Interface design in Max with JS/JSUI
In this workshop we’ll look at scripting techniques for changing the appearance and behaviour of Max patchers, and the use of Javascript graphics to build new types of on-screen displays and controls.
Max contains an embedded Javascript engine which can be used to control aspects of Max from a textual language, providing more power and versatility than the default click-and-drag graphical interface which Max programmers are used to. The Javascript engine also has an embedded graphics system, allowing totally new and innovative interface elements to be created and embedded into the familiar Max world.
Topics:
– Max
– Javascript
– Patchers and scripting
– Graphics libraries
– Max
– Javascript
– Patchers and scripting
– Graphics libraries
Requirements:
– Difficulty level: intermediate
– A good working knowledge of Max is expected
– Some familiarity with textual programming languages and graphics programming would be useful, but not required.
About the workshop leader:
Nick Rothwell is a composer, performer, software architect, coder and visual artist. He has built media performance systems for projects with Ballett Frankfurt and Vienna Volksoper, composed sound scores for Aydın Teker (Istanbul) and Shobana Jeyasingh Dance, live coded in Mexico and in Berlin with sitar player Shama Rahman, written software for Studio Wayne McGregor and the Pina Bausch Foundation, and developed algorithmic visuals for large-scale outdoor installations in Poland, Estonia, Cambridge Music Festival and Lumiere (London / Durham). He also teaches at Ravensbourne University London and writes for Sound On Sound magazine.
About the workshop leader:
Nick Rothwell is a composer, performer, software architect, coder and visual artist. He has built media performance systems for projects with Ballett Frankfurt and Vienna Volksoper, composed sound scores for Aydın Teker (Istanbul) and Shobana Jeyasingh Dance, live coded in Mexico and in Berlin with sitar player Shama Rahman, written software for Studio Wayne McGregor and the Pina Bausch Foundation, and developed algorithmic visuals for large-scale outdoor installations in Poland, Estonia, Cambridge Music Festival and Lumiere (London / Durham). He also teaches at Ravensbourne University London and writes for Sound On Sound magazine.