DRAFTThis course is not yet published. It is only visible in preview mode.
Ask Me Anything about Interactive Installations with Max hero

Creative Coding

Ask Me Anything about Interactive Installations with Max

Level

Beginner

Duration

Self-paced

Format

Recorded Q&A

Added

08/08/2023

Course overview

Join Max certified trainer Umut Eldem in this AMA focused on developing Interactive installations with Max. Ask questions in advance using the comment section below. In this session, you will be able to:
  • Gain a comprehensive understanding of the fundamentals of Max and how it is leveraged to create interactive installations.
  • Acquire valuable insights on complex Max techniques
  • Understand the key considerations, challenges, and best practices in designing and implementing interactive installations.
  • Have the opportunity to ask any question, no matter how intricate, and get direct answers from an expert.
Duration: 1hour

Who is this course for?

  • • Emerging Artists, Creative Coders and Sound Designers
  • • Experienced Interactive Installation Creators

Requirements

  • • Going deeper subscription
  • • A Zoom account
  • • Webcam and mic

Course content

Ask Me Anything about Interactive Installations with Max

1 lesson

+
  • Open the session in Zoom to access all the features

Instructors

Umut Eldem

Umut Eldem

Instructor

Umut Eldem is a composer, pianist, and researcher. His musical works and research focus on the exploration of synaesthesia as an artistic medium. He has given lectures on his research of synaesthesia, and had his audiovisual works and installations combining sound and colours presented in Belgium, Turkey, Romania, Russia, and Luxembourg. Umut Eldem is currently a PhD researcher at the Royal Conservatoire of Antwerp, and musical director of the theatre collective Mixed & United. He gives lessons and workshops on music history, musical analysis, and audiovisual design. He is also the keyboardist of the bands Starblind = Earthbound and Transport Aerian. His current PhD research entitled ‘The Hearing Glass: Synaesthetic Correspondences in The Musical Practice’ intends to take the results of his previous research and develop them into an inter-sensory theory of audiovisual art.

Frequently asked questions