Creative Coding
Multichannel Spectral Synthesis in Max
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1- Introduction to Spectral Music and Synthesis
Course overview
Learning outcomes
Analyze, manipulate, and export sound data using SPEAR
Design a multichannel spectral synthesis system in Max
Explore the spectral and timbral possibilities by manipulating the spectral playback
Who is this course for?
- • Sound designers looking to get started with multichannel spectral music
- • Music producers and composers interested in learning multichannel spectralism techniques
Requirements
- • Computer and internet connection
- • Access to a copy of Max 8 (i.e. trial or full license)
- • Access to a copy of the free SPEAR app
Course content
Multichannel Spectral Synthesis in Max
6 videos
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Multichannel Spectral Synthesis in Max
6 videos
1- Introduction to Spectral Music and Synthesis
Checking access...2 - Analysing an audio file with SPEAR
Checking access...3 - Importing the SPEAR analysis into Max
Checking access...4 - Formatting the analysis data for multichannel synthesis
Checking access...5 - Playing the Analysis Back with MC Objects
Checking access...6 - Creating Variations on the Spectral Material
Checking access...
Instructors

Umut Eldem
Umut Eldem is a composer, pianist, and researcher. His musical works and research focus on the exploration of synaesthesia as an artistic medium. He has given lectures on his research of synaesthesia, and had his audiovisual works and installations combining sound and colours presented in Belgium, Turkey, Romania, Russia, and Luxembourg. Umut Eldem is currently a PhD researcher at the Royal Conservatoire of Antwerp, and musical director of the theatre collective Mixed & United. He gives lessons and workshops on music history, musical analysis, and audiovisual design. He is also the keyboardist of the bands Starblind = Earthbound and Transport Aerian. His current PhD research entitled ‘The Hearing Glass: Synaesthetic Correspondences in The Musical Practice’ intends to take the results of his previous research and develop them into an inter-sensory theory of audiovisual art.
