In this talk and Q&A, Artemi-Maria Gioti discusses her latest compositions for acoustic instruments and AI-based interactive music systems, with a focus on her “Bias” cycle. This cycle critically engages with Machine Learning algorithms and training datasets, questioning the concept of generalisability while emphasising the materiality of data. She explores how artistic research in composition can offer critical insights into AI, contribute to critical literature on the subject, and examine the aesthetic implications of this practice-based research approach.
