace.org/event/arcologies-a-workshop-for-monome-norns-grid/
LOCATION:Online
CATEGORIES:Monome,Sound design,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/09/Arcologies-updated2.001-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201011T180000
DTEND;TZID=Europe/London:20201011T200000
DTSTAMP:20260403T232143
CREATED:20200918T144505Z
LAST-MODIFIED:20210720T111841Z
UID:10000757-1602439200-1602446400@musichackspace.org
SUMMARY:Artist workshop with Ned Rush: Live Sample Mangling in Max 8 – On demand
DESCRIPTION:Max is Ned’s go to environment to realise concepts for sound design and performance that are not available in other programs. \nIn this 2-hour workshop you will learn ways to sample and loop incoming audio from the outside world. You will create a fresh sonic palette from mutating the sound\, using a variety of techniques aimed at performance and improvisation\, whilst also discussing and solving problems related to improvisation set-ups and how we can meet those needs. \nYou will explore a variety of ways to interact with sampled sound to find which method suits you best so you can realise your vision with a unique performance sampler. \n \nRequirements \n– Max 8 \n– Basic knowledge of Max \nAbout the workshop leader \nNed Rush aka Duncan Wilson is a musician\, producer and performer. He’s most likely known best for his YouTube channel\, which features a rich and vast quantity of videos including tutorials\, software development\, visual art\, sound design\, internet comedy\, and of course music.
URL:https://musichackspace.org/event/artist-workshop-with-ned-rush-live-sample-mangling-in-max-8-sun-11-oct/
LOCATION:Online
CATEGORIES:Improvisation,Live electronics,Max,Sound design,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/09/RecordedWorkshopthumbnails14.12.2020.005-scaled.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201012T183000
DTEND;TZID=Europe/London:20201012T200000
DTSTAMP:20260403T232143
CREATED:20201011T085219Z
LAST-MODIFIED:20210720T111722Z
UID:10000764-1602527400-1602532800@musichackspace.org
SUMMARY:Programming live video with Federico Foderaro (live-stream)
DESCRIPTION:Federico Foderaro is an audiovisual composer\, teacher and designer for interactive multimedia installations\, author of the YouTube channel Amazing Max Stuff. \nIn this live-stream\, Federico presents some of his live visual projects using particles systems. Join the live-stream to learn how to create stunning animated videos running at high performance. This free live-stream is followed by a series of 4 workshops starting 20th October led by Federico to learn in depth video programming. \n \nHis main interest is the creation of audiovisual works and fragments\, where the technical research is deeply linked with the artistic output.\nThe main tool used in his production is the software Max/MSP from Cycling74\, which allows for real-time programming and execution of both audio and video\, and represents a perfect mix between problem-solving and artistic expression. \nBeside his artistic work\, Federico teaches the software Max/MSP\, both online and in workshops in different venues. The creation of commercial audio-visual interactive installations is also a big part of his work life\, having led in the years to satisfactory collaborations and professional achievements.
URL:https://musichackspace.org/event/programming-live-video-with-federico-foderaro-live-stream/
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/10/flyer-3.001-e1602403101151.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201020T180000
DTEND;TZID=Europe/London:20201020T200000
DTSTAMP:20260403T232143
CREATED:20201008T144628Z
LAST-MODIFIED:20210720T111533Z
UID:10000760-1603216800-1603224000@musichackspace.org
SUMMARY:Learn to program amazing interactive particles systems with Jitter
DESCRIPTION:In this workshop\, you will learn to build incredible live videos with particles systems\, using Max and Jitter. \nCycling’74 has recently released GL3\, which ties together more closely Jitter with Open GL\, and optimises use of the GPU. With this recent update available in the package manager\, you can build highly performance videos without having to code them in C++. \n \nRequirements \n\nLatest version of Max 8 installed on Mac or Windows\nA good working knowledge of Max is expected\nUnderstanding of how the GEN environment works in Jitter\nSome familiarity with textual programming languages\nA knowledge of basic calculus is a bonus\nThe GL3 package installed\nTo install this package open the “Package Manager” from within Max\, look for the GL3 package and click “install”.