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DTSTART;TZID=Europe/London:20160704T190000
DTEND;TZID=Europe/London:20160704T220000
DTSTAMP:20260423T125544
CREATED:20160602T101629Z
LAST-MODIFIED:20160602T101629Z
UID:10000671-1467658800-1467669600@musichackspace.org
SUMMARY:Artist Talk – Dancing with music\, graphics and interactive experience with Jan Lee and Tim Murray-Browne
DESCRIPTION:Jan Lee and Tim Murray-Browne are artists who collaborate together to connect the dancing body with music\, graphics and interactive experience. They look at the performed moments in which we create our sense of self\, in relation to the sensorial worlds that we mould and in turn mould us. This includes interactive dance with body-controlled generative visuals\, immersive sound installations and research into sound architectures: how story and place can emerge through bodily sonic interaction with invisible forms. \nThey will talk about recent performance work\, including This Floating World\, an interactive dance show questioning the expressive power of the physical body evolved and amplified by technology. Also Oorgavé Oorgavé\, a poetry/dance performance in an interactive sound space\, telling the story of two travellers discovering the slip between human and animal\, speech and sound. They will talk about research completed in Rio de Janeiro last year in a residency with ZU-UK immersive theatre company researching what are the most basic structures of interactive sound and the question ‘Can we feel a sound pixel in space?’ \nFinally\, they will present a preview of their upcoming project Movement Alphabet\, combining immersive one-on-one audience interaction with body-driven generative visuals to create portraits of how audience members move and express themselves through their body. \n \n  \nThe Music Hackspace programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/artist-talk-dancing-with-music-graphics-and-interactive-experience-with-jan-lee-and-tim-murray-browne/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/06/this_floating_world_tim_murray-browne_jan_lee_arebyte_2-2000-2.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160705T190000
DTEND;TZID=Europe/London:20160705T220000
DTSTAMP:20260423T125544
CREATED:20160601T154726Z
LAST-MODIFIED:20160606T154449Z
UID:10000669-1467745200-1467756000@musichackspace.org
SUMMARY:'Don’t Press Record\, Press Perform' with Tim Exile
DESCRIPTION:Musician and technologist Tim Exile is kicking off his new live performance project with a tour of intimate UK venues where he’ll showcase his new self-made instrument and announce exciting news about the project. \n \nPerformance is almost always a footnote to composition in the electronic music world and Tim has been working for the last 15 years to turn this on its head by creating his own bespoke instruments for electronic performance. The latest milestone in his quest to combine the fluidity and spontaneity of traditional acoustic instruments with the infinite sound worlds of synthesis and sampling is an instrument deep enough to write and perform an entire album. Join him to experience the first results and hear him share his journey with the project. \nTim’s had an impressive career. As a musician he’s released critically acclaimed albums on seminal electronic record labels Planet Mu and Warp and performed live in every continent. With his technologist hat on he’s released 3 plugin instrument and FX in collaboration with music tech giants Native Instruments. For the last 5 years Tim has been focussed on developing his Flow Machine instrument which forms the centre of his visceral 100% improvised live performances. \nJoin Tim at one of these dates and watch out for a special announcement nearer the time with some exciting news about the instrument\, the project and its future. \nRead more about Tim’s ideas in this Medium article here! \n  \nThe Music Hackspace programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/dont-press-record-press-perform-with-tim-exile/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/06/Tim-Exile-press-image-2016-cropped-2.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160711T190000
DTEND;TZID=Europe/London:20160711T220000
DTSTAMP:20260423T125544
CREATED:20160614T095518Z
LAST-MODIFIED:20160623T111335Z
UID:10000673-1468263600-1468274400@musichackspace.org
SUMMARY:Artist Talk – Mira Calix
