Understanding Indian rhythm through simple algorithms - On demand hero

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Understanding Indian rhythm through simple algorithms - On demand

South Indian Carnatic music is home to a huge array of fascinating rhythms, composed from algorithms. Rooted in maths and aesthetics, Carnatic music has many facets that can be applied […]

Level

Level 2

Duration

Format

Course overview

South Indian Carnatic music is home to a huge array of fascinating rhythms, composed from algorithms. Rooted in maths and aesthetics, Carnatic music has many facets that can be applied to computer music.

Who is this course for?

  • In this workshop you will be given an introduction to this tradition, and provided with the opportunity to observe, create, and hack various patches that demonstrate some of these ideas.

Requirements

  • A computer and internet connection
  • A web cam and mic
  • A Zoom account
  • Access to a copy of Max 8 (i.e. trial or full license)

Course content

Session 1

Understanding Indian rhythm through simple algorithms - On demand

Patch and terminology · Part 1 - Introduction · Part 2 - Adi Tala - practing recitation in cycle of 8

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Session materials

Understanding Indian rhythm through simple algorithms - On demand

Patch and terminology

Open resource

Understanding Indian rhythm through simple algorithms - On demand

Part 1 - Introduction

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Understanding Indian rhythm through simple algorithms - On demand

Part 2 - Adi Tala - practing recitation in cycle of 8

Open resource

Understanding Indian rhythm through simple algorithms - On demand

Part 3 - Notating rhythms for the Max patch

Open resource

Understanding Indian rhythm through simple algorithms - On demand

Part 4 - Making rhythms that resolve on samam

Open resource

Understanding Indian rhythm through simple algorithms - On demand

Part 5 - The rhythmic grammar of Carnatic phrases

Open resource

Instructors

Dom  Aversano

Dom Aversano

Instructor

Dom Aversano is a Valencian and London based composer and percussionist with a particular interest in combining ideas from the South Indian classical and Western music traditions. He has performed internationally as a percussionist, and produced award-winning installation work that has been exhibited in Canada, Italy, Greece, Australia, and the UK. For a decade Dom has studied South Indian Carnatic music in London and in Chennai. He has studied with mridangam virtuoso Sri Balachandar, the resident percussionist of The Bhavan music centre in London, as well as shorter periods with Somashekar Jois and M N Hariharan.

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