\n\nWhat you will learn \nSession 1\, 20th October\, 6pm UK / 10am PDT / 1pm EST: \n– Introduction to GL3 features \n– Quick overview of most of the examples in the GL3 package \n– Build a simple particle system from scratch \n– Explorations with gravity/wind \n– Exploration with target attraction \nSession 2\, 27th October\, 6pm UK / 10am PDT / 1pm EST: \n– Improve particle system with rendering billboard shader \n– Creation of a “snow” or “falling leaves” like effect \n– Starting to introduce interactivity in the system \n– Using the camera input \n– Connecting sound to your patches \nSession 3\, 3rd November\, 6pm UK / 10am PDT / 1pm EST: \n– Improve the system interactivity \n– Particles emitting from object/person outline taken from camera \n– Create a particle system using 3D models and the instancing technique \n– Transforming an image or a video stream into particles \nSession 4\, 10th November\, 6pm UK / 10am PDT / 1pm EST: \n– Introduction to flocking behaviours and how to achieve them in GL3 \n– Create a 3D generative landscape and modify it using the techniques from previous sessions \n– Apply post-processing effects \n\nAbout the workshop leader: \nFederico Foderaro is an audiovisual composer\, teacher and designer for interactive multimedia installations\, author of the YouTube channel Amazing Max Stuff.\nGraduated in Electroacoustic Musical Composition at the Licinio Refice Conservatory in Frosinone cum laude\, he has lived and worked in Berlin since 2016. \nHis main interest is the creation of audiovisual works and fragments\, where the technical research is deeply linked with the artistic output.\nThe main tool used in his production is the software Max/MSP from Cycling74\, which allows for real-time programming and execution of both audio and video\, and represents a perfect mix between problem-solving and artistic expression. \nBeside his artistic work\, Federico teaches the software Max/MSP\, both online and in workshops in different venues. The creation of commercial audio-visual interactive installations is also a big part of his work life\, having led in the years to satisfactory collaborations and professional achievements.
URL:https://musichackspace.org/event/learn-to-program-amazing-interactive-particles-systems-with-jitter/
LOCATION:Online
CATEGORIES:Max,Video,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/10/flyer.001-1-e1602163152543.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201026T183000
DTEND;TZID=Europe/London:20201026T200000
DTSTAMP:20260403T232143
CREATED:20201005T185805Z
LAST-MODIFIED:20210720T110603Z
UID:10000755-1603737000-1603742400@musichackspace.org
SUMMARY:Mash Machine live-stream with the founders
DESCRIPTION:Discover a new instrument in this live-stream and learn their design story. \nBased in Tallinn\, Estonia\, the Mash Machine team has put together a kit version of the Reactable. While it looks similar to the Barcelona instrument\, the software and sound engine is different. Mash Machine is designed as a social instrument\, playing and meshing loops as physical objects are drawn onto the board. \n \nMeet the founders in this live-stream and learn more about the technology and design process. \nParticipate and build your own Mash Machine loops! \nCreate loops and send them to Mash Machine at hello@mashmachines.com\, they will be used during the presentation! Detailed instructions on producing content for Mash Machine – here  \nhttps://www.facebook.com/TheMashMachine \nhttps://www.youtube.com/user/MashMachines
URL:https://musichackspace.org/event/mash-machine-live-stream-with-the-founders/
LOCATION:Online
CATEGORIES:Electronics,Instrument design,Product discovery
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/10/flyer_update.001-e1603725064495.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201031T180000
DTEND;TZID=Europe/London:20201031T200000
DTSTAMP:20260403T232143
CREATED:20201013T201723Z
LAST-MODIFIED:20210720T110501Z
UID:10000761-1604167200-1604174400@musichackspace.org
SUMMARY:Interface design in Max with JS/JSUI
DESCRIPTION:In this workshop we’ll look at scripting techniques for changing the appearance and behaviour of Max patchers\, and the use of Javascript graphics to build new types of on-screen displays and controls.\n\n \n\nMax contains an embedded Javascript engine which can be used to control aspects of Max from a textual language\, providing more power and versatility than the default click-and-drag graphical interface which Max programmers are used to. The Javascript engine also has an embedded graphics system\, allowing totally new and innovative interface elements to be created and embedded into the familiar Max world.\n\nTopics:– Max– Javascript– Patchers and scripting– Graphics libraries\nRequirements:\n– Difficulty level: intermediate\n– A good working knowledge of Max is expected\n– Some familiarity with textual programming languages and graphics programming would be useful\, but not required.About the workshop leader:Nick Rothwell is a composer\, performer\, software architect\, coder and visual artist. He has built media performance systems for projects with Ballett Frankfurt and Vienna Volksoper\, composed sound scores for Aydın Teker (Istanbul) and Shobana Jeyasingh Dance\, live coded in Mexico and in Berlin with sitar player Shama Rahman\, written software for Studio Wayne McGregor and the Pina Bausch Foundation\, and developed algorithmic visuals for large-scale outdoor installations in Poland\, Estonia\, Cambridge Music Festival and Lumiere (London / Durham). He also teaches at Ravensbourne University London and writes for Sound On Sound magazine.