DESCRIPTION:Mira Calix is an award winning artist\, composer and performer based in the United Kingdom. Music and sound have always been at the centre of her practice\, which she continues to integrate with visual media and technological innovation to create multi-disciplinary installations and performance works. \nMira has recently returned from China where she opened the Moving Museum 35\, a temporary and site specific sound art installation\, where a museum is situated in the architecture of a bus and open to the general public. This project was created in collaboration with students based at Nanjing University Of the Arts\, and was supported by the British Council\, PRS Foundation and JCDecaux and was part of the UK in China cultural exchange program. \nMira Calix is currently working on a new commission for the renowned American ensemble; Alarm Will Sound\, which will premier in New York spring 2016 and directing a new performance by Solomon’s Knot Consort for this year’s Aldeburgh Festival. \nJoin us to discover more about her work and latest project! \n \nThe talk will be between 7-8pm. The remaining time will be used for more music\, casual hangout and drinks until close at 9.30pm. For any questions please email curators@stagingmhs.local\, we are happy to answer any questions you may have. \n  \nMore about Mira Calix: \nMira has been commissioned by many leading international cultural institutions\, festivals and ensembles including the London Sinfonietta\, the Royal Shakespeare Company\, the Aldeburgh Festival\, the Melbourne Recital Centre\, Performa\, National Portrait Gallery\, the Institute of Contemporary Art\, the Manchester International Festival and The Mayor Of London. \nShe has been the recipient of several awards\, in 2009 she won a British Composer Award for her composition; My Secret Heart. The installation\, commissioned by Streetwise Opera\, and featuring the voices of a 100 strong choir\, toured extensively internationally and was also the recipient of a Royal Philharmonic Society Award and finalist for The National Lottery Arts Award 2010. Chorus\, a collaborative work with United Visual Artists received an Award of Distinction in the Interactive Category at Prix Ars Electronica 2010. There relationship has continued over the years\, most recently with Momentum an installation for the Barbican Curve Gallery in London\, which opened in February 2014. In 2011 Mira was once again nominated for a British Composer’s award\, for her film opera – Fables – The Boy Who Cried Wolf. \nShe has collaborated with musicians and other artists from across the spectrum\, including Conrad Shawcross\, Chris Milk and  United Visual Artists to create both permanent and temporary installations in the United Kingdom and internationally. \nIn 2015 Mira Calix premiered Inside There Falls\, a mixed media installation at Carriagworks\, in Australia as part of the Sydney Festival. The artwork is a multi -sensory installation of paper\, sound and movement created by Mira and features durational performances by members of Sydney Dance Company. \n  \nThe Music Hackspace programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/artist-talk-mira-calix/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/06/Mira.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160713T190000
DTEND;TZID=Europe/London:20160713T210000
DTSTAMP:20260423T125544
CREATED:20160316T142046Z
LAST-MODIFIED:20160418T123541Z
UID:10000646-1468436400-1468443600@musichackspace.org
SUMMARY:SuperCollider with Les Hutchins – Sound Unfolded Workshops 2016
DESCRIPTION:13th July 19:00 – 21:00 @MachinesRoom \nSuperCollider with Les Hutchins \n\n\nBuy SuperCollider with Les Hutchins – Sound Unfolded Workshops 2016 \nUsing SuperCollider for installations. Raspberry Pi\, recovering from crashes\, and interacting with physical devices in SuperCollider. \nSuperCollider is an incredibly powerful\, open-source\, cross-platform\, audio engine and programming language\, used not only to create music\, but also for machine listening\, audio/music reactive installations\, performance\, interactive systems\, research\, live-coding and much more. \nYou will need your own computer (OSX / Windows/ Linux)\, and a pair of headphones. \nThis workshop is part of #SoundUnfolded taking place in the Machines Room classroom. \n\n\nBuy SuperCollider with Les Hutchins – Sound Unfolded Workshops 2016 \nThis programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/supercollider-with-les-hutchins-sound-unfolded-workshops-2016/
LOCATION:Machines Room\, 45 Vyner St\, London \, London\, E2 9DQ\, United Kingdom
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/03/supercollider02-e1458130269178.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160714T190000
DTEND;TZID=Europe/London:20160714T220000
DTSTAMP:20260423T125544
CREATED:20160623T114525Z
LAST-MODIFIED:20160623T114613Z
UID:10000675-1468522800-1468533600@musichackspace.org
SUMMARY:Musica Dispersa at Music Hackspace #03