URL:https://musichackspace.org/event/interface-design-in-max-with-js-jsui/
LOCATION:Online
CATEGORIES:javascript,Max,Software Classes,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/10/flyer.001-1-e1602619964531.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201101T160000
DTEND;TZID=Europe/London:20201101T180000
DTSTAMP:20260403T232143
CREATED:20201013T175629Z
LAST-MODIFIED:20210720T110312Z
UID:10000767-1604246400-1604253600@musichackspace.org
SUMMARY:Algorithmic Composition in Max: Bringing Order to Chaos
DESCRIPTION:Learn to construct music-generating algorithms in Max\, to compose semi-autonomously or supplement your compositional practice. \nLevel: Intermediate  \nComposing with randomness \nFor centuries\, musicians have incorporated chance-based elements into their compositions\, first through coin flips and dice rolls and more recently through computer software. Today\, building music-oriented algorithmic systems is easier than ever with Max. \nWhat you will learn \nIn this workshop you will learn a variety of algorithmic processes and useful tools to construct your own systems: including drunken walks\, list manipulation and step-sequencer pattern generation. Primarily focusing on MIDI-controlled instruments\, you will gain an understanding of how chance can be factored into numerous aspects of composition\, from melody and harmony to overall piece structure and instrumentation. \nBy the end of the workshop you will have built a system for algorithmically generating a short multi-instrumental composition which you will be able to go on to improve and expand upon to fit your own preferences. \nRequirements \n\nYou should be comfortable with the general workflow and data formatting in Max.\nKnowledge of MIDI format and routing to DAWs (Ableton\, Logic etc) would be a plus\, although Max instruments will be provided.\nYou should have some basic knowledge of music theory: chords\, scales\, modes etc.\n\nAbout the workshop leader \nSamuel Pearce-Davies is a composer\, performer\, music programmer and Max hacker living in Cornwall\, UK. \nWith a classical music background\, it was his introduction to Max during undergraduate studies at Falmouth University that sparked Sam’s passion for music programming and algorithmic composition. \nGoing on to complete a Research Masters in computer music\, Sam is now studying a PhD at Plymouth University in music-focused AI. \n \nWebsite \nYouTube channel
URL:https://musichackspace.org/event/algorithmic-composition-in-max-bringing-order-to-chaos/
LOCATION:Online
CATEGORIES:algorithmic composition,Improvisation,Max,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/10/Recorded-Workshop-thumbnails-14.12.2020.008.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201104T183000
DTEND;TZID=Europe/London:20201104T200000
DTSTAMP:20260403T232143
CREATED:20201026T155933Z
LAST-MODIFIED:20210720T110040Z
UID:10000766-1604514600-1604520000@musichackspace.org
SUMMARY:DIY Electronics – Introduction to digital instrument design
DESCRIPTION:During these workshops you will prototype your own instrument (hardware and software) using an Arduino microcontroller\, sensors\, and Max or Pure Data. \nRegistration includes access to all sessions. \n \nYou will be introduced to the basics of working with an Arduino microcontroller and interfacing it with a computer software in order to generate\, control and manipulate sound. We will use open source hardware and software (Arduino / Max or Pure Data) to prototype an instrument using buttons\, switches\, potentiometers and sensors. We will start by looking at the basics such as setting up Arduino and running sketches\, analog vs digital pins\, Arduino programming environment\, basic electronic\, etc. From there we will get a bit more advanced by looking at the serial communication\, connecting sensors to Arduino\, reading and values from sensors\, and controlling sound parameters with them. \n\n \nRequirements \nBeginner with notions of programming. All participants are required to have a computer with pre-installed Arduino IDE and Max or PureData. \nDownloads: \n\narduino: https://www.arduino.cc/\nPure Data: http://puredata.info/downloads\nMax: https://www.cycling74.com\nUseful but not essential: wire cutters & strippers\, multimeters\, soldering irons\n\nComponents (not included\, please order): \n\nArduino board + USB cable. If your laptop doesn’t have a USB port please make sure you have an adapter! USB cable not included!\nBreadboard\nJumper wires\nResistors (1k)\nResistors (10k)\nLight dependent resistor a.k.a. LDR a.k.a. light sensor:\n10k potentiometer\nMini buttons\n\nWorkshop sessions \n\nSession 1: introduction to Arduino: Hello World!\nBasic electronic conventions\nArduino = software + hardware\nDigital and analog pins\n\nArduino sketch structure\n\nRunning first sketch\n\nSession 2: Hardware: Getting data from sensors\nPrototyping on breadboard\nConnecting sensor\, potentiometer and button\nViewing data in Arduino IDE: Intro to serial monitor\n\nSession 3: Max/ Pure Data & Serial communication\nIntro to Max / Pure Data – building a simple synth\nSending serial message: Arduino side\nReceiving serial  message: Max / Pure Data side\n\nSession 4: Putting it all together\nAdding control to our synth patch in Max /  Pure Data\nExperimenting and playing\nMore advanced Max / Pure Data patches.\nWrapping up: What’s next?\n\n\nAbout the workshop leader\n\nKacper Ziemianin a.k.a. ‘Ctrl Freq’ has background in classical music and a lot of adventures in modern sound and music. He holds a Bachelor’s degree in Sonic Arts from Middlsex University\, London and Master’s degree in Sonology at the Royal Conservatory in The Hague\, the Netherlands. \nInstrument maker\, sound designer\, circuit bender\, vagabond\, improviser\, producer\, audio-hacker\, nomad\, radio presenter\, activist\, workshop leader\, squatter. His audio installations and sounds have been shown/played in numerous places around\, as well as outside Europe. \nCurrently based in the Hague\, NL working as a freelance instrument designer and performer as well as teacher of DIY electronics. His latest endeavor\, the ‘LightSeq’ has received funding from Stimuleringsfonds NL and won an award at an international electronic music festival ‘Radical dB’ in Zaragoza\, Spain. \nFollow Kacper on YouTube
URL:https://musichackspace.org/event/diy-electronics-introduction-to-digital-instrument-design-2/
LOCATION:Online
CATEGORIES:DIY electronics,Electronics,Max,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/10/Updated-Dec-thumbnails.002.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201105T180000
DTEND;TZID=Europe/London:20201105T200000
DTSTAMP:20260403T232143
CREATED:20201025T184435Z
LAST-MODIFIED:20210720T105452Z
UID:10000763-1604599200-1604606400@musichackspace.org
SUMMARY:Building audio effects with Max
DESCRIPTION:Level Intermediate. Knowledge of Max or Pure Data is required\, and some rudiments of digital audio. \nMax offers a vast playground of programming opportunities to create your own audio FX devices. In this series of workshops you will build delay line\, filter\, chorus and flanger audio FX devices\, empowering you to utilise them in your own patches. This workshop aims to provide you with suitable skills to begin to explore building audio FX devices in the Max MSP environment. \nSession Learning Outcomes \nBy the end of this session a successful student will be able to: \n\n\nIdentify key MSP objects for audio FX devices \n\n\nBuild delay line audio FX devices with feedback networks \n\n\nBuild filter networks for use in audio FX devices \n\n\nAdd LFO networks for use in Flanger and Chorus audio FX devices \n\n\n\n\nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAn basic awareness of audio processing \n\n\nGood familiarity with MSP \n\n\nAccess to a copy of Max 8 (i.e. trial or full license) \n\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. His specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. His credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. He holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. He is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. He is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/building-audio-effects-with-max/
LOCATION:Online
CATEGORIES:Max,Sound design,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/10/flyer-FX.001-e1603651250622.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201107T100000
DTEND;TZID=Europe/London:20201107T120000
DTSTAMP:20260403T232143
CREATED:20200906T180650Z
LAST-MODIFIED:20210720T105126Z
UID:10000752-1604743200-1604750400@musichackspace.org
SUMMARY:Noisy pompoms: build an e-textile instrument
DESCRIPTION:Important note: Registration to this workshop does not include the kit. Please purchase the kit from Sam Topley on Etsy here. \nWhat’s in the kit? The kit comes with a pre-soldered printed circuit board\, e-textile material\, a speaker\, a mixed bundle of brightly coloured yarn and one crocodile clips. Batteries not included. \n \nWhat you will do in this workshop: \nIn this online workshop\, we will craft with electronic textiles to make a new musical instrument. \nThe workshop will provide an introduction to working with e-textile materials and DIY craft techniques\, to enable us to make a new musical instrument to play and experiment with. \nIn this hands-on and craft-focused workshop\, we will explore ideas in e-textiles\, DIY electronics and experimental music making\, to learn how e-textiles can be used within an electronic circuit and how we can be creative with crafts to make a fun and playful interface to perform with. \nTopics: \n\nElectronic textiles (e-textiles)\nExperimental music making\nDIY electronics\nTextile handcrafts\n\nRequirements: \nNo prior knowledge or skills are required. This workshop is a great introduction to electronic instrument building and is suitable for any age (younger children should be supervised). \nThe instrument will be built from a DIY kit\, which will be posted to you in advance of the workshop. The kit includes all of the materials you will need to construct the instrument. \nThe instrument will be made with tools found around the home. You will need: \n\nscissors\nrecycled cardboard (approximately cereal box sized)\n9v battery\ntabletop workspace\n\nAbout the workshop leader: \nSam Topley is a sound artist from Leicester\, UK. She works with textiles to create handmade electronic musical instruments and interactive sound art work. Her practice explores ideas in music\, technology and textile handcrafts\, to make new instruments such as giant noisy pompoms\, knitted or ‘yarnbombed’ loudspeakers and DIY electronic musical instruments with e-textile interfaces. \nTopley shares her work internationally through workshops\, exhibitions\, performances and presentations. Recent projects include commissioned work by Dubai Maker Faire\, TEDxLeicester\, Goldsmiths University of London and the University of Manchester. \nSam is a doctoral researcher at the Music\, Technology and Innovation – Institute for Sonic Creativity (MTI2)\, De Montfort University (Leicester\, UK)\, where she also lectures in experimental music\, creative music technology and community arts practice. Her PhD is co-supervised by Nottingham Trent University and funded by the Arts and Humanities Research Council. \nFollow Sam on social media: Facebook\, Instagram\, Twitter.
URL:https://musichackspace.org/event/noisy-pompoms-build-an-e-textile-instrument/
LOCATION:Online
CATEGORIES:DIY electronics,Workshops
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201107T180000
DTEND;TZID=Europe/London:20201108T200000
DTSTAMP:20260403T232143
CREATED:20201012T152220Z
LAST-MODIFIED:20230116T103344Z
UID:10000758-1604772000-1604865600@musichackspace.org
SUMMARY:Build a web assembly synthesiser with iPlug 2
DESCRIPTION:Learn to use iPlug2 C++ audio plugin framework to create a synthesiser that runs on the web. \niPlug2 is a new C++ framework that allows you to build cross-platform audio plug-ins\, using minimal code. One of the exciting features of iPlug2 is that it lets you turn your plug-in into a web page that anyone can use without a DAW (see for example https://virtualcz.io). In this workshop participants will learn how to build a web based synthesiser using cloud based tools\, and publish it to a GitHub pages website. We will look at some basic DSP in order to customise the sound of the synthesiser and we will also customise the user interface. The same project builds native audio plug-ins\, although in the workshop we will focus on the web version. \nNote from Oli: Even though the workshop might use lots of unfamiliar technologies\, iPlug2 is designed to be simple to use and has many of the more confusing aspects of cross platform programming solved for you already. Don’t worry if the technology sounds scary\, everyone should be able to build a custom synthesiser using the example projects and workflow. \nRequirements \n\nA GitHub account (free)\nVisual studio code (free)\nA basic familiarity with Git\, C++ and audio processing\nDocker Desktop installed (free)\n\nUseful links \n\nhttps://iplug2.github.io\nhttp://www.olilarkin.co.uk\nhttps://www.facebook.com/olilarkinplugins\n\n\n\nAbout the workshop leader \nOli Larkin is an audio software developer and music technologist with over 15 years of experience developing plug-ins and plug-in frameworks. He has released his own software products and has collaborated with companies such as Roli\, Arturia\, Focusrite and Ableton. For many years he worked in academia\, supporting audio research and sound art projects with his programming skills. Nowadays Oli is working as a freelancer\, as well as focusing on his open source projects such as iPlug2
URL:https://musichackspace.org/event/build-a-web-assembly-synthesiser-with-iplug-2/
LOCATION:Online
CATEGORIES:C++,Software Classes,WebAudio,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/10/Flyer.001-2-e1602514331222.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201112T180000
DTEND;TZID=Europe/London:20201112T200000
DTSTAMP:20260403T232143
CREATED:20201026T161350Z
LAST-MODIFIED:20210720T104508Z
UID:10000769-1605204000-1605211200@musichackspace.org
SUMMARY:Build samplers with Max
DESCRIPTION:Level Intermediate. Knowledge of Max or Pure Data is required\, and some rudiments of digital audio. \nIn this workshop you will build both single cycle and loop based sampler devices\, empowering you to utilise them in your own patches. This workshop aims to provide you with suitable skills to begin to explore building sampler devices in the Max environment. \nSession Learning Outcomes \nBy the end of this session a successful student will be able to: \n\n\nIdentify key MSP objects for sampler devices \n\n\nUtilise buffer and waveform objects \n\n\nBuild single cycle waveform sampler devices \n\n\nBuild loop based sampler devices \n\n\nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAn basic awareness of audio processing \n\n\nGood familiarity with MSP \n\n\nAccess to a copy of Max 8 (i.e. trial or full license) \n\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHis specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. His credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. He holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. \nHe is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. He is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/build-samplers-with-max/
LOCATION:Online
CATEGORIES:Live electronics,Max,sampling,Sound design,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/10/Recorded-Workshop-thumbnails-14.12.2020.011.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201119T180000
DTEND;TZID=Europe/London:20201119T200000
DTSTAMP:20260403T232143
CREATED:20201101T114402Z
LAST-MODIFIED:20210720T104232Z
UID:10000772-1605808800-1605816000@musichackspace.org
SUMMARY:Building Audio FX in Gen
DESCRIPTION:Level: advanced \nDate: 19th November 2020\, 6pm GMT \nIn this workshop\, you will explore tools and techniques to create bespoke audio FX tools in Gen via Max. Explore delay effects\, circular buffers\, modulation delays\, LFOs\, and multi-tap delays via a series of exercises. This workshop aims to enrich your musical output via the application of self-made audio FX and novel sound design techniques. Gen provides highly optimised audio processes that matches C++ and is the ideal technology for improving complex Max patches and free CPU. \nSession Learning Outcomes \nBy the end of this session a successful student will be able to: \n\n\nIdentify key Gen objects for audio FX devices \n\n\nBuild delay line audio FX devices with feedback networks \n\n\nConfigure Gen parameters and properties \n\n\nAdd LFO networks for use in Flanger and Chorus audio FX devices \n\n\nSession Study Topics \n\n\nGen objects \n\n\nCircular buffers \n\n\nGen variables and parameters \n\n\nLFO modulation sources \n\n\nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nAn basic awareness of audio processing \n\n\nGood familiarity with MSP \n\n\nAccess to a copy of Max 8 (i.e. trial or full license) \n\n\n\n \nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. \nHis specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. His credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. He holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. \nHe is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. He is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/building-audio-fx-in-gen/
LOCATION:Online
CATEGORIES:Max,Music software,Sound design
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/11/flyer.001.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201121T160000
DTEND;TZID=Europe/London:20201121T180000
DTSTAMP:20260403T232143
CREATED:20201112T093730Z
LAST-MODIFIED:20210720T103948Z
UID:10000871-1605974400-1605981600@musichackspace.org
SUMMARY:Getting Started with Max For Live - On demand
DESCRIPTION:Difficulty level: Beginner \nIn this series of workshops you will explore the Max For Live (M4L) ecosystem\, empowering you to utilise them in your own music. \nFollowing these workshops you’ll be able build your own devices in the Max For Live environment! \nAbleton Live Suite is a powerful and creative DAW. \nMax For Live extends the vast range of creative opportunities that Live offers\, allowing you to add third party devices or to create your own unique devices. \nSession 1 Learning Outcomes \nBy the end of this session you will be able to: \n\n\nBecome familiar with the M4L landscape \n\n\nExplore pre-built M4L devices that come with Live Suite \n\n\nLocate and utilise M4L tutorials that come with Live Suite \n\n\nIdentify third party M4L content \n\n\nSession 2 Learning Outcomes \nBy the end of this session you will be able to: \n\n\nCreate objects and route patch cables \n\n\nConstruct user interfaces in M4L \n\n\nBuild MIDI step sequencers in M4L \n\n\nExplore further possibilities within Max For Live \n\n\n \n\n \n \nRequirements \n\n\nA computer and internet connection \n\n\nA good working knowledge of computer systems \n\n\nA basic awareness of Ableton Live \n\n\nAccess to a copy of Ableton Live Suite (i.e. with Max For Live) (i.e. trial or full license) \n\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. \nFor over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. His specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. \nHis credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. \nHe holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. \nHe is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/getting-started-with-max-for-live-live-session/
LOCATION:Online
CATEGORIES:Max,Music software,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/11/Updated-Dec-thumbnails.003.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201124T180000
DTEND;TZID=Europe/London:20201124T200000
DTSTAMP:20260403T232143
CREATED:20201013T183018Z
LAST-MODIFIED:20210720T103805Z
UID:10000770-1606240800-1606248000@musichackspace.org
SUMMARY:Build an interactive textile instrument
DESCRIPTION:This practice-led course will show you how to make an electronic textile interface for music performance. We will learn a DIY technique to craft with e-textile materials and then explore how to make music with the handcrafted interface in a number of ways. Each session will follow on from the last\, developing your knowledge through a series of hands-on projects\, delivered in four online workshops.  \nLevel: beginner with notions of DIY electronics and programming \n\n \n\nSome familiarity or experience of working with Arduino and/or Max/MSP (or similar platforms) is desirable\nA tabletop space to work at\nComputer\, with USB port\nArduino IDE (Free – download here: https://www.arduino.cc/en/Main/Software)\nMax 8 (Free 30 day trial available – you will be instructed to download this for the final session)\n\nThis workshop is available internationally. Please order your DIY kit before the dispatch date for your location. Kits will be posted using a Royal Mail tracked service. \nUK dispatch date: Friday 17th November \nWorldwide dispatch date: Friday 3rd November \n \nWe will work with the Lilypad Arduino\, a microcontroller board designed for use with e-textiles and wearables projects\, and Max/MSP\, an object-orientated programming language for music making. The workshop series will cover the fundamentals of working with e-textiles and these technologies\, giving a basis for participants to continue to develop their creative ideas when working with sound and interactive textiles. \nTues 24th Nov\, 6pm UK –  Workshop 1: Crafting an e-textile interface \nIn this workshop\, we will explore an approach to working with electronic textiles and handcraft. This workshop will introduce needle felting as a DIY method of working with e-textiles. We will make an interactive and touch sensitive textile interface\, to then be used in a number of ways\, throughout the four sessions of this course. Through crafting the brightly coloured interface\, we will explore a creative approach to interface design and learn how traditional crafts can be combined with e-textile materials to result in novel interfaces for music performance. \nTues 1st Dec\, 6pm UK – Workshop 2: Bringing your craft work to life: capacitive sensing and visualising sensor data with the Lilypad Arduino \nIn this session\, we will transform the needle felted piece from Workshop 1 into an interactive and touch sensitive interface. We will introduce the Lilypad Arduino and explore capacitive sensing as a method of bringing your textile work to life. You will learn several approaches to visualising interaction data on screen\, as well as the fundamentals of working with Arduino IDE. \nTues 8th Dec\, 6pm UK – Workshop 3: Composing through code: making an e-textile step sequencer with the Lilypad Arduino \nThis week\, we will develop our coding skills and learn an approach to using your e-textile interface with the Lilypad Arduino\, as a standalone music making device. We will write\, edit and compose through code\, to create a playful step sequencer that makes music as you touch the textile interface.  \nTues 15th Dec\, 6pm UK – Workshop 4: Interactive textiles and Max/MSP \nWorkshop 4 will introduce a method of using your handcrafted interface with Max/MSP. From this workshop\, you will know how to program your Lilypad Arduino\, to allow your e-textile interface to control parameters in a Max patch. We will make a software-based sampler\, where pre-recorded sound files are triggered by touching the interactive textile interface. Some familiarity and a basic working knowledge of Max/MSP is desirable\, but not essential. Participants with experience in Max are welcome to bring their own patches to experiment with. \n— \nA DIY kit\, with all of the craft tools and materials you will need\, is included in the workshop price and will be posted to your home in advance of the course.   \nThere are two kits available\, please select the kit that you will require:  \nKit 1 is a full kit and includes a Lilypad Arduino and all of the craft tools and materials you will need for the course.  \nKit 2 includes all of the craft tools and materials you will need to make the e-textile interface\, but does not include the Lilypad Arduino and USB cable.  \n(Kit 2 is best suited if you already have a Lilypad Arduino or would prefer to use an alternative board. Please note that this course focuses on working with the Lilypad and so support for alternative boards will be limited and only recommended for more experienced participants.) \nKit 1 contents: \n\nLilypad Arduino\nUSB cable\n10 x crocodile clips\nSpeaker\nWool \nSteel wool\n3 x Needle felting tools \nEmbroidery hoop\nFabric\nCopper tape\n\nKit 2 contents: \n\n10 x crocodile clips\nSpeaker\nWool \nSteel wool\n3 x Needle felting tools \nEmbroidery hoop\nFabric\nCopper tape
URL:https://musichackspace.org/event/build-an-interactive-textile-instrument-2/
LOCATION:Online
CATEGORIES:DIY electronics,Instrument design,Wearables,Workshops
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/08/Sam-Topley-course-banner.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201202T180000
DTEND;TZID=Europe/London:20201202T200000
DTSTAMP:20260403T232143
CREATED:20201123T143719Z
LAST-MODIFIED:20210720T103012Z
UID:10000875-1606932000-1606939200@musichackspace.org
SUMMARY:An Introduction to Synthesis with Max
DESCRIPTION:Level: Intermediate \nWhat you will learn in this course \nCycling 74’s Max / MSP offers a vast playground of programming opportunities to create your own synthesis devices. In this workshop you will begin to build your own synthesis devices. This workshop aims to provide you with suitable skills to begin exploring synthesis devices in the Max MSP environment. \nSession Learning Outcomes \nBy the end of this session you will will be able to: \n\nDefine the basic building blocks of synthesis\n\nBuild oscillators via MSP oscillator objects \n\n\nExplore various filter responses via MSP filter objects \n\n\nBegin to build modulation sources for synthesis devices \n\n\nSession Study Topics \n\n\nMSP synthesis objects \n\n\nMSP oscillator objects \n\n\nMSP filter objects \n\n\nLFO & envelope properties \n\n\n\n \nRequirements \n\nA computer and internet connection\nA good working knowledge of computer systems\nAn basic awareness of audio processing\nGood familiarity with MSP\nAccess to a copy of Max 8 (i.e. trial or full license)\n\nAbout the workshop leader \nPhelan Kane is a Berlin & London based music producer\, engineer\, artist\, developer and educator. For over twenty years he has been active in both the music industry and the contemporary music education sector\, with a focus on electronic music and alternative bands. His specialism is sound design and production techniques such as synthesis and sampling\, alongside audio processing and plug-in development. \nHis credits include collaborations with Placebo\, Radiohead\, Fad Gadget\, Depeche Mode\, Moby\, Snow Patrol\, Mute\, Sony BMG\, Universal\, EMI and Warner Bros. \nHe holds an MA in Audio Technology from the London College of Music\, University of West London\, an MSc in Sound & Music Computing at the Center for Digital Music at Queen Mary\, University of London and in 2008 became one of the world’s first wave of Ableton Certified Trainers. He is a member of the UK’s Music Producers Guild\, holds a PG Cert in Learning & Teaching\, is an Affiliate of the Institute for Learning\, a Fellow of the Higher Education Academy and until recently was Chairman of the London Committee for the British Section of the Audio Engineering Society. \nHe is currently running the electronic music record label Meta Junction Recordings and the audio software development company Meta Function\, which specialize in Max for Live devices releasing the M4L synth Wave Junction in partnership with Sonicstate.
URL:https://musichackspace.org/event/an-introduction-to-synthesis-with-max-live-session/
LOCATION:Online
CATEGORIES:Max,Music software
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/11/Phelan-Kane-2.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201203T080400
DTEND;TZID=Europe/London:20201203T080400
DTSTAMP:20260403T232143
CREATED:20201102T185508Z
LAST-MODIFIED:20210720T102753Z
UID:10000865-1606982640-1606982640@musichackspace.org
SUMMARY:Experimental Audio FX in Max
DESCRIPTION:Level: Intermediate \nIn this workshop you will build an experimental audio FX device that utilizes buffers to create a novel delay line. Experimental processing will be added to the signal path to provide unique sound design possibilities. This workshop aims to provide you with suitable skills to begin exploring building unique\, novel and experimental audio FX devices in the Max MSP environment. \nSession Learning Outcomes \nBy the end of this session a successful student will be able to: \n\nIdentify MSP objects for building delay FX devices\nBuild delay line audio FX devices via buffer\, record and groove\nBuild feedback and processing networks\nExplore UI concepts and design\n\nRequirements \n\nA computer and internet connection\nA good working knowledge of computer systems\nAn basic awareness of audio processing\nGood familiarity with MSP\nAccess to a copy of Max 8 (i.e. trial or full license)\n\nAbout the workshop leader \nNed Rush aka Duncan Wilson is a musician\, producer and performer. He’s known best for his YouTube channel\, which features a rich and vast quantity of videos including tutorials\, software development\, visual art\, sound design\, internet comedy\, and of course music.
URL:https://musichackspace.org/event/experimental-audio-fx-in-max/
LOCATION:Online
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2020/11/Updated-Dec-thumbnails.001.webp
END:VEVENT
END:VCALENDAR