DESCRIPTION:Musica Dispersa return to Music Hackspace\, this time in Limewharf\, with experimentation and improvisation as the common denominators\, bringing a line up of sound artists and experimental musicians. \n  \nTime and date: Thursday 14th July\, 7pm-10pm  \nLocation: Limewharf\, LimeWharf Yard\, Vyner Street\, London\, E2 9DJ \nPrice: £5 (cash on door). Please RSVP attendance here. The bar will be closed during the event\, you are welcome to byob.  \n  \nLydia Kavina\nBorn in Moscow and currently living in Oxfordshire\, UK\, Lydia Kavina is one of the leading performing musicians on the theremin. Lydia began studying the theremin at the age of 9 under the direction of  Léon Theremin\, who was first cousin of her grandfather.  Five years later she was ready to give her first  theremin concert\, which marked the beginning of her musical career that has so far led to more than a thousand concerts and theatre\, radio and television performances of classic and contemporary music\, throughout the world. \nThe S&M Accidental Orchestra\nExperimentation and Improvisation with this ‘accidental’ band formed by Sean Derrick Cooper Marquardt and joined for this time by London based artists Edmund Davie\, Michael Forrest \, Marina Young and Jude Cowan Montague with the direction of Sean Derrick Cooper Marquardt. \nHeidi Heidelberg\nA gutsy electric guitarist and master of the loop pedal she has written music for award-winning films and theatre\, and collaborated with a number of innovative artists. Her current collaborations include ‘Bitch ‘n’ Monk’ – an experimental/jazz duo project with Colombian flautist Mauricio Velasierra\, with whom she has composed and performed live scores for award-winning cinematographers Yuri Pirondi and Ines Von Bonhorst\, showcasing at the V&A Museum and other notable galleries. \nMatawan\nGareth Chapman and Barclay Brennan work addresses the relationship that melody has within texture and how this intrinsically relates to the listener.\nEach piece is an organically layered composition that is comprised from dozens of micro-melodies. Stratified together\, these ordinarily nebulous melodies create dense textures that allude to harmony and musicality in a seemingly abstract way. \n  \nMusica Dispersa is a London based platform which operates internationally and is dedicated to the dissemination and diffusion of experimental music through a wide range of projects in radio broadcast\, cassette releases\, live events and exhibitions. \nFor any questions please email curators@stagingmhs.local \n  \nThe Music Hackspace programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/musica-dispersa-at-music-hackspace-03/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/06/MUSICHACKSPACE07.2016-2.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160716
DTEND;VALUE=DATE:20160718
DTSTAMP:20260423T125544
CREATED:20160516T121811Z
LAST-MODIFIED:20160516T122012Z
UID:10000663-1468627200-1468799999@musichackspace.org
SUMMARY:Hybrid analogue and digital MicroFM radio broadcast workshop for raspberry pi
DESCRIPTION:µFM  \nHybrid analogue and digital MicroFM radio broadcast workshop for raspberry pi \nLearn how to set up a local FM radio broadcast with a raspberry pi\, and use digital techniques of reception with RTL-SDR. \nSaturday 16 and Sunday 17 July 2016\, 11 am to 7 pm  at LimeWharf \n[shopify embed_type=”product” shop=”musichackspace.myshopify.com” product_handle=”learn-how-to-set-up-a-local-fm-radio-broadcast-with-a-raspberry-pi-workshop-16-and-17-july” show=”all”] \nWith this item you will be booking a spot in our workshop. \nPlease send an email to workshops@stagingmhs.local indicating which option you want to make. There are two options to choose from: \nBYO KIT – 60 GBP \nBring your laptop (linux by preference) + your Raspberry Pi + SD Card (specs: SDHC / microSDHC; class 10; size 8 or 16 Go) + 1 RJ45 cable (Ethernet cable) + Your own radio/s \nRTL-SDR antennas will be provided. \nGET THE FULL KIT – 90 GBP \nBring your laptop (linux by preference) & Bring your own radio/s \nGet the full kit (Raspberry Pi + SD Card + Ethernet cable). \nRTL-SDR antennas will be provided. \nThis £20 booking fee will be deducted during the workshop from the price of the kit of your choice. Please note this £20 booking fee won’t be refunded in case of you cancelling / not showing. \nThanks for the reservation and see you soon! We will be in touch with you to confirm registration and provide further details. \nMore information: \nDuring the last past years\, the radio world has witnessed the rise of numerous initiatives related to the hybridization of traditional radio means with digital standards and systems\, nourishing and renewing the classic radio-amateur practises and approaches such as pirate satellite brazilian radios http://www.wired.com/2009/04/fleetcom/?currentPage=all \nBut even if technical protocols such as Software Defined Radio (SDR)\, streaming and p2p decentralized practices have opened new perspectives\, it is mostly the recent new political approaches of radio\, such as Kogawa’s MicroFM [A Micro Radio Manifesto http://anarchy.translocal.jp/radio/micro/o] or the Telecomix Internet radio initiative [http://telecomix.org/] that have unveiled new exciting territories. \nNowadays\, radio is -in its digital transformation\, far from the unidirectional relationship with the listener of the FM band. It is open to very local broadcast and wild transmissions over large spectrum\, carrying both sounds and data\, and offering to rethink its architecture on the principles of rhizomatic and meshed networks. \nFollowing the Π-Node experiments [https://www.p-node.org]\, this workshop proposes to explore the use of RTL-SDR antennas: \n\nprimary conceived for TNT television reception [dongle based on the RTL2832U chipset http://www.rtl-sdr.com/about-rtl-sdr/]\nsubverted to the reception of various signals from the radio spectrum from 20MHz to 2000MHz.\n\nThe antenna will be receiving waves of data messages\, encoded through Minimodem [http://www.whence.com/minimodem/] \nA Raspberry Pi will be transformed in a radio transmitter\, using the GPIO 4 and the PiFM software [PiFM: http://icrobotics.co.uk/wiki/index.php/Turning_the_Raspberry_Pi_Into_an_FM_Transmitter] \nParticipants willl use and connect those tools and techniques\, in order to create a chain of radio data relays\, and trying ultimately to subvert it by various means (radio interferences\, sound transformation\, data capture and text substitution\, etc…). \nPrevious knowledge \nParticipants shall have a basic knowledge of command line programming and a wide curiosity for radio phenomenons. \nLanguages used will be python\, but can also be programmed in other various langages (ruby\, java\, c++\, etc …) \nThis workshop will be led by RYBN.ORG \nRYBN.ORG is an extra-disciplinary artistic research platform\, funded in 2000 as a web entity\, disseminated into several servers all over the internet and physically present in Paris. RYBN.ORG operates through interactive & networked installations\, digital/analog visual cross-performances and pervasive computing. Their projects refer as well to the codified systems of the artistic representation (aesthetic\, painting\, architecture\, avant-garde\, music) as to the socio-politic and physical phenomenons\, exploring various fields such as economics\, data mass analysis\, perverted artificial intelligence\, disrupting auto-learning\, language and syntaxes\, sensory perception and cognitive systems.  \nhttp://www.rybn.org \nThis workshop is part of #SoundUnfolded #ACE funded. \nThe Music Hackspace programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/%c2%b5fm-hybrid-analogue-and-digital-microfm-radio-broadcast-workshop-for-raspberry-pi/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/05/ORF_musikprotokoll-Gross_IMG_1947-nb.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20160718T190000
DTEND;TZID=Europe/London:20160718T220000
DTSTAMP:20260423T125544
CREATED:20160627T100221Z
LAST-MODIFIED:20160627T100221Z
UID:10000683-1468868400-1468879200@musichackspace.org
SUMMARY:On the hybridisation of digital communication networks and analog radio protocols – Artist Talk with RYBN/.ORG
DESCRIPTION:This talk aims to introduce a few chosen actual digital radio infrastructures\, networks and initiatives in the perspective of artistic practices. Starting with the very beginning of the amateur radio movements that have emerged with the radio itself\, the talk will also cross roads with the birth of offshore pirate radios\, the movement of radio libres and their connection with the minitel in Paris and Bologna\, Max Neuhaus\, John Cage and the experimental uses of radio in sound arts\, optical network of data transmission in Czech Republic\, the Frei Funk movement in Germany\, micronations and data heavens. The talk will end with a presentation of various actual approaches of radio\, from the realms of miniFM to the communication networks of high-frequency trading. \nRYBN/.ORG is an extra-disciplinary artistic research platform\, funded in 2000 as a web entity\, disseminated into several servers all over the internet and physically present in Paris. RYBN.ORG operates through interactive & networked installations\, digital/analog visual cross-performances and pervasive computing. Their projects refer as well to the codified systems of the artistic representation (aesthetic\, painting\, architecture\, avant-garde\, music) as to the socio-politic and physical phenomenons\, exploring various fields such as economics\, data mass analysis\, perverted artificial intelligence\, disrupting auto-learning\, language and syntaxes\, sensory perception and cognitive systems. \nhttp://www.rybn.org \n \nThe Music Hackspace programme is supported using public funding by Arts Council England.
URL:https://musichackspace.org/event/on-the-hybridisation-of-digital-communication-networks-and-analog-radio-protocols-artist-talk-with-rybn-org/
LOCATION:LimeWharf\, Vyner St\, London\, E2 9DJ
ATTACH;FMTTYPE=image/webp:https://musichackspace.org/wp-content/uploads/2016/06/9-minimodemD.jpg